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Tianwa Yang|Castelnuovo-Tedesco: Violin Concertos

Castelnuovo-Tedesco: Violin Concertos

Tianwa Yang, SWR Sinfonieorchester Baden-Baden und Freiburg, Pieter-Jelle de Boer

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Idioma disponível: inglês

The Violin Concerto No. 2 ("The Prophets") by Mario Castelnuovo-Tedesco is rarely played, and the Concerto Italiano of 1924 here receives its world premiere on recordings. Chinese violinist Tianwa Yang makes a good case that both should be heard more often. Castelnuovo-Tedesco termed the Concerto Italiano "almost Vivaldian," largely on the strength of the crystalline middle movement; the first movement is a big piece of Romantic heroics. Yang offers some real depth in the slow-movement melody and in the episodic structure of the Violin Concerto No. 2, programmatically depicting Isaiah, Jeremiah, and Elijah. This work, first performed by Jascha Heifetz, anticipates some of the film music the Jewish Castelnuovo-Tedesco was to write after emigrating to the U.S. It's a bit like the contemporary violin concerto Ottorino Respighi never wrote (he wrote several in the more antique mode of the Concerto Italiano), but it has a rather restrained Jewish flavor quite unlike the work of Bloch. Yang has these difficult works under total control, and her playing has some of the Apollonian quality of Heifetz's; she really holds your attention. Recommended for anyone interested in the national styles of the early 20th century.

© TiVo

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Castelnuovo-Tedesco: Violin Concertos

Tianwa Yang

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Violin Concerto No. 1 in G Minor, Op. 31 "Italiano" (Mario Castelnuovo-Tedesco)

1
I. Allegro moderato e maestoso
00:15:36

Mario Castelnuovo-Tedesco, Composer - Tianwa Yang, Artist, MainArtist - SWR Sinfonieorchester Baden-Baden und Freiburg, Orchestra - Pieter-Jelle de Boer, Conductor

(C) 2015 Naxos (P) 2015 Naxos

2
II. Arioso
00:08:31

Mario Castelnuovo-Tedesco, Composer - Tianwa Yang, Artist, MainArtist - SWR Sinfonieorchester Baden-Baden und Freiburg, Orchestra - Pieter-Jelle de Boer, Conductor

(C) 2015 Naxos (P) 2015 Naxos

3
III. Vivo e impetuoso
00:07:31

Mario Castelnuovo-Tedesco, Composer - Tianwa Yang, Artist, MainArtist - SWR Sinfonieorchester Baden-Baden und Freiburg, Orchestra - Pieter-Jelle de Boer, Conductor

(C) 2015 Naxos (P) 2015 Naxos

Violin Concerto No. 2, Op. 66 "The Prophets" (Mario Castelnuovo-Tedesco)

4
I. Isaiah. Introduzione - Allegro appassionato
00:13:25

Mario Castelnuovo-Tedesco, Composer - Tianwa Yang, Artist, MainArtist - SWR Sinfonieorchester Baden-Baden und Freiburg, Orchestra - Pieter-Jelle de Boer, Conductor

(C) 2015 Naxos (P) 2015 Naxos

5
II. Jeremiah. Espressivo e dolente
00:09:56

Mario Castelnuovo-Tedesco, Composer - Tianwa Yang, Artist, MainArtist - SWR Sinfonieorchester Baden-Baden und Freiburg, Orchestra - Pieter-Jelle de Boer, Conductor

(C) 2015 Naxos (P) 2015 Naxos

6
III. Elijah. Fiero e impetuoso
00:07:58

Mario Castelnuovo-Tedesco, Composer - Tianwa Yang, Artist, MainArtist - SWR Sinfonieorchester Baden-Baden und Freiburg, Orchestra - Pieter-Jelle de Boer, Conductor

(C) 2015 Naxos (P) 2015 Naxos

Resenha do Álbum

The Violin Concerto No. 2 ("The Prophets") by Mario Castelnuovo-Tedesco is rarely played, and the Concerto Italiano of 1924 here receives its world premiere on recordings. Chinese violinist Tianwa Yang makes a good case that both should be heard more often. Castelnuovo-Tedesco termed the Concerto Italiano "almost Vivaldian," largely on the strength of the crystalline middle movement; the first movement is a big piece of Romantic heroics. Yang offers some real depth in the slow-movement melody and in the episodic structure of the Violin Concerto No. 2, programmatically depicting Isaiah, Jeremiah, and Elijah. This work, first performed by Jascha Heifetz, anticipates some of the film music the Jewish Castelnuovo-Tedesco was to write after emigrating to the U.S. It's a bit like the contemporary violin concerto Ottorino Respighi never wrote (he wrote several in the more antique mode of the Concerto Italiano), but it has a rather restrained Jewish flavor quite unlike the work of Bloch. Yang has these difficult works under total control, and her playing has some of the Apollonian quality of Heifetz's; she really holds your attention. Recommended for anyone interested in the national styles of the early 20th century.

© TiVo

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