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Flóra Fábri|Ernst Wilhelm Wolf: Selected Works for Clavier

Ernst Wilhelm Wolf: Selected Works for Clavier

Flóra Fábri

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Idioma disponível: inglês

Here, Flora Fabri interprets the highly praised sonatas and a fantasy by Ernst Wilhelm Wolf on a "tangent grand". The ingenious invention of this grand piano for the time around 1770 is an intermediate form of clavichord, harpsichord and fortepiano. When a key is struck, a wooden stick with a leather head is struck against the string from below, and a second stick dampens the string again.

"Wolf [...] belongs not only [...] among our classical and best composers in any subject, but is also original". More recognition seems hardly possible from the perspective of the "Sturm und Drang": the introduction that Ernst Ludwig Gerber chooses in 1792 to his encyclopedia article on Ernst Wilhelm Wolf paints in a few words the picture of an original genius whose artistic uniqueness dominates a maximum of professional expertise. He was a pupil of Gottfried Heinrich Stölzel. In Gotha he became acquainted with the music of Carl Philipp Emanuel Bach and Carl Heinrich Graun, which strongly influenced him. Above all, he appreciated the works of C. P. E. Bach, with whom he had a lifelong friendship. At the University of Jena he was mainly engaged in music, and he was given the direction of the Collegium musicum, which gave him the opportunity to perform his own compositions. © CPO

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Ernst Wilhelm Wolf: Selected Works for Clavier

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Piano Sonata in G minor (Ernst Wilhelm Wolf)

1
I. Allegro di molto
00:04:40

Ernst Wilhelm Wolf, Composer - Flóra Fábri, Artist, MainArtist

(C) 2022 CPO (P) 2022 CPO

2
II. Adagio
00:05:36

Ernst Wilhelm Wolf, Composer - Flóra Fábri, Artist, MainArtist

(C) 2022 CPO (P) 2022 CPO

3
III. Allegro
00:04:31

Ernst Wilhelm Wolf, Composer - Flóra Fábri, Artist, MainArtist

(C) 2022 CPO (P) 2022 CPO

Piano Sonata in B-Flat Major (Ernst Wilhelm Wolf)

4
I. Allegro
00:05:30

Ernst Wilhelm Wolf, Composer - Flóra Fábri, Artist, MainArtist

(C) 2022 CPO (P) 2022 CPO

5
II. Molto adagio
00:03:37

Ernst Wilhelm Wolf, Composer - Flóra Fábri, Artist, MainArtist

(C) 2022 CPO (P) 2022 CPO

6
III. Non tanto allegro
00:04:43

Ernst Wilhelm Wolf, Composer - Flóra Fábri, Artist, MainArtist

(C) 2022 CPO (P) 2022 CPO

Piano Sonata in D minor (Ernst Wilhelm Wolf)

7
I. Allegro moderato
00:05:19

Ernst Wilhelm Wolf, Composer - Flóra Fábri, Artist, MainArtist

(C) 2022 CPO (P) 2022 CPO

8
II. Lusingando
00:02:12

Ernst Wilhelm Wolf, Composer - Flóra Fábri, Artist, MainArtist

(C) 2022 CPO (P) 2022 CPO

9
III. Allegro di molto
00:04:16

Ernst Wilhelm Wolf, Composer - Flóra Fábri, Artist, MainArtist

(C) 2022 CPO (P) 2022 CPO

Piano Sonata in F major (Ernst Wilhelm Wolf)

10
I. Allegro
00:03:42

Ernst Wilhelm Wolf, Composer - Flóra Fábri, Artist, MainArtist

(C) 2022 CPO (P) 2022 CPO

11
II. Allegretto e un poco vivo
00:07:06

Ernst Wilhelm Wolf, Composer - Flóra Fábri, Artist, MainArtist

(C) 2022 CPO (P) 2022 CPO

Fantasia mit einem dreizehnmal variierten Thema (Ernst Wilhelm Wolf)

12
Fantasia mit einem dreizehnmal variierten Thema
00:21:02

Ernst Wilhelm Wolf, Composer - Flóra Fábri, Artist, MainArtist

(C) 2022 CPO (P) 2022 CPO

Resenha do Álbum

Here, Flora Fabri interprets the highly praised sonatas and a fantasy by Ernst Wilhelm Wolf on a "tangent grand". The ingenious invention of this grand piano for the time around 1770 is an intermediate form of clavichord, harpsichord and fortepiano. When a key is struck, a wooden stick with a leather head is struck against the string from below, and a second stick dampens the string again.

"Wolf [...] belongs not only [...] among our classical and best composers in any subject, but is also original". More recognition seems hardly possible from the perspective of the "Sturm und Drang": the introduction that Ernst Ludwig Gerber chooses in 1792 to his encyclopedia article on Ernst Wilhelm Wolf paints in a few words the picture of an original genius whose artistic uniqueness dominates a maximum of professional expertise. He was a pupil of Gottfried Heinrich Stölzel. In Gotha he became acquainted with the music of Carl Philipp Emanuel Bach and Carl Heinrich Graun, which strongly influenced him. Above all, he appreciated the works of C. P. E. Bach, with whom he had a lifelong friendship. At the University of Jena he was mainly engaged in music, and he was given the direction of the Collegium musicum, which gave him the opportunity to perform his own compositions. © CPO

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