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Conchetta (1958) is the first of three albums that actress/vocalist Connie Stevens would cut for the burgeoning Warner Bros. record label. Although only 20 years old at the time, her mature and seemingly effortless vocal style is well matched to the dozen light jazz and pop standards on this disc. Although still a year away from her role as Cricket Blake on the weekly television spy/drama Hawaiian Eye, as this disc demonstrates, Stevens' could have easily continued as a singer.
A majority of Conchetta incorporates a small combo to accompany Stevens' light, earthy vocals. "Blame It on My Youth," "Looking for a Boy," and "Spring Is Here" are charming in their austerity. Because of her leanings as an actress, Stevens seems to have an underlying sense and capacity for drama. This is perhaps most aptly spotlighted on her rendition of the Nat King Cole hit "Too Young." Stevens' voice is angelic and the empathetic arrangement -- prominently featuring an acoustic guitar, piano, and bass accompaniment -- could not be more perfectly suited to further enhance the track's insular mood. By contrast, "The Trolley Song" and "Polka Dots and Moonbeams" are more fully orchestrated. Likewise, both feature an uncredited jazzy support vocal combo, similar in style to the tight-knit Four Freshmen. They can also be heard throughout these sides, especially on the decidedly perky "It's a Lovely Day." As record companies were wont to do during the early days of long-playing records, Stevens' follow-up disc, Connie Stevens As Cricket in 'Hawaiian Eye', recycles one-quarter of the material from this album. These sides include "The Trolley Song," "Why Try to Change Me Now," "Slow Boat to China," and "Too Young." In 2000, Collectors' Choice Music reissued Connie Stevens' Warner Bros. catalog on CD, featuring newly inked liner essays as well as full-color reproductions of the original album artwork.
© Lindsay Planer /TiVo
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Connie Stevens, MainArtist - Universal Polygram International Publishing Inc / Universal Music Publishing International Ltd / Universal Music Publishing Ltd, MusicPublisher
2019 Marathon Media International, under exclusive license to Music Manager 1958 Marathon Media International, under exclusive license to Music Manager
Connie Stevens, MainArtist - Ira Gershwin Music / WB Music Corp / Warner Chappell North America Ltd, MusicPublisher - Chappell Co Inc / Warner Chappell North America Ltd, MusicPublisher
2019 Marathon Media International, under exclusive license to Music Manager 1958 Marathon Media International, under exclusive license to Music Manager
Connie Stevens, MainArtist - Ira Gershwin Music / WB Music Corp / Warner Chappell North America Ltd, MusicPublisher - Chappell Co Inc / Warner Chappell North America Ltd, MusicPublisher
2019 Marathon Media International, under exclusive license to Music Manager 1958 Marathon Media International, under exclusive license to Music Manager
Connie Stevens, MainArtist - EMI Feist Catalog Inc / EMI United Partnership Ltd., MusicPublisher
2019 Marathon Media International, under exclusive license to Music Manager 1958 Marathon Media International, under exclusive license to Music Manager
Connie Stevens, MainArtist - MCPS Suspense Account, MusicPublisher - Music Sales Corporation / Campbell Connelly & Co Ltd, MusicPublisher
2019 Marathon Media International, under exclusive license to Music Manager 1958 Marathon Media International, under exclusive license to Music Manager
Connie Stevens, MainArtist - Irving Berlin Music Corporation / Universal Music Publishing Ltd, MusicPublisher
2019 Marathon Media International, under exclusive license to Music Manager 1958 Marathon Media International, under exclusive license to Music Manager
Connie Stevens, MainArtist - Notable Music Co Inc / Words and Music Worldwide / Words and Music UK / Peermusic III Ltd / Peermusic (UK) Ltd, MusicPublisher - Sony-ATV Tunes LLC / Sony-ATV Music Publishing LLC / Sony-ATV Music Publishing (UK) Ltd, MusicPublisher
2019 Marathon Media International, under exclusive license to Music Manager 1958 Marathon Media International, under exclusive license to Music Manager
Connie Stevens, MainArtist - Sony-ATV Harmony / Sony-ATV Music Publishing LLC / Sony-ATV Harmony UK Ltd, MusicPublisher
2019 Marathon Media International, under exclusive license to Music Manager 1958 Marathon Media International, under exclusive license to Music Manager
Copyright Control, MusicPublisher - Connie Stevens, MainArtist - Four Jays Music Co / Peermusic (UK) Ltd, MusicPublisher
2019 Marathon Media International, under exclusive license to Music Manager 1958 Marathon Media International, under exclusive license to Music Manager
Connie Stevens, MainArtist - Frank Music Corporation / MPL Music Publishing Inc / MPL UK Publishing, MusicPublisher
2019 Marathon Media International, under exclusive license to Music Manager 1958 Marathon Media International, under exclusive license to Music Manager
Connie Stevens, MainArtist - Edward Proffitt Music / Campbell Connelly & Co Ltd, MusicPublisher - Aria Music Co / Campbell Connelly & Co Ltd, MusicPublisher
2019 Marathon Media International, under exclusive license to Music Manager 1958 Marathon Media International, under exclusive license to Music Manager
Connie Stevens, MainArtist - EMI Robbins Catalog Inc / EMI United Partnership Ltd., MusicPublisher
2019 Marathon Media International, under exclusive license to Music Manager 1958 Marathon Media International, under exclusive license to Music Manager
Resenha do Álbum
Conchetta (1958) is the first of three albums that actress/vocalist Connie Stevens would cut for the burgeoning Warner Bros. record label. Although only 20 years old at the time, her mature and seemingly effortless vocal style is well matched to the dozen light jazz and pop standards on this disc. Although still a year away from her role as Cricket Blake on the weekly television spy/drama Hawaiian Eye, as this disc demonstrates, Stevens' could have easily continued as a singer.
A majority of Conchetta incorporates a small combo to accompany Stevens' light, earthy vocals. "Blame It on My Youth," "Looking for a Boy," and "Spring Is Here" are charming in their austerity. Because of her leanings as an actress, Stevens seems to have an underlying sense and capacity for drama. This is perhaps most aptly spotlighted on her rendition of the Nat King Cole hit "Too Young." Stevens' voice is angelic and the empathetic arrangement -- prominently featuring an acoustic guitar, piano, and bass accompaniment -- could not be more perfectly suited to further enhance the track's insular mood. By contrast, "The Trolley Song" and "Polka Dots and Moonbeams" are more fully orchestrated. Likewise, both feature an uncredited jazzy support vocal combo, similar in style to the tight-knit Four Freshmen. They can also be heard throughout these sides, especially on the decidedly perky "It's a Lovely Day." As record companies were wont to do during the early days of long-playing records, Stevens' follow-up disc, Connie Stevens As Cricket in 'Hawaiian Eye', recycles one-quarter of the material from this album. These sides include "The Trolley Song," "Why Try to Change Me Now," "Slow Boat to China," and "Too Young." In 2000, Collectors' Choice Music reissued Connie Stevens' Warner Bros. catalog on CD, featuring newly inked liner essays as well as full-color reproductions of the original album artwork.
© Lindsay Planer /TiVo
Sobre o álbum
- 1 disco(s) - 12 faixa(s)
- Duração total: 00:30:46
- Artistas principais: Connie Stevens
- Gravadora: Music Manager
- Género: Jazz Jazz vocal
2019 Marathon Media International, under exclusive license to Music Manager 1958 Marathon Media International, under exclusive license to Music Manager
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