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Richard Egarr|Concerti grossi Op.3, Sonata a5 (Georg Friedrich Händel)

Concerti grossi Op.3, Sonata a5 (Georg Friedrich Händel)

Georg Friedrich Händel

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Rich and sonorous but robust and strong, Richard Egarr and the Academy of Ancient Music's January 2006 recording of Handel's Concerti grossi, Op. 3, is exemplary Handel playing. The Academy, of course, is long familiar with how to play Handel: it has been performing his music since being founded in England by harpsichordist Christopher Hogwood in 1973. The group's manner has been familiar to an international audience since a 1982 recording of Messiah. With an 11-piece string section, a six-piece wind section, and a two-piece continuo section, the Academy remains a chamber-sized orchestra in numbers, but a Baroque big band in practice. Led by veteran violinist Pavlo Beznosiuk, the strings are trim but muscular, capable of delicacy as well as gravity. Featuring Rachel Brown as principal flute and recorder and the dulcet oboe pairing of Frank de Bruine and Lars Henriksson, the winds add color, depth, and edge to the strings. Egarr, who has many previous excellent solo and chamber recordings to his credit, shows he can excel as a director, too, with alert tempos, flexible phrasing, and graceful ensemble. With Harmonia Mundi's fresh but warmly textured sound, this disc should be heard by anyone interested in the pieces or the repertoire.
© TiVo

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Concerti grossi Op.3, Sonata a5 (Georg Friedrich Händel)

Richard Egarr

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1
I
00:02:48

Academy of Ancient Music - Richard Egarr, conductor

2
II
00:04:07

Academy of Ancient Music - Richard Egarr, conductor

3
III
00:01:27

Academy of Ancient Music - Richard Egarr, conductor

4
Vivace
00:01:55

Academy of Ancient Music - Richard Egarr, conductor

5
Largo
00:02:23

Academy of Ancient Music - Richard Egarr, conductor

6
Allegro
00:02:15

Academy of Ancient Music - Richard Egarr, conductor

7
IV
00:01:22

Academy of Ancient Music - Richard Egarr, conductor

8
V
00:03:27

Academy of Ancient Music - Richard Egarr, conductor

9
Largo e staccato / Allegro
00:03:23

Academy of Ancient Music - Richard Egarr, conductor

10
Adagio
00:01:02

Academy of Ancient Music - Richard Egarr, conductor

11
Allegro
00:03:45

Academy of Ancient Music - Richard Egarr, conductor

12
I
00:06:33

Academy of Ancient Music - Richard Egarr, conductor

13
Andante
00:02:04

Academy of Ancient Music - Richard Egarr, conductor

14
Allegro
00:01:38

Academy of Ancient Music - Richard Egarr, conductor

15
Allegro
00:02:44

Academy of Ancient Music - Richard Egarr, conductor

16
I
00:01:42

Academy of Ancient Music - Richard Egarr, conductor

17
Fuga. Allegro
00:02:16

Academy of Ancient Music - Richard Egarr, conductor

18
Adagio
00:01:25

Academy of Ancient Music - Richard Egarr, conductor

19
Allegro ma non troppo
00:01:35

Academy of Ancient Music - Richard Egarr, conductor

20
Allegro
00:02:44

Academy of Ancient Music - Richard Egarr, conductor

21
I
00:02:53

Academy of Ancient Music - Richard Egarr, conductor

22
Improvisation
00:02:00

Academy of Ancient Music - Richard Egarr, conductor

23
Allegro
00:03:27

Academy of Ancient Music - Richard Egarr, conductor

24
Allegro
00:03:42

Academy of Ancient Music - Richard Egarr, conductor

25
Andante
00:01:27

Academy of Ancient Music - Richard Egarr, conductor

26
Adagio
00:03:47

Academy of Ancient Music - Richard Egarr, conductor

Resenha do Álbum

Rich and sonorous but robust and strong, Richard Egarr and the Academy of Ancient Music's January 2006 recording of Handel's Concerti grossi, Op. 3, is exemplary Handel playing. The Academy, of course, is long familiar with how to play Handel: it has been performing his music since being founded in England by harpsichordist Christopher Hogwood in 1973. The group's manner has been familiar to an international audience since a 1982 recording of Messiah. With an 11-piece string section, a six-piece wind section, and a two-piece continuo section, the Academy remains a chamber-sized orchestra in numbers, but a Baroque big band in practice. Led by veteran violinist Pavlo Beznosiuk, the strings are trim but muscular, capable of delicacy as well as gravity. Featuring Rachel Brown as principal flute and recorder and the dulcet oboe pairing of Frank de Bruine and Lars Henriksson, the winds add color, depth, and edge to the strings. Egarr, who has many previous excellent solo and chamber recordings to his credit, shows he can excel as a director, too, with alert tempos, flexible phrasing, and graceful ensemble. With Harmonia Mundi's fresh but warmly textured sound, this disc should be heard by anyone interested in the pieces or the repertoire.
© TiVo

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