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Idioma disponível: inglês
Many of you might be coming to Elgar’s great masterpiece Falstaff for the very first time – I truly hope so! It has, undeniably, had a harder time working its way into the consciousness of the ‘Elgar-lover’ than most of his other great works. Often I’ve felt that this is a question that the cognoscenti simply don’t want to wrestle with; ‘how could it possibly be a challenge to comprehend?’ Well, perhaps it’s simply down to the fact that there is a dramatic and wordless narrative that is, initially, difficult to grasp. As Elgar himself identified the four main sections of the work in his note on Falstaff, and also the sections of the Shakespearean drama that they represent, it seemed a logical extension to me to contextualize the music by adding passages of dialogue from the great bard’s, and Elgar’s, inspiration, Henry IV Part 1 and Part 2. With the wonderful contributions of Timothy West and Samuel West, I feel rather vindicated in this view, and I very much hope that its inclusion enhances your enjoyment of this musical masterpiece.
However…whilst that was always the original plan, when we came to the actual recording with the BBC National Orchestra of Wales, everyone was so overwhelmed by the orchestra’s brilliance, energy and sheer virtuosity, that the idea of including a recording of just the orchestral score began to emerge. So, perhaps we now have the best of both worlds; an ‘entertainment’ with two of the world’s great Shakespearean actors that presents the story as we progress, and the score as Elgar originally conceived it. I make no apology for this indulgence. When you love a piece as much as I love Elgar’s Falstaff, the urge to proselytize is overwhelming!
Now, as for George Chadwick’s Tam O’Shanter, adding the Burns poem might have been more of a challenge. But, fortunately, Chadwick himself penned a detailed and engaging introduction as a frontispiece to the score and my dear friends Erik Chapman and Billy Wiz set up that dark and stormy night, and the terrifying journey home, with a mixture of suave New-England sophistication and brooding Scots angst! The literary inspiration and at times near-Mahlerian overtones of Chadwick’s tone poem are vastly removed from the Symphonic Sketches of 20 or so years earlier." (Andrew Constantine)
© Orchid Classics
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Henry IV Part 1, Act I Scene 2
Samuel West, Artist - Timothy West, Artist, MainArtist
(C) 2019 Orchid Classics (P) 2019 Orchid Classics
Symphonic Study in C Minor, Op. 68 "Falstaff" (Edward Elgar)
Sir Edward ELGAR, Composer - Andrew Constantine, Conductor - The BBC National Orchestra Of Wales, Orchestra, MainArtist
(C) 2019 Orchid Classics (P) 2019 Orchid Classics
Henry IV Part 1, Act II Scene 4
Samuel West, Artist - Timothy West, Artist, MainArtist
(C) 2019 Orchid Classics (P) 2019 Orchid Classics
Symphonic Study in C Minor, Op. 68 "Falstaff" (Edward Elgar)
Sir Edward ELGAR, Composer - Andrew Constantine, Conductor - The BBC National Orchestra Of Wales, Orchestra, MainArtist
(C) 2019 Orchid Classics (P) 2019 Orchid Classics
Sir Edward ELGAR, Composer - Andrew Constantine, Conductor - The BBC National Orchestra Of Wales, Orchestra, MainArtist
(C) 2019 Orchid Classics (P) 2019 Orchid Classics
Henry IV Part 2, Act III Scene 2
Samuel West, Artist - Timothy West, Artist, MainArtist
(C) 2019 Orchid Classics (P) 2019 Orchid Classics
Symphonic Study in C Minor, Op. 68 "Falstaff" (Edward Elgar)
Sir Edward ELGAR, Composer - Andrew Constantine, Conductor - The BBC National Orchestra Of Wales, Orchestra, MainArtist
(C) 2019 Orchid Classics (P) 2019 Orchid Classics
Sir Edward ELGAR, Composer - Andrew Constantine, Conductor - The BBC National Orchestra Of Wales, Orchestra, MainArtist
(C) 2019 Orchid Classics (P) 2019 Orchid Classics
Henry IV Part 2, Act IV Scene 3
Samuel West, Artist - Timothy West, Artist, MainArtist
(C) 2019 Orchid Classics (P) 2019 Orchid Classics
Symphonic Study in C Minor, Op. 68 "Falstaff" (Edward Elgar)
Sir Edward ELGAR, Composer - Andrew Constantine, Conductor - The BBC National Orchestra Of Wales, Orchestra, MainArtist
(C) 2019 Orchid Classics (P) 2019 Orchid Classics
Erik Chapman, Artist, MainArtist - Billy Wiz, Artist
(C) 2019 Orchid Classics (P) 2019 Orchid Classics
George Whitefield Chadwick, Composer - Andrew Constantine, Conductor - The BBC National Orchestra Of Wales, Orchestra, MainArtist
(C) 2019 Orchid Classics (P) 2019 Orchid Classics
Resenha do Álbum
Many of you might be coming to Elgar’s great masterpiece Falstaff for the very first time – I truly hope so! It has, undeniably, had a harder time working its way into the consciousness of the ‘Elgar-lover’ than most of his other great works. Often I’ve felt that this is a question that the cognoscenti simply don’t want to wrestle with; ‘how could it possibly be a challenge to comprehend?’ Well, perhaps it’s simply down to the fact that there is a dramatic and wordless narrative that is, initially, difficult to grasp. As Elgar himself identified the four main sections of the work in his note on Falstaff, and also the sections of the Shakespearean drama that they represent, it seemed a logical extension to me to contextualize the music by adding passages of dialogue from the great bard’s, and Elgar’s, inspiration, Henry IV Part 1 and Part 2. With the wonderful contributions of Timothy West and Samuel West, I feel rather vindicated in this view, and I very much hope that its inclusion enhances your enjoyment of this musical masterpiece.
However…whilst that was always the original plan, when we came to the actual recording with the BBC National Orchestra of Wales, everyone was so overwhelmed by the orchestra’s brilliance, energy and sheer virtuosity, that the idea of including a recording of just the orchestral score began to emerge. So, perhaps we now have the best of both worlds; an ‘entertainment’ with two of the world’s great Shakespearean actors that presents the story as we progress, and the score as Elgar originally conceived it. I make no apology for this indulgence. When you love a piece as much as I love Elgar’s Falstaff, the urge to proselytize is overwhelming!
Now, as for George Chadwick’s Tam O’Shanter, adding the Burns poem might have been more of a challenge. But, fortunately, Chadwick himself penned a detailed and engaging introduction as a frontispiece to the score and my dear friends Erik Chapman and Billy Wiz set up that dark and stormy night, and the terrifying journey home, with a mixture of suave New-England sophistication and brooding Scots angst! The literary inspiration and at times near-Mahlerian overtones of Chadwick’s tone poem are vastly removed from the Symphonic Sketches of 20 or so years earlier." (Andrew Constantine)
© Orchid Classics
Sobre o álbum
- 1 disco(s) - 12 faixa(s)
- Duração total: 01:11:07
- 1 Folheto digital
- Artistas principais: Timothy West The BBC National Orchestra Of Wales Erik Chapman Samuel West Andrew Constantine Billy Wiz
- Compositor: Various Composers
- Gravadora: Orchid Classics
- Género: Clássica
(C) 2019 Orchid Classics (P) 2019 Orchid Classics
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