Categorias:
Carrinho de compras 0

Serviço indisponível no momento.

Delia Derbyshire Appreciation Society|Delia Derbyshire Appreciation Society

Delia Derbyshire Appreciation Society

Delia Derbyshire Appreciation Society

Disponível em
16-Bit/44.1 kHz Estéreo

Streaming ilimitado

Escute agora este álbum em alta qualidade nos nossos aplicativos

Iniciar meu período de teste e começar a escutar este álbum

Curta este álbum nos aplicativos Qobuz com a sua assinatura

Assinar

Curta este álbum nos aplicativos Qobuz com a sua assinatura

Music industry veterans Garry Hughes and Harvey Jones have crossed paths several times before, but Delia Derbyshire Appreciation Society is their first full-scale collaboration. The duo intriguingly named the project in tribute to the British sonic innovator best known for her groundbreaking work with the BBC Radiophonic Workshop, including the original theme to Dr. Who, recorded in 1963. However, the DDAS moniker is somewhat misleading, as the pair's debut album isn't nearly as eerie or playful as Derbyshire's work, and definitely nowhere near as weird as An Electric Storm by White Noise, an absolutely brilliant experimental pop album from the late '60s that Derbyshire played a major part in creating. Instead, DDAS sound much closer to the serene ambient recordings of Brian Eno (with or without Robert Fripp) as well as '90s ambient techno artists such as Pete Namlook. Both Hughes and Jones are avid collectors of vintage synthesizers, and here they pool their resources for seven original compositions. Considering that Jones resides in New York City and Hughes lives in Wales, the collaboration feels seamless and natural rather than pieced together through the mail or over the internet. There are no beats on the album, but there's still plenty of lightly pulsating rhythms. Opener "Blue Filter" seems to calmly dance its way in, punctuated by deep bass plunges and warm, scattered arpeggios. Some pieces like "Half Light" are more free and drifting, and also somewhat darker. They also contain slightly warped textures that signify the analog nature of their recording. The most light-spirited moment is "St. Tropez 1966," which features layers of softly bubbling, melodic textures and a general feeling of dazed cheerfulness. "Ride Under Trees" starts out smooth and new age-y, with plenty of crystalline synths and reversed bell-like tones, but it ends up being almost overwhelming as it becomes flooded with swerving bass and sweeping filters. The release is an enjoyable effort that never seems to take itself too seriously.

© Paul Simpson /TiVo

Mais informações

Delia Derbyshire Appreciation Society

Delia Derbyshire Appreciation Society

launch qobuz app Já baixei o Qobuz para Windows / MacOS Abrir

download qobuz app Ainda não baixei o Qobuz para Windows / MacOS Baixar o aplicativo Qobuz

Você está escutando amostras.

Escute mais de 100 milhões de músicas com um plano de streaming ilimitado.

Escute esta playlist e mais de 100 milhões de músicas com os nossos planos de streaming ilimitado.

A partir de 8,99€/mês

1
Blue Filter
00:04:52

Garry Hughes, Composer - Harvey Jones, Composer - Delia Derbyshire Appreciation Society, MainArtist

© 2017 DDAS under license to Six Degrees Records ℗ 2017 DDAS under license to Six Degrees Records

2
Cloudface
00:04:32

Garry Hughes, Composer - Harvey Jones, Composer - Delia Derbyshire Appreciation Society, MainArtist

© 2017 DDAS under license to Six Degrees Records ℗ 2017 DDAS under license to Six Degrees Records

3
Half Light
00:07:22

Garry Hughes, Composer - Harvey Jones, Composer - Delia Derbyshire Appreciation Society, MainArtist

© 2017 DDAS under license to Six Degrees Records ℗ 2017 DDAS under license to Six Degrees Records

4
Sine Language
00:09:56

Garry Hughes, Composer - Harvey Jones, Composer - Delia Derbyshire Appreciation Society, MainArtist

© 2017 DDAS under license to Six Degrees Records ℗ 2017 DDAS under license to Six Degrees Records

5
St. Tropez 1966
00:06:22

Garry Hughes, Composer - Harvey Jones, Composer - Delia Derbyshire Appreciation Society, MainArtist

© 2017 DDAS under license to Six Degrees Records ℗ 2017 DDAS under license to Six Degrees Records

6
Ride Under Trees
00:06:15

Garry Hughes, Composer - Harvey Jones, Composer - Delia Derbyshire Appreciation Society, MainArtist

© 2017 DDAS under license to Six Degrees Records ℗ 2017 DDAS under license to Six Degrees Records

7
The Scent of Rain
00:07:33

Garry Hughes, Composer - Harvey Jones, Composer - Delia Derbyshire Appreciation Society, MainArtist

© 2017 DDAS under license to Six Degrees Records ℗ 2017 DDAS under license to Six Degrees Records

Resenha do Álbum

Music industry veterans Garry Hughes and Harvey Jones have crossed paths several times before, but Delia Derbyshire Appreciation Society is their first full-scale collaboration. The duo intriguingly named the project in tribute to the British sonic innovator best known for her groundbreaking work with the BBC Radiophonic Workshop, including the original theme to Dr. Who, recorded in 1963. However, the DDAS moniker is somewhat misleading, as the pair's debut album isn't nearly as eerie or playful as Derbyshire's work, and definitely nowhere near as weird as An Electric Storm by White Noise, an absolutely brilliant experimental pop album from the late '60s that Derbyshire played a major part in creating. Instead, DDAS sound much closer to the serene ambient recordings of Brian Eno (with or without Robert Fripp) as well as '90s ambient techno artists such as Pete Namlook. Both Hughes and Jones are avid collectors of vintage synthesizers, and here they pool their resources for seven original compositions. Considering that Jones resides in New York City and Hughes lives in Wales, the collaboration feels seamless and natural rather than pieced together through the mail or over the internet. There are no beats on the album, but there's still plenty of lightly pulsating rhythms. Opener "Blue Filter" seems to calmly dance its way in, punctuated by deep bass plunges and warm, scattered arpeggios. Some pieces like "Half Light" are more free and drifting, and also somewhat darker. They also contain slightly warped textures that signify the analog nature of their recording. The most light-spirited moment is "St. Tropez 1966," which features layers of softly bubbling, melodic textures and a general feeling of dazed cheerfulness. "Ride Under Trees" starts out smooth and new age-y, with plenty of crystalline synths and reversed bell-like tones, but it ends up being almost overwhelming as it becomes flooded with swerving bass and sweeping filters. The release is an enjoyable effort that never seems to take itself too seriously.

© Paul Simpson /TiVo

Sobre o álbum

Melhorar as informações do álbum
Mais sobre o Qobuz
Por Delia Derbyshire Appreciation Society

The Desert Beckons

Delia Derbyshire Appreciation Society

The Desert Beckons Delia Derbyshire Appreciation Society

Wow and Flutter

Delia Derbyshire Appreciation Society

Wow and Flutter Delia Derbyshire Appreciation Society

St. Tropez 1966

Delia Derbyshire Appreciation Society

St. Tropez 1966 Delia Derbyshire Appreciation Society

She Brought the Sun

Delia Derbyshire Appreciation Society

She Brought the Sun Delia Derbyshire Appreciation Society

Wow and Flutter

Delia Derbyshire Appreciation Society

Wow and Flutter Delia Derbyshire Appreciation Society
Você também pode gostar...

Moves in the Field

Kelly Moran

Moves in the Field Kelly Moran

All Melody

Nils Frahm

All Melody Nils Frahm

Three

Four Tet

Three Four Tet

Tripping with Nils Frahm

Nils Frahm

Ghosts

Hania Rani

Ghosts Hania Rani