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MIKE SHINODA|Dropped Frames, Vol. 1

Dropped Frames, Vol. 1

MIKE SHINODA

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Idioma disponível: inglês

In 2018, Mike Shinoda released the album Post Traumatic at a time when he was deeply affected by the suicide of his friend Chester Bennington, the lead singer of their group, Linkin Park. While it’s impossible to know whether his grieving has passed, we can safely say that this new release from the guitarist/singer/rapper, Dropped Frames Vol. 1, is much brighter and more optimistic. It is rather fascinating to hear the beginnings of these tracks developing with beautiful ideas, and then these same tracks smoothing out abruptly into more commercial territory. Shinoda has always assumed this duality, this need to tailor his music to the majority even if it means not following through with his intentions. This is the primary flaw critics attribute to him. Nevertheless, Dropped Frames Vol. 1 skilfully combines electronic music (Super Galaxtica), martial rhythms (Open Door), manic moments (Doodle Buzz), and of course the rock influences inherent in his career. Like an adolescent in his bedroom, he even experiments with epileptic drum machines and tampered with vocals similar to those of the Beastie Boys on the closing track, Booty Down. A certain light has taken precedence over the pain, and it shows. © Brice Miclet/Qobuz

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Dropped Frames, Vol. 1

MIKE SHINODA

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1
Open Door
00:03:05

MIKE SHINODA, Producer, Engineer, Masterer, MainArtist

© 2020 Kenji Kobayashi Productions ℗ 2020 Kenji Kobayashi Productions

2
Super Galaxtica
00:02:29

MIKE SHINODA, Producer, Engineer, Masterer, MainArtist

© 2020 Kenji Kobayashi Productions ℗ 2020 Kenji Kobayashi Productions

3
Duckbot
00:02:09

MIKE SHINODA, Producer, Engineer, Masterer, MainArtist

© 2020 Kenji Kobayashi Productions ℗ 2020 Kenji Kobayashi Productions

4
Cupcake Cake
00:03:15

MIKE SHINODA, Producer, Engineer, Masterer, MainArtist

© 2020 Kenji Kobayashi Productions ℗ 2020 Kenji Kobayashi Productions

5
El Rey Demonio
00:02:44

MIKE SHINODA, Producer, Engineer, Masterer, MainArtist

© 2020 Kenji Kobayashi Productions ℗ 2020 Kenji Kobayashi Productions

6
Doodle Buzz
00:03:50

MIKE SHINODA, Producer, Engineer, Masterer, MainArtist

© 2020 Kenji Kobayashi Productions ℗ 2020 Kenji Kobayashi Productions

7
Channeling, Pt. 1 (feat. Dan Mayo)
00:03:52

MIKE SHINODA, Producer, Engineer, Masterer, MainArtist - Dan Mayo, FeaturedArtist, Featured Drums

© 2020 Kenji Kobayashi Productions ℗ 2020 Kenji Kobayashi Productions

8
Osiris
00:03:18

MIKE SHINODA, Producer, Engineer, Masterer, MainArtist

© 2020 Kenji Kobayashi Productions ℗ 2020 Kenji Kobayashi Productions

9
Babble Bobble
00:01:54

MIKE SHINODA, Producer, Engineer, Masterer, MainArtist

© 2020 Kenji Kobayashi Productions ℗ 2020 Kenji Kobayashi Productions

10
Session McSessionface
00:03:24

MIKE SHINODA, Producer, Engineer, Masterer, MainArtist

© 2020 Kenji Kobayashi Productions ℗ 2020 Kenji Kobayashi Productions

11
Neon Crickets
00:03:25

MIKE SHINODA, Producer, Engineer, Masterer, MainArtist

© 2020 Kenji Kobayashi Productions ℗ 2020 Kenji Kobayashi Productions

12
Booty Down
00:00:56

MIKE SHINODA, Producer, Engineer, Masterer, MainArtist

© 2020 Kenji Kobayashi Productions ℗ 2020 Kenji Kobayashi Productions

Resenha do Álbum

In 2018, Mike Shinoda released the album Post Traumatic at a time when he was deeply affected by the suicide of his friend Chester Bennington, the lead singer of their group, Linkin Park. While it’s impossible to know whether his grieving has passed, we can safely say that this new release from the guitarist/singer/rapper, Dropped Frames Vol. 1, is much brighter and more optimistic. It is rather fascinating to hear the beginnings of these tracks developing with beautiful ideas, and then these same tracks smoothing out abruptly into more commercial territory. Shinoda has always assumed this duality, this need to tailor his music to the majority even if it means not following through with his intentions. This is the primary flaw critics attribute to him. Nevertheless, Dropped Frames Vol. 1 skilfully combines electronic music (Super Galaxtica), martial rhythms (Open Door), manic moments (Doodle Buzz), and of course the rock influences inherent in his career. Like an adolescent in his bedroom, he even experiments with epileptic drum machines and tampered with vocals similar to those of the Beastie Boys on the closing track, Booty Down. A certain light has taken precedence over the pain, and it shows. © Brice Miclet/Qobuz

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