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Paul Desmond|Desmond Blue

Desmond Blue

Paul Desmond

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As intended, this album presents alto sax specialist Paul Desmond as never featured before, with the backing of a string orchestra. The record, filled with such beautiful jazz standards as "My Funny Valentine," "I've Got You Under My Skin," and "Body and Soul," is very rich in texture, yet subtle and mellow overall in mood. It's unyielding purpose: to soothe the souls of its listeners. Desmond's style and tone shine with an alluring quality, and the record is filled with melodies that don't fail to stimulate the sophisticated jazz listener. Desmond's melodies are eloquently detailed and charmingly spun in the midst of the string orchestra arranged and conducted by Bob Prince. The legendary Jim Hall is featured as guest guitarist, playing yet another scintillating role and using his classic comping style. Hall is perhaps the most highly respected of all jazz guitarists for his good taste and witty inventiveness. Desmond has always been most familiar to the jazz public for his sweeping scale passages and his seemingly effortless spontaneity during periods of improvisation, although here he is often featured in a more lyrical ballad style on such romantic tunes as "My Funny Valentine," "Late Lament," and "Then I'll Be Tired of You." This album is a highly innovative and meticulously crafted work, reflecting the ongoing success of both Desmond and Hall within the 1960s and the cool jazz period. Both of these musicians spent time working with Dave Brubeck and later lent themselves to many of Antonio Carlos Jobim's bossa nova projects. The arrangements are extraordinary throughout this collection, including the charming "Valentine," which begins with a fantastic Elizabethan flavor. The intro sets up the mood to carry Desmond into the first chorus, which then glides into a 20th century style. The tune "I Should Care" is "a shimmering debt to Ibert and one of the most imaginative blendings you will ever hear of strings, reeds, French horn and harp," according to the liner notes. The tone of the album: lush, reflective, thought-provoking, and soul-stirring. This work is quite a plus for any listener and especially those who consider themselves avid fans of Paul Desmond.

© Shawn Haney /TiVo

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Desmond Blue

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1
My Funny Valentine (2011 Remaster)
00:03:50

Albert Richman, French Horn - Bob Prince, Arranger - Bob Prince, Conductor - Connie Kay, Drums - Gene Bianco, Harp - Gene Cherico, Bass - George Marge, Woodwinds - Jim Hall, Guitar - Lorenz Hart, Lyricist - Paul Desmond, Alto Saxophone - Paul Desmond, Performer - Richard Rodgers, Composer - Robert Doty, Woodwinds

Originally recorded 1961 & released 2011. All rights reserved by Sony Music Entertainment

2
Desmond Blue (2011 Remaster)
00:03:38

Albert Richman, French Horn - Bob Prince, Arranger - Bob Prince, Conductor - George Avakian, Producer - Gloria Agostini, Harp - Jim Hall, Guitar - Milt Hinton, Bass - Paul Desmond, Composer - Paul Desmond, Performer - Paul Desmond, Saxophone - Robert Thomas, Drums - Romeo Penque, Woodwinds - Stan Webb, Woodwinds

Originally recorded 1961 & released 2011. All rights reserved by Sony Music Entertainment

3
Then I'll Be Tired of You (2011 Remaster)
00:04:04

Albert Richman, French Horn - Arthur Schwartz, Composer - Arthur Schwartz, Lyricist - Bob Prince, Arranger - Bob Prince, Conductor - E.Y. Harbourg, Composer - E.Y. Harbourg, Lyricist - George Avakian, Producer - Gloria Agostini, Harp - Jim Hall, Guitar - Milt Hinton, Bass Guitar - Paul Desmond, Alto Saxophone - Paul Desmond, Performer - Robert Thomas, Drums - Romeo Penque, Woodwinds - Stan Webb, Woodwinds

Originally recorded 1961 & released 2011. All rights reserved by Sony Music Entertainment

4
I've Got You Under My Skin (2011 Remaster)
00:04:39

Albert Richman, French Horn - Bob Prince, Arranger - Bob Prince, Conductor - Cole Porter, Composer - Cole Porter, Lyricist - George Avakian, Producer - Gloria Agostini, Harp - Jim Hall, Guitar - Milt Hinton, Bass - Paul Desmond, Alto Saxophone - Paul Desmond, Performer - Ray Hall, Recording Engineer - Robert Thomas, Percussion - Romeo Penque, Woodwinds - Stan Webb, Woodwinds

Originally recorded 1961 & released 2011. All rights reserved by Sony Music Entertainment

5
Late Lament (2011 Remaster)
00:04:09

Albert Richman, French Horn - Bob Prince, Arranger - Bob Prince, Conductor - George Avakian, Producer - Gloria Agostini, Harp - Milt Hinton, Bass - Paul Desmond, Alto Saxophone - Paul Desmond, Composer - Paul Desmond, Performer - Philip Bodner, Woodwinds - Robert C. Thomas, Percussion - Romeo Penque, Woodwinds

Originally recorded 1961 & released 2011. All rights reserved by Sony Music Entertainment

6
I Should Care (2011 Remaster)
00:03:49

Albert Richman, French Horn - Axel Stordahl, Composer - Bob Prince, Arranger - Bob Prince, Conductor - George Avakian, Producer - Gloria Agostini, Harp - Milt Hinton, Bass - Paul Desmond, Alto Saxophone - Paul Desmond, Performer - Paul Weston, Composer - Philip Bodner, Woodwinds - Ray Hall, Recording Engineer - Robert C. Thomas, Percussion - Romeo Penque, Woodwinds - Sammy Cahn, Lyricist

Originally recorded 1961 & released 2011. All rights reserved by Sony Music Entertainment

7
Like Someone In Love (2011 Remaster)
00:04:11

Albert Richman, French Horn - Bob Prince, Arranger - Bob Prince, Conductor - George Avakian, Producer - Gloria Agostini, Harp - Jimmy Van Heusen, Composer - Johnny Burke, Lyricist - Milt Hinton, Bass - Paul Desmond, Performer - Paul Desmond, Saxophone - Philip Bodner, Woodwinds - Robert Thomas, Percussion - Romeo Penque, Woodwinds

Originally recorded 1961 & released 2011. All rights reserved by Sony Music Entertainment

8
Ill Wind (2011 Remaster)
00:03:49

Albert Richman, French Horn - Bob Prince, Arranger - Bob Prince, Conductor - George Avakian, Producer - Gloria Agostini, Harp - Harold Arlen, Composer - Jim Hall, Guitar - Milt Hinton, Bass - Paul Desmond, Performer - Paul Desmond, Saxophone - Robert Thomas, Drums - Romeo Penque, Woodwinds - Stan Webb, Woodwinds - Ted Koehler, Lyricist

Originally recorded 1961 & released 2011. All rights reserved by Sony Music Entertainment

9
Body and Soul (2011 Remaster)
00:04:50

Albert Richman, French Horn - Bob Prince, Arranger - Bob Prince, Conductor - Edward Heyman, Composer - Edward Heyman, Lyricist - Frank Eyton, Composer - Frank Eyton, Lyricist - George Avakian, Producer - Gloria Agostini, Harp - Jim Hall, Guitar - John Green, Composer - John Green, Lyricist - Milt Hinton, Bass - Paul Desmond, Alto Saxophone - Paul Desmond, Performer - Robert "Bob" Sour, Composer - Robert "Bob" Sour, Lyricist - Robert Thomas, Drums - Romeo Penque, Woodwinds - Stan Webb, Woodwinds

Originally recorded 1961 & released 2011. All rights reserved by Sony Music Entertainment

10
Advise and Consent (2011 Remaster)
00:02:00

Bob Prince, Arranger - Bob Prince, Conductor - George Avakian, Producer - Gloria Agostini, Harp - Jerry Fielding, Composer - Milt Hinton, Bass - Osie Johnson, Drums - Paul Desmond, Alto Saxophone - Paul Desmond, Performer - Philip Bodner, Woodwinds - Romeo Penque, Woodwinds - Tony Miranda, French Horn

(P) 2011 Sony Music Entertainment

11
Autumn Leaves (2011 Remaster)
00:05:42

Bob Prince, Arranger - Bob Prince, Conductor - George Avakian, Producer - Gloria Agostini, Harp - Jacques Prévert, Composer - Johnny Mercer, Composer - Joseph Kozma, Composer - Milt Hinton, Bass - Osie Johnson, Drums - Paul Desmond, Performer - Paul Desmond, Saxophone - Philip Bodner, Woodwinds - Romeo Penque, Woodwinds - Tony Miranda, French Horn

(P) 2011 Sony Music Entertainment

12
Imagination (2011 Remaster)
00:04:03

Bob Prince, Arranger - Bob Prince, Conductor - George Avakian, Producer - Gloria Agostini, Harp - Jimmy Van Heusen, Composer - Johnny Burke, Composer - Milt Hinton, Bass - Osie Johnson, Drums - Paul Desmond, Alto Saxophone - Paul Desmond, Performer - Philip Bodner, Woodwinds - Romeo Penque, Woodwinds - Tony Miranda, French Horn

(P) 2011 Sony Music Entertainment

13
Autumn Leaves (2011 Remaster)
00:05:37

Alexander Cores, Violin - Alfred V. Brown, Viola - Alvin Rudnitsky, Violin - Barry Feldman, Reissue Producer - Berl Senofsky, Violin - Bernard Eichenbaum, Violin - Bob Prince, Arranger - Bob Prince, Conductor - Charles Libove, Violin - Charles McCracken, Cello - George Avakian, Producer - Gloria Agostini, Harp - Harold Coletta, Viola - Harvey Shapiro, Cello - Jacques Prévert, Composer - Johnny Mercer, Composer - Joseph Kozma, Composer - Leo Kruczek, Violin - Marvin Morgenstern, Violin - Maurice Wilk, Violin - Michael O. Drexler, Re-Mastering Engineer - Milt Hinton, Bass - Osie Johnson, Drums - Paul Desmond, Alto Saxophone - Paul Desmond, Performer - Philip Bodner, Woodwinds - Ray Hall, Recording Engineer - Romeo Penque, Woodwinds - Seymour Barab, Cello - Tony Miranda, French Horn

(P) 2011 Sony Music Entertainment

14
Autumn Leaves (2011 Remaster)
00:03:38

Alexander Cores, Violin - Alfred V. Brown, Viola - Alvin Rudnitsky, Violin - Barry Feldman, Reissue Producer - Berl Senofsky, Violin - Bernard Eichenbaum, Violin - Bob Prince, Arranger - Bob Prince, Conductor - Charles Libove, Violin - Charles McCracken, Cello - George Avakian, Producer - Gloria Agostini, Harp - Harold Coletta, Viola - Harvey Shapiro, Cello - Jacques Prévert, Composer - Johnny Mercer, Composer - Joseph Kozma, Composer - Leo Kruczek, Violin - Marvin Morgenstern, Violin - Maurice Wilk, Violin - Michael O. Drexler, Re-Mastering Engineer - Milt Hinton, Bass - Osie Johnson, Drums - Paul Desmond, Alto Saxophone - Paul Desmond, Performer - Philip Bodner, Woodwinds - Ray Hall, Recording Engineer - Romeo Penque, Woodwinds - Seymour Barab, Cello - Tony Miranda, French Horn

(P) 2011 Sony Music Entertainment

15
Imagination (2011 Remaster)
00:04:51

Alexander Cores, Violin - Alfred V. Brown, Viola - Alvin Rudnitsky, Violin - Barry Feldman, Reissue Producer - Berl Senofsky, Violin - Bernard Eichenbaum, Violin - Bob Prince, Arranger - Bob Prince, Conductor - Charles Libove, Violin - Charles McCracken, Cello - George Avakian, Producer - Gloria Agostini, Harp - Harold Coletta, Viola - Harvey Shapiro, Cello - Jimmy Van Heusen, Composer - Johnny Burke, Composer - Leo Kruczek, Violin - Marvin Morgenstern, Violin - Maurice Wilk, Violin - Michael O. Drexler, Re-Mastering Engineer - Milt Hinton, Bass - Osie Johnson, Drums - Paul Desmond, Alto Saxophone - Paul Desmond, Performer - Philip Bodner, Woodwinds - Ray Hall, Recording Engineer - Romeo Penque, Woodwinds - Seymour Barab, Cello - Tony Miranda, French Horn

(P) 2011 Sony Music Entertainment

16
Advise and Consent (From "Advise and Consent") (2011 Remaster)
00:02:01

Alexander Cores, Violin - Alfred V. Brown, Viola - Alvin Rudnitsky, Violin - Barry Feldman, Reissue Producer - Berl Senofsky, Violin - Bernard Eichenbaum, Violin - Bob Prince, Arranger - Bob Prince, Conductor - Charles Libove, Violin - Charles McCracken, Cello - George Avakian, Producer - Gloria Agostini, Harp - Harold Coletta, Viola - Harvey Shapiro, Cello - Jerry Fielding, Composer - Leo Kruczek, Violin - Marvin Morgenstern, Violin - Maurice Wilk, Violin - Michael O. Drexler, Re-Mastering Engineer - Milt Hinton, Bass - Osie Johnson, Drums - Paul Desmond, Alto Saxophone - Paul Desmond, Performer - Philip Bodner, Woodwinds - Ray Hall, Recording Engineer - Romeo Penque, Woodwinds - Seymour Barab, Cello - Tony Miranda, French Horn

(P) 2011 Sony Music Entertainment

Resenha do Álbum

As intended, this album presents alto sax specialist Paul Desmond as never featured before, with the backing of a string orchestra. The record, filled with such beautiful jazz standards as "My Funny Valentine," "I've Got You Under My Skin," and "Body and Soul," is very rich in texture, yet subtle and mellow overall in mood. It's unyielding purpose: to soothe the souls of its listeners. Desmond's style and tone shine with an alluring quality, and the record is filled with melodies that don't fail to stimulate the sophisticated jazz listener. Desmond's melodies are eloquently detailed and charmingly spun in the midst of the string orchestra arranged and conducted by Bob Prince. The legendary Jim Hall is featured as guest guitarist, playing yet another scintillating role and using his classic comping style. Hall is perhaps the most highly respected of all jazz guitarists for his good taste and witty inventiveness. Desmond has always been most familiar to the jazz public for his sweeping scale passages and his seemingly effortless spontaneity during periods of improvisation, although here he is often featured in a more lyrical ballad style on such romantic tunes as "My Funny Valentine," "Late Lament," and "Then I'll Be Tired of You." This album is a highly innovative and meticulously crafted work, reflecting the ongoing success of both Desmond and Hall within the 1960s and the cool jazz period. Both of these musicians spent time working with Dave Brubeck and later lent themselves to many of Antonio Carlos Jobim's bossa nova projects. The arrangements are extraordinary throughout this collection, including the charming "Valentine," which begins with a fantastic Elizabethan flavor. The intro sets up the mood to carry Desmond into the first chorus, which then glides into a 20th century style. The tune "I Should Care" is "a shimmering debt to Ibert and one of the most imaginative blendings you will ever hear of strings, reeds, French horn and harp," according to the liner notes. The tone of the album: lush, reflective, thought-provoking, and soul-stirring. This work is quite a plus for any listener and especially those who consider themselves avid fans of Paul Desmond.

© Shawn Haney /TiVo

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