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Cécile McLorin Salvant|Dreams and Daggers

Dreams and Daggers

Cécile McLorin Salvant

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The juxtaposition of dualistic concepts like love and anger, joy and heartache, and the way these emotions are inextricably linked in our romantic psyches inform all of Cecile McLorin Salvant's virtuosic, urbanely produced fourth album, 2017's Dreams and Daggers. Recorded live at the Village Vanguard (yes, you can sometimes hear the enthusiastic audience) and in studio at New York's DiMenna Center, the double-disc set features Salvant on a thoughtfully curated selection of standards and several originals, all touching upon the themes of romance and heartbreak. Along with her regular trio of pianist Aaron Diehl, bassist Paul Sikivie, and drummer Lawrence Leathers, Salvant is joined at various times by the classical string ensemble the Catalyst Quartet, who supply a cinematic layer of orchestration (via Sikivie's gorgeously refined arrangements) to Salvant's already emotive style. Also making an appearance on a delightfully earthy rendition of the Bessie Smith number "You've Got to Give Me Some" is pianist Sullivan Fortner, whose lively chemistry with Salvant brings to mind Oscar Peterson's work with Ella Fitzgerald. Since winning the 2010 Thelonious Monk Jazz Vocal Competition, the Miami-born Salvant has built a formidable career around her dynamic, sophisticated brand of vocal jazz. Marked by her highly resonant voice and deft sense of phrasing, it's a style that recalls the swinging virtuosity of Fitzgerald, as well as the more idiosyncratic approach of Betty Carter. Cuts here, like her soulfully lithe take on Frank Loesser's "Never Will I Marry," and her swaggeringly cheeky turn on Ida Cox's "Wild Women Don't Have the Blues," are breathtaking in their sophistication and interpretive nuance. The thing about Salvant, is that while her titanic abilities draw easy and well-earned comparisons, she never comes off as a mimic, remaining instead confidant, and firmly self-aware in her own ability to put a song over to a crowd. Whether she takes on a warhorse here like "I Didn't Know What Time It Was," or reveals her impeccable flair for picking lesser performed songs as on her wry reading of Noel Coward's "Mad About the Boy," she imbues each track with her own distinctive point of view. The few original compositions included here especially reveal her to be a literate, deeply poetic artist with a strong sense of personal identity -- as heard on the short chamber piece "Red Instead," in which she sings, "I can't really change the way I am/I can be bolder/Sharpen my dagger/Cut through the multitudes and make it bright red instead." Ultimately, on Dreams and Daggers, with its balanced framework of live and studio recordings, happy and sad romantic songs, small group and classical chamber pieces, Salvant remains as bold and as sharp as ever.

© Matt Collar /TiVo

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Dreams and Daggers

Cécile McLorin Salvant

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1
And Yet
00:01:06

Cécile McLorin Salvant, Composer, MainArtist - Paul Sikivie, Composer - Violette and Mimi Publishing/Gliding Dove Music Publishing (BMI); Paul Sikivie (ASCAP), MusicPublisher

(C) 2017 Mack Avenue Records II, LLC (P) 2017 Mack Avenue Records II, LLC

2
Devil May Care
00:06:56

Bob Dorough, Composer - Cécile McLorin Salvant, MainArtist - Sincere Music Co/Irving Music, Inc. (BMI), MusicPublisher - Terrell P. Kirk, Jr., Composer

(C) 2017 Mack Avenue Records II, LLC (P) 2017 Mack Avenue Records II, LLC

3
Mad About The Boy
00:06:52

Noel Coward, Composer - Cécile McLorin Salvant, MainArtist - Chappell & Co. (ASCAP), MusicPublisher

(C) 2017 Mack Avenue Records II, LLC (P) 2017 Mack Avenue Records II, LLC

4
Sam Jones’ Blues
00:03:00

Roy Turk, Composer - J. Russell Robinson, Composer - Al Bernard, Composer - Cécile McLorin Salvant, MainArtist - EMI Mills Music Inc.; WB Music Corp; Sony/ATV Tunes (ASCAP), MusicPublisher

(C) 2017 Mack Avenue Records II, LLC (P) 2017 Mack Avenue Records II, LLC

5
More
00:03:33

Cécile McLorin Salvant, Composer, MainArtist - Violette and Mimi Publishing/Gliding Dove Music Publishing (BMI), MusicPublisher

(C) 2017 Mack Avenue Records II, LLC (P) 2017 Mack Avenue Records II, LLC

6
Never Will I Marry
00:04:03

FRANK LOESSER, Composer - Cécile McLorin Salvant, MainArtist - Frank Music Corp./MPL Music Publishing Inc. (ASCAP), MusicPublisher

(C) 2017 Mack Avenue Records II, LLC (P) 2017 Mack Avenue Records II, LLC

7
Somehow I Never Could Believe
00:09:55

Kurt Weil, Composer - Langston Hughes, Composer - Cécile McLorin Salvant, MainArtist - Chappell & Co.; Hampshire House Publishing (ASCAP), MusicPublisher

(C) 2017 Mack Avenue Records II, LLC (P) 2017 Mack Avenue Records II, LLC

8
If A Girl Isn’t Pretty
00:02:55

Jule Styne, Composer - Bob Merrill, Composer - Cécile McLorin Salvant, MainArtist - Chappell & Co. (ASCAP), MusicPublisher

(C) 2017 Mack Avenue Records II, LLC (P) 2017 Mack Avenue Records II, LLC

9
Red Instead
00:00:34

Cécile McLorin Salvant, Composer, MainArtist - Violette and Mimi Publishing/Gliding Dove Music Publishing (BMI), MusicPublisher

(C) 2017 Mack Avenue Records II, LLC (P) 2017 Mack Avenue Records II, LLC

10
Runnin’ Wild
00:01:39

A.H. Gibbs, Composer - Leo Wood, Composer - Joe Grey, Composer - Cécile McLorin Salvant, MainArtist - Fenwood Music Co; EMI Feist Catalog/EMI April Music (ASCAP), MusicPublisher

(C) 2017 Mack Avenue Records II, LLC (P) 2017 Mack Avenue Records II, LLC

11
The Best Thing For You (Would Be Me)
00:07:12

Irving Berlin, Composer - Cécile McLorin Salvant, MainArtist - Irving Berlin Music Company (ASCAP), MusicPublisher

(C) 2017 Mack Avenue Records II, LLC (P) 2017 Mack Avenue Records II, LLC

DISCO 2

1
You’re My Thrill
00:04:33

Jay Gorney, Composer - Sidney Clare, Composer - Cécile McLorin Salvant, MainArtist - Gorney Music/Next Decade Entertainment; Bourne Co. (ASCAP), MusicPublisher

(C) 2017 Mack Avenue Records II, LLC (P) 2017 Mack Avenue Records II, LLC

2
I Didn’t Know What Time It Was
00:06:29

Richard Rodgers, Composer - Lorenz Hart, Composer - Cécile McLorin Salvant, MainArtist - Williamson Music Co.; Chappell & Co. (ASCAP), MusicPublisher

(C) 2017 Mack Avenue Records II, LLC (P) 2017 Mack Avenue Records II, LLC

3
Tell Me What They’re Saying Can’t Be True
00:05:29

Buddy Johnson, Composer - Cécile McLorin Salvant, MainArtist - Sophisticate Music Inc. (BMI), MusicPublisher

(C) 2017 Mack Avenue Records II, LLC (P) 2017 Mack Avenue Records II, LLC

4
Nothing Like You
00:03:49

Bob Dorough, Composer - Cécile McLorin Salvant, MainArtist - Songs of Universal, Inc. (ASCAP), MusicPublisher

(C) 2017 Mack Avenue Records II, LLC (P) 2017 Mack Avenue Records II, LLC

5
You’ve Got To Give Me Some
00:06:11

Spencer Williams, Composer - Cécile McLorin Salvant, MainArtist - Edwin H. Morris & Company/MPL Music Publishing Inc. (ASCAP), MusicPublisher

(C) 2017 Mack Avenue Records II, LLC (P) 2017 Mack Avenue Records II, LLC

6
The Worm
00:01:03

Cécile McLorin Salvant, Composer, MainArtist - Paul Sikivie, Composer - Violette and Mimi Publishing/Gliding Dove Music Publishing (BMI); Paul Sikivie (ASCAP), MusicPublisher

(C) 2017 Mack Avenue Records II, LLC (P) 2017 Mack Avenue Records II, LLC

7
My Man’s Gone Now
00:06:27

George Gershwin, Composer - Ira Gershwin, Composer - Dubose Heyward, Composer - Cécile McLorin Salvant, MainArtist - Warner Bros Music; Frankie G Songs/Songs of SMP; DuBose & Heyward Memorial/Songs of SMP; Nokawi Music/Raleigh Music Publishing (ASCAP), MusicPublisher

(C) 2017 Mack Avenue Records II, LLC (P) 2017 Mack Avenue Records II, LLC

8
Let’s Face The Music And Dance
00:06:54

Irving Berlin, Composer - Cécile McLorin Salvant, MainArtist - Irving Berlin Music Company (ASCAP), MusicPublisher

(C) 2017 Mack Avenue Records II, LLC (P) 2017 Mack Avenue Records II, LLC

9
Si J’étais Blanche
00:05:14

Henri Varna, Composer - LEO LELIEVRE, Composer - Cécile McLorin Salvant, MainArtist - Bobby Falk, Composer - EMI Music Publishing (SACEM), MusicPublisher

(C) 2017 Mack Avenue Records II, LLC (P) 2017 Mack Avenue Records II, LLC

10
Fascination
00:01:27

Langston Hughes, Composer - Cécile McLorin Salvant, Composer, MainArtist - Paul Sikivie, Composer - Violette and Mimi Publishing/Gliding Dove Music Publishing (BMI); Paul Sikivie (ASCAP), MusicPublisher

(C) 2017 Mack Avenue Records II, LLC (P) 2017 Mack Avenue Records II, LLC

11
Wild Women Don’t Have The Blues
00:06:51

Ida Cox, Composer - Cécile McLorin Salvant, MainArtist - 1924 Traditional, MusicPublisher

(C) 2017 Mack Avenue Records II, LLC (P) 2017 Mack Avenue Records II, LLC

12
You’re Getting To Be A Habit With Me
00:09:53

AL DUBIN, Composer - Harry Warren, Composer - Cécile McLorin Salvant, MainArtist - Warner Bros Music (ASCAP), MusicPublisher

(C) 2017 Mack Avenue Records II, LLC (P) 2017 Mack Avenue Records II, LLC

Resenha do Álbum

The juxtaposition of dualistic concepts like love and anger, joy and heartache, and the way these emotions are inextricably linked in our romantic psyches inform all of Cecile McLorin Salvant's virtuosic, urbanely produced fourth album, 2017's Dreams and Daggers. Recorded live at the Village Vanguard (yes, you can sometimes hear the enthusiastic audience) and in studio at New York's DiMenna Center, the double-disc set features Salvant on a thoughtfully curated selection of standards and several originals, all touching upon the themes of romance and heartbreak. Along with her regular trio of pianist Aaron Diehl, bassist Paul Sikivie, and drummer Lawrence Leathers, Salvant is joined at various times by the classical string ensemble the Catalyst Quartet, who supply a cinematic layer of orchestration (via Sikivie's gorgeously refined arrangements) to Salvant's already emotive style. Also making an appearance on a delightfully earthy rendition of the Bessie Smith number "You've Got to Give Me Some" is pianist Sullivan Fortner, whose lively chemistry with Salvant brings to mind Oscar Peterson's work with Ella Fitzgerald. Since winning the 2010 Thelonious Monk Jazz Vocal Competition, the Miami-born Salvant has built a formidable career around her dynamic, sophisticated brand of vocal jazz. Marked by her highly resonant voice and deft sense of phrasing, it's a style that recalls the swinging virtuosity of Fitzgerald, as well as the more idiosyncratic approach of Betty Carter. Cuts here, like her soulfully lithe take on Frank Loesser's "Never Will I Marry," and her swaggeringly cheeky turn on Ida Cox's "Wild Women Don't Have the Blues," are breathtaking in their sophistication and interpretive nuance. The thing about Salvant, is that while her titanic abilities draw easy and well-earned comparisons, she never comes off as a mimic, remaining instead confidant, and firmly self-aware in her own ability to put a song over to a crowd. Whether she takes on a warhorse here like "I Didn't Know What Time It Was," or reveals her impeccable flair for picking lesser performed songs as on her wry reading of Noel Coward's "Mad About the Boy," she imbues each track with her own distinctive point of view. The few original compositions included here especially reveal her to be a literate, deeply poetic artist with a strong sense of personal identity -- as heard on the short chamber piece "Red Instead," in which she sings, "I can't really change the way I am/I can be bolder/Sharpen my dagger/Cut through the multitudes and make it bright red instead." Ultimately, on Dreams and Daggers, with its balanced framework of live and studio recordings, happy and sad romantic songs, small group and classical chamber pieces, Salvant remains as bold and as sharp as ever.

© Matt Collar /TiVo

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