Categorias:
Carrinho de compras 0

Serviço indisponível no momento.

Trust Punks|Double Bind

Double Bind

Trust Punks

Disponível em
16-Bit/44.1 kHz Estéreo

Streaming ilimitado

Escute agora este álbum em alta qualidade nos nossos aplicativos

Iniciar meu período de teste e começar a escutar este álbum

Curta este álbum nos aplicativos Qobuz com a sua assinatura

Assinar

Curta este álbum nos aplicativos Qobuz com a sua assinatura

Building on the jangly sounds of the Discipline EP, on Double Bind, Trust Punks reveal themselves as more restless, and ambitious, than many of the other Australasian acts reshaping punk. They're not complacent, and they don't want their listeners to be, either. They begin the album by diving headlong into uncomfortable issues: Their outrage over anti-immigrant discrimination sets fire to "Paradise/Angel-wire"'s post-punk gloom, while "Good Luck with That" tears into the American prison industrial complex ("you got suburban fears") in two breathless minutes. This would be more than enough fodder for most bands' debut albums, but Double Bind upends expectations on almost every track. None of these songs sound much like each other; instead, the band's energy unites the album as it ranges from melancholy, Discipline-like moments such as "The Reservoir" to the smoldering fury of "Riding It Out" to the meditative "Beneath the Commons." Trust Punks don't hide their influences on Double Bind, but they don't copy them slavishly, either. Their nods to Polvo, Slint, Wire, the Fall, and This Heat feel like they're adding to, not just borrowing from, the legacy of bands who challenged themselves as much as their listeners. Indeed, Trust Punks are at their best on Double Bind when they test their limits. "Pig" is a near-perfect balance of their abrasive and melodic sides, while "Leaving Room for the Lord" is gnarled and combative, taking the entire history of Auckland's skirmishes between punks and police in its sweep. Trust Punks save the most striking moment for last: "Bank of God"'s thrilling nine-minute sprawl begins with a brass fanfare that announces its scrappy Motorik and free-falling guitars. It feels miles away from Discipline and the other songs here, but even on a song this transporting, the band leaves enough rough edges to live up to the punk part of their name. As impressive as the album can be, sometimes it feels like Trust Punks are still grappling with how to put everything together. Still, Double Bind's sheer amount of ideas and spirit -- and flashes of greatness -- suggest the band is on the cusp of something revolutionary.
© Heather Phares /TiVo

Mais informações

Double Bind

Trust Punks

launch qobuz app Já baixei o Qobuz para Windows / MacOS Abrir

download qobuz app Ainda não baixei o Qobuz para Windows / MacOS Baixar o aplicativo Qobuz

Você está escutando amostras.

Escute mais de 100 milhões de músicas com um plano de streaming ilimitado.

Escute esta playlist e mais de 100 milhões de músicas com os nossos planos de streaming ilimitado.

A partir de 8,99€/mês

1
Paradise/angel-wire Explicit
00:04:07

Paul Brown, Composer - Alexander Grant, Composer - Trust Punks, MainArtist - Joseph Trotman, Composer - Lliam Powell, Composer - Matthew Vella, Composer

2016 Trust Punks 2016 Trust Punks

2
Good Luck With That
00:02:03

Paul Brown, Composer - Alexander Grant, Composer - Trust Punks, MainArtist - Joseph Thomas Trotman, Composer - Lliam Powell, Composer - Matthew Vella, Composer

2016 Trust Punks 2016 Trust Punks

3
The Reservoir
00:03:00

Paul Brown, Composer - Alexander Grant, Composer - Trust Punks, MainArtist - Joseph Thomas Trotman, Composer - Lliam Powell, Composer - Matthew Vella, Composer

2016 Trust Punks 2016 Trust Punks

4
Half The Way Down
00:03:08

Paul Brown, Composer - Alexander Grant, Composer - Trust Punks, MainArtist - Joseph Thomas Trotman, Composer - Lliam Powell, Composer - Matthew Vella, Composer

2016 Trust Punks 2016 Trust Punks

5
Double Bind
00:01:40

Paul Brown, Composer - Alexander Grant, Composer - Trust Punks, MainArtist - Joseph Thomas Trotman, Composer - Lliam Powell, Composer - Matthew Vella, Composer

2016 Trust Punks 2016 Trust Punks

6
Leaving Room For The Lord
00:04:54

Paul Brown, Composer - Alexander Grant, Composer - Trust Punks, MainArtist - Joseph Thomas Trotman, Composer - Lliam Powell, Composer - Matthew Vella, Composer

2016 Trust Punks 2016 Trust Punks

7
Pig
00:04:55

Paul Brown, Composer - Alexander Grant, Composer - Trust Punks, MainArtist - Joseph Thomas Trotman, Composer - Lliam Powell, Composer - Matthew Vella, Composer

2016 Trust Punks 2016 Trust Punks

8
Lawrence
00:00:37

Paul Brown, Composer - Alexander Grant, Composer - Trust Punks, MainArtist - Lawrence Goodwin, Composer - Joseph Thomas Trotman, Composer - Lliam Powell, Composer - Matthew Vella, Composer

2016 Trust Punks 2016 Trust Punks

9
Riding It Out
00:04:57

Paul Brown, Composer - Alexander Grant, Composer - Trust Punks, MainArtist - Joseph Thomas Trotman, Composer - Lliam Powell, Composer - Matthew Vella, Composer

2016 Trust Punks 2016 Trust Punks

10
Beneath The Commons
00:05:07

Paul Brown, Composer - Alexander Grant, Composer - Trust Punks, MainArtist - Joseph Thomas Trotman, Composer - Lliam Powell, Composer - Matthew Vella, Composer

2016 Trust Punks 2016 Trust Punks

11
Bank Of God
00:08:50

Paul Brown, Composer - Alexander Grant, Composer - Trust Punks, MainArtist - Joseph Thomas Trotman, Composer - Lliam Powell, Composer - Matthew Vella, Composer

2016 Trust Punks 2016 Trust Punks

Resenha do Álbum

Building on the jangly sounds of the Discipline EP, on Double Bind, Trust Punks reveal themselves as more restless, and ambitious, than many of the other Australasian acts reshaping punk. They're not complacent, and they don't want their listeners to be, either. They begin the album by diving headlong into uncomfortable issues: Their outrage over anti-immigrant discrimination sets fire to "Paradise/Angel-wire"'s post-punk gloom, while "Good Luck with That" tears into the American prison industrial complex ("you got suburban fears") in two breathless minutes. This would be more than enough fodder for most bands' debut albums, but Double Bind upends expectations on almost every track. None of these songs sound much like each other; instead, the band's energy unites the album as it ranges from melancholy, Discipline-like moments such as "The Reservoir" to the smoldering fury of "Riding It Out" to the meditative "Beneath the Commons." Trust Punks don't hide their influences on Double Bind, but they don't copy them slavishly, either. Their nods to Polvo, Slint, Wire, the Fall, and This Heat feel like they're adding to, not just borrowing from, the legacy of bands who challenged themselves as much as their listeners. Indeed, Trust Punks are at their best on Double Bind when they test their limits. "Pig" is a near-perfect balance of their abrasive and melodic sides, while "Leaving Room for the Lord" is gnarled and combative, taking the entire history of Auckland's skirmishes between punks and police in its sweep. Trust Punks save the most striking moment for last: "Bank of God"'s thrilling nine-minute sprawl begins with a brass fanfare that announces its scrappy Motorik and free-falling guitars. It feels miles away from Discipline and the other songs here, but even on a song this transporting, the band leaves enough rough edges to live up to the punk part of their name. As impressive as the album can be, sometimes it feels like Trust Punks are still grappling with how to put everything together. Still, Double Bind's sheer amount of ideas and spirit -- and flashes of greatness -- suggest the band is on the cusp of something revolutionary.
© Heather Phares /TiVo

Sobre o álbum

Melhorar as informações do álbum
Mais sobre o Qobuz
Por Trust Punks

Improved Discipline

Trust Punks

Improved Discipline Trust Punks
Você também pode gostar...

Wall Of Eyes

The Smile

Wall Of Eyes The Smile

In Times New Roman...

Queens Of The Stone Age

In Times New Roman... Queens Of The Stone Age

HIT ME HARD AND SOFT

Billie Eilish

HIT ME HARD AND SOFT Billie Eilish

OK Computer OKNOTOK 1997 2017

Radiohead

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Billie Eilish