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Moby Grape|Crosstalk: The Best Of Moby Grape

Crosstalk: The Best Of Moby Grape

Moby Grape

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Idioma disponível: inglês

Precisely what the legal status of Moby Grape's original Columbia Records recordings is, at this writing (in late 2004), is anyone's guess -- the label's own legal department used to change its outlook like a weather vane, one season saying they were free-and-clear, and other months claiming they were the subject of litigation, much as the group's name remains a bone of contention between the surviving members and their original manager. What is certain is that Sony Music's domestic double-CD compilation of the band's work, Vintage: The Very Best of Moby Grape, appears and disappears from record store bins like the proverbial White Whale, here one day and gone the next, but officially out-of-print. And that set had its problems, offering too much, and especially too many seemingly overlapping tracks for the casual listener who just wanted to find out something about Moby Grape. This single hour-long CD from Sony Music in England is definitely in print as of 2004, and it has some considerable virtues -- the 60 minutes of music here include a couple of tracks that aren't on the double set (as well as leaving out quite a few, including "Mr. Blues," "Naked, If I Want To," "Someday," "Ain't No Use in It," and "Just Like Gene Autry: A Foxtrot"), but generally gives a lean, direct cross-section of the band's best work from 1966 through 1968. There's no discography information, and Dave DiMartino's essay is too personal and stylized, and only a shadow of what David Fricke wrote for Vintage, but the music is so cool -- this is some of the most inventive and effortlessly executed psychedelia ever recorded, and listening to this collection, one will come away more astonished than ever that the band never found success. The sound is excellent, seemingly from the same masters as Vintage, though it's just possible that the volume has been tweaked slightly upward, and that's not a bad alteration -- this band played well, but they were meant to be heard loud, something that Columbia's original engineers and the group's producer never quite understood or were unable to realize properly. Here you get the electric playing up close and personal, but also the action on the strings is audible, so you never lose track of the three guitars at work throughout (sometimes playing in completely different styles, but all interlocked), or the group voices.

© Bruce Eder /TiVo

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Crosstalk: The Best Of Moby Grape

Moby Grape

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1
Hey Grandma (Album Version)
00:02:43
2
Fall on You
00:01:53

Moby Grape, Performer - P. Lewis, Composer - P. Lewis, Lyricist

Originally Released 1967 Sony Music Entertainment

3
8:05 (Album Version)
00:02:19

Moby Grape, Vocal - Moby Grape, Performer - D. Stevenson, Composer - D. Stevenson, Lyricist - J. Miller, Composer - J. Miller, Lyricist - David Rubinson, Producer

Originally Released 1967. All rights reserved by SONY BMG MUSIC ENTERTAINMENT

4
Come In The Morning
00:02:15

Moby Grape, Performer - B. Mosley, Composer - B. Mosley, Lyricist

Originally Released 1967 Sony Music Entertainment Inc.

5
Omaha (Album Version)
00:02:43
6
Rounder (Instrumental)
00:02:01

Moby Grape, Performer - S. Spence, Composer - S. Spence, Lyricist

Originally Recorded 1967. All rights reserved by SONY BMG MUSIC ENTERTAINMENT

7
Changes
00:03:22

Moby Grape, Performer - Donald J. Stevenson, Composer - Donald J. Stevenson, Lyricist - Jerry A. Miller, Jr., Composer - Jerry A. Miller, Jr., Lyricist

Originally Released 1967 Sony Music Entertainment Inc.

8
Murder In My Heart For The Judge (Album Version)
00:02:57

Moby Grape, Vocal - Moby Grape, Performer - D. Stevenson, Composer - D. Stevenson, Lyricist - David Rubinson, Producer

Originally Released 1968. All rights reserved by SONY BMG MUSIC ENTERTAINMENT

9
Bitter Wind
00:03:05

Moby Grape, Performer - B. Mosley, Composer - B. Mosley, Lyricist

Originally Released 1968 Sony Music Entertainment Inc.

10
Can't Be So Bad (Album Version)
00:03:24
11
He (Album Version)
00:03:35

Moby Grape, Vocal - Moby Grape, Performer - P. Lewis, Composer - P. Lewis, Lyricist - David Rubinson, Producer

Originally Released 1968. All rights reserved by SONY BMG MUSIC ENTERTAINMENT

12
Motocycle Irene (Album Version)
00:02:24

Moby Grape, Vocal - Moby Grape, Performer - S. Spence, Composer - S. Spence, Lyricist - David Rubinson, Producer

Originally Released 1968. All rights reserved by SONY BMG MUSIC ENTERTAINMENT

13
Ooh Mama Ooh (Album Version)
00:02:26

Moby Grape, Vocal - Moby Grape, Performer - D. Stevenson, Composer - D. Stevenson, Lyricist - J. Miller, Composer - J. Miller, Lyricist - David Rubinson, Producer

Originally Released 1969. All rights reserved by SONY BMG MUSIC ENTERTAINMENT

14
Ain't That A Shame (Album Version)
00:02:28

Moby Grape, Vocal - Moby Grape, Performer - P. Lewis, Composer - P. Lewis, Lyricist - D. Stevenson, Composer - D. Stevenson, Lyricist - J. Miller, Composer - J. Miller, Lyricist - David Rubinson, Producer

Originally Released 1969. All rights reserved by SONY BMG MUSIC ENTERTAINMENT

15
Captain Nemo
00:01:44

Moby Grape, Performer - D. Stevenson, Composer - D. Stevenson, Lyricist - J. Miller, Composer - J. Miller, Lyricist

Originally Released 1969 Sony Music Entertainment Inc.

16
What's To Choose
00:01:57

Moby Grape, Performer - P. Lewis, Composer - P. Lewis, Lyricist

Originally Released 1969 Sony Music Entertainment Inc.

17
Going Nowhere (Album Version)
00:02:02

Moby Grape, Vocal - Moby Grape, Performer - D. Stevenson, Composer - D. Stevenson, Lyricist - J. Miller, Composer - J. Miller, Lyricist - David Rubinson, Producer

Originally Released 1969. All rights reserved by SONY BMG MUSIC ENTERTAINMENT

18
I Am Not Willing
00:02:58

Moby Grape, Performer - P. Lewis, Composer - P. Lewis, Lyricist

Originally Released 1969 Sony Music Entertainment Inc.

19
It's A Beautiful Day Today
00:03:05

Moby Grape, Performer - B. Mosley, Composer - B. Mosley, Lyricist

Originally Released 1969 Sony Music Entertainment Inc.

20
Right Before My Eyes
00:02:03

Moby Grape, Performer - P. Lewis, Composer - P. Lewis, Lyricist

Originally Released 1969 Sony Music Entertainment Inc.

21
Changes, Circles Spinning (Album Version)
00:02:25

Moby Grape, Vocal - Moby Grape, Performer - P. Lewis, Composer - P. Lewis, Lyricist - Bob Johnston, Producer

Originally Released 1969. All rights reserved by SONY BMG MUSIC ENTERTAINMENT

22
Truly Fine Citizen (Album Version)
00:01:47

Moby Grape, Vocal - Moby Grape, Performer - T. DELL'ARA, Composer - T. DELL'ARA, Lyricist - Bob Johnston, Producer

Originally Released 1969. All rights reserved by SONY BMG MUSIC ENTERTAINMENT

23
Looper (Album Version)
00:03:00

Moby Grape, Performer - P. Lewis, Composer - Bob Johnston, Producer

(P) Originally Released 1969. All rights reserved by SONY BMG MUSIC ENTERTAINMENT

24
Hoochie
00:04:24

Moby Grape, Performer - B. Mosley, Composer - B. Mosley, Lyricist

Originally Released 1969 Sony Music Entertainment Inc.

Resenha do Álbum

Precisely what the legal status of Moby Grape's original Columbia Records recordings is, at this writing (in late 2004), is anyone's guess -- the label's own legal department used to change its outlook like a weather vane, one season saying they were free-and-clear, and other months claiming they were the subject of litigation, much as the group's name remains a bone of contention between the surviving members and their original manager. What is certain is that Sony Music's domestic double-CD compilation of the band's work, Vintage: The Very Best of Moby Grape, appears and disappears from record store bins like the proverbial White Whale, here one day and gone the next, but officially out-of-print. And that set had its problems, offering too much, and especially too many seemingly overlapping tracks for the casual listener who just wanted to find out something about Moby Grape. This single hour-long CD from Sony Music in England is definitely in print as of 2004, and it has some considerable virtues -- the 60 minutes of music here include a couple of tracks that aren't on the double set (as well as leaving out quite a few, including "Mr. Blues," "Naked, If I Want To," "Someday," "Ain't No Use in It," and "Just Like Gene Autry: A Foxtrot"), but generally gives a lean, direct cross-section of the band's best work from 1966 through 1968. There's no discography information, and Dave DiMartino's essay is too personal and stylized, and only a shadow of what David Fricke wrote for Vintage, but the music is so cool -- this is some of the most inventive and effortlessly executed psychedelia ever recorded, and listening to this collection, one will come away more astonished than ever that the band never found success. The sound is excellent, seemingly from the same masters as Vintage, though it's just possible that the volume has been tweaked slightly upward, and that's not a bad alteration -- this band played well, but they were meant to be heard loud, something that Columbia's original engineers and the group's producer never quite understood or were unable to realize properly. Here you get the electric playing up close and personal, but also the action on the strings is audible, so you never lose track of the three guitars at work throughout (sometimes playing in completely different styles, but all interlocked), or the group voices.

© Bruce Eder /TiVo

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