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Regula Mühlemann|Cleopatra - Baroque Arias

Cleopatra - Baroque Arias

Regula Mühlemann

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Egyptian queen Cleopatra VII is one of the most compelling figures of antiquity, so it's only natural that her tragic story would be explored in many operas, especially in Baroque works that served as showcases for vocal pyrotechnics and emotive performances. Composers have long recognized Cleopatra's erotic appeal and mystery, and the depictions by George Frederick Handel, Johann Adolf Hasse, Alessandro Scarlatti, and Antonio Vivaldi, among others, have resulted in stunning parts that give singers ample opportunities to display their talents. Indeed, the stellar soprano Regula Mühlemann seems ideally suited to portray Cleopatra, both for her dramatic appearance and her powerful yet pure voice, which by itself makes this collection of operatic arias a delightful experience. The opening selection from Carl Heinrich Graun's opera Cesare e Cleopatra may be unfamiliar to most listeners, but Mühlemann's sparkling performance is memorable and thrilling for the brilliance of her roulades and the precision of her ornaments. Handel's Giulio Cesare in Egitto is undoubtedly the best-known opera excerpted here, and the dramatic treatment he gave to Cleopatra's "Se pietà di me non sentí" is deeply affecting, so little in the way of flashy technique is needed to make an impression. Similar in dramatic power and poignant feeling are Hasse's "Quel candido armellino" and Alessandro Scarlatti's "Vò goder senza contrasto," both from operas titled Marc'Antonio e Cleopatra, and Mühlemann's expressive control effectively conveys Cleopatra's emotions with credible pathos. The accompaniment by La Folia Barockorchester under Robin Peter Müller creates a wonderful period sound and mood, though this is plainly Mühlemann's star vehicle, and together they make this an exciting double portrait of an ancient queen and a rising superstar. Highly recommended.

© TiVo

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Cleopatra - Baroque Arias

Regula Mühlemann

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1
Cleopatra e Cesare, WV B:I:7: Tra le procelle assorto (Aria)
00:07:24

Regula Mühlemann, Main Artist, Soprano - Carl Heinrich Graun, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

2
Giulio Cesare in Egitto, HWV 17: Che sento? Oh Dio! (Recitativo)
00:01:15

Regula Mühlemann, Main Artist, Soprano - Georg Friedrich Händel, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

3
Giulio Cesare in Egitto, HWV 17: Se pietà di me non senti (Aria)
00:11:00

Regula Mühlemann, Main Artist, Soprano - Georg Friedrich Händel, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

4
Marc'Antonio e Cleopatra: Morte col fiero aspetto (Aria)
00:04:12

Regula Mühlemann, Main Artist, Soprano - Johann Adolf Hasse, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

5
Marc'Antonio e Cleopatra: Lascia, Antonio, deh lascia (Recitativo)
00:01:34

Regula Mühlemann, Main Artist, Soprano - Johann Adolf Hasse, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

6
Marc'Antonio e Cleopatra: Quel candido armellino (Aria)
00:11:01

Regula Mühlemann, Main Artist, Soprano - Johann Adolf Hasse, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

7
Antioco il Grande: Se tu sarai felice (Aria)
00:01:56

Regula Mühlemann, Main Artist, Soprano - Giovanni Legrenzi, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

8
Marc'Antonio e Cleopatra, H. 121: Antonio, e qual destino (Recitativo)
00:00:24

Regula Mühlemann, Main Artist, Soprano - Alessandro Scarlatti, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

9
Marc'Antonio e Cleopatra, H. 121: Vò goder senza contrasto (Aria)
00:04:52

Regula Mühlemann, Main Artist, Soprano - Alessandro Scarlatti, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

10
La virtù trionfante dell'amore e dell'odio, ovvero il Tigrane, RV 740: Squarciami pure il seno (Aria)
00:04:08

Regula Mühlemann, Main Artist, Soprano - Antonio Vivaldi, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

11
Die unglücksselige Cleopatra: Mein Leben ist hin (Aria)
00:03:20

Regula Mühlemann, Main Artist, Soprano - Johann Mattheson, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

12
Die unglücksselige Cleopatra: Ruhe sanft, geliebter Geist (Aria)
00:02:52

Regula Mühlemann, Main Artist, Soprano - Johann Mattheson, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

13
Giulio Cesare in Egitto: Quando voglio (Aria)
00:03:53

Regula Mühlemann, Main Artist, Soprano - Antonio Sartorio, Composer - Katerina Ghannudi, Mezzo-Soprano - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

Resenha do Álbum

Egyptian queen Cleopatra VII is one of the most compelling figures of antiquity, so it's only natural that her tragic story would be explored in many operas, especially in Baroque works that served as showcases for vocal pyrotechnics and emotive performances. Composers have long recognized Cleopatra's erotic appeal and mystery, and the depictions by George Frederick Handel, Johann Adolf Hasse, Alessandro Scarlatti, and Antonio Vivaldi, among others, have resulted in stunning parts that give singers ample opportunities to display their talents. Indeed, the stellar soprano Regula Mühlemann seems ideally suited to portray Cleopatra, both for her dramatic appearance and her powerful yet pure voice, which by itself makes this collection of operatic arias a delightful experience. The opening selection from Carl Heinrich Graun's opera Cesare e Cleopatra may be unfamiliar to most listeners, but Mühlemann's sparkling performance is memorable and thrilling for the brilliance of her roulades and the precision of her ornaments. Handel's Giulio Cesare in Egitto is undoubtedly the best-known opera excerpted here, and the dramatic treatment he gave to Cleopatra's "Se pietà di me non sentí" is deeply affecting, so little in the way of flashy technique is needed to make an impression. Similar in dramatic power and poignant feeling are Hasse's "Quel candido armellino" and Alessandro Scarlatti's "Vò goder senza contrasto," both from operas titled Marc'Antonio e Cleopatra, and Mühlemann's expressive control effectively conveys Cleopatra's emotions with credible pathos. The accompaniment by La Folia Barockorchester under Robin Peter Müller creates a wonderful period sound and mood, though this is plainly Mühlemann's star vehicle, and together they make this an exciting double portrait of an ancient queen and a rising superstar. Highly recommended.

© TiVo

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