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Robert Forster|Calling From A Country Phone

Calling From A Country Phone

Robert Forster

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Idioma disponível: inglês

Robert Forster's second solo album, 1993's Calling from a Country Phone, was made in quite different circumstances than Danger in the Past, his first post-Go-Betweens effort. That album was recorded in Berlin with members of the Bad Seeds playing and Mick Harvey producing, and it reflected the big-city sophistication and style one would expect it to. Calling was recorded at the same small studio in Brisbane where the Go-Betweens cut their early singles with a band of local musicians backing Forster on a batch of country-rock-influenced songs. They flicker back and forth between quietly restrained ballads and rambling rockers as Forster delivers his usual poetically inclined lyrics in dramatic fashion. It's less Bad Seeds this time and closer to the loose-limbed, barely-in-control sound of the early Triffids. Like Danger in the Past does, though, it shows that Forster is more than able to fill an album with great songs all by himself. "Leave Here Satisfied" is an epic track that builds from a tender whisper to a whirling hurricane of sounds as Forster details the ins and outs of a lost friendship, "Atlanta Lie Low"'s gentle acoustic sound melds perfectly with the wistfully rueful vocals, and "Beyond Their Law" is a fine country-rocker with some typically trenchant lyrics and a cinematic chorus. There's even a song that could have been a hit single with the right break. "Drop" has a classic chord progression, a limber vocal melody, and sweeping production that would have sounded perfect on college radio. Overall, it's a strong batch of songs given more impact by the variations within the arrangements and the different shades of blue Forster paints the songs with; the smaller studio and less sophisticated band serve the record well, too, and it's one of the most energetic records Forster has been a part of since the early days of the GBs. People may wish the Go-Betweens were still together and making their fine brand of music, but as long as their members make records as lively and enjoyable as Calling from a Country Phone, their absence will be more or less tolerable.

© Tim Sendra /TiVo

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Calling From A Country Phone

Robert Forster

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1
Atlanta Lie Low
00:03:13

Robert Forster, MainArtist, AssociatedPerformer, ComposerLyricist - Complete Music Ltd., MusicPublisher - Domino Music Publishing, MusicPublisher

1993 Beggars Banquet Records Ltd 1993 Beggars Banquet Records Ltd

2
121
00:03:28

Robert Moore, StudioMusician - Robert Forster, MainArtist, AssociatedPerformer, ComposerLyricist - David McCormack, StudioMusician - Complete Music Ltd., MusicPublisher - Domino Music Publishing, MusicPublisher - Glenn Thompson, StudioMusician - John Bone, StudioMusician

1993 Beggars Banquet Records Ltd 1993 Beggars Banquet Records Ltd

3
The Circle
00:03:45

Robert Moore, StudioMusician - Robert Forster, MainArtist, AssociatedPerformer, ComposerLyricist - David McCormack, StudioMusician - Complete Music Ltd., MusicPublisher - Domino Music Publishing, MusicPublisher - Glenn Thompson, StudioMusician - Dallas Southam, StudioMusician - John Bone, StudioMusician

1993 Beggars Banquet Records Ltd 1993 Beggars Banquet Records Ltd

4
Falling Star
00:04:05

Robert Moore, StudioMusician - Robert Forster, Producer, MainArtist, AssociatedPerformer, ComposerLyricist - David McCormack, StudioMusician - Complete Music Ltd., MusicPublisher - Domino Music Publishing, MusicPublisher - Glenn Thompson, StudioMusician - Dallas Southam, StudioMusician - John Bone, StudioMusician

1993 Beggars Banquet Records Ltd 1993 Beggars Banquet Records Ltd

5
I Want to Be Quiet
00:03:34

Robert Forster, MainArtist, AssociatedPerformer, ComposerLyricist - Complete Music Ltd., MusicPublisher - Domino Music Publishing, MusicPublisher

1993 Beggars Banquet Records Ltd 1993 Beggars Banquet Records Ltd

6
Cats Life
00:03:52

Robert Forster, MainArtist, AssociatedPerformer, ComposerLyricist - Complete Music Ltd., MusicPublisher - Domino Music Publishing, MusicPublisher

1993 Beggars Banquet Records Ltd 1993 Beggars Banquet Records Ltd

7
Girl to a World
00:04:18

Robert Forster, MainArtist, AssociatedPerformer, ComposerLyricist - Complete Music Ltd., MusicPublisher - Domino Music Publishing, MusicPublisher

1993 Beggars Banquet Records Ltd 1993 Beggars Banquet Records Ltd

8
Drop
00:04:08

Robert Moore, StudioMusician - Robert Forster, Producer, MainArtist, AssociatedPerformer, ComposerLyricist - David McCormack, StudioMusician - Complete Music Ltd., MusicPublisher - Domino Music Publishing, MusicPublisher - Glenn Thompson, StudioMusician - Dallas Southam, StudioMusician - John Bone, StudioMusician

1993 Beggars Banquet Records Ltd 1993 Beggars Banquet Records Ltd

9
Beyond Their Law
00:05:03

Robert Moore, StudioMusician - Robert Forster, MainArtist, AssociatedPerformer, ComposerLyricist - David McCormack, StudioMusician - Complete Music Ltd., MusicPublisher - Domino Music Publishing, MusicPublisher - Glenn Thompson, StudioMusician - John Bone, StudioMusician

1993 Beggars Banquet Records Ltd 1993 Beggars Banquet Records Ltd

10
Forever & Time
00:02:48

Robert Forster, MainArtist, AssociatedPerformer, ComposerLyricist - Complete Music Ltd., MusicPublisher - Domino Music Publishing, MusicPublisher

1993 Beggars Banquet Records Ltd 1993 Beggars Banquet Records Ltd

Resenha do Álbum

Robert Forster's second solo album, 1993's Calling from a Country Phone, was made in quite different circumstances than Danger in the Past, his first post-Go-Betweens effort. That album was recorded in Berlin with members of the Bad Seeds playing and Mick Harvey producing, and it reflected the big-city sophistication and style one would expect it to. Calling was recorded at the same small studio in Brisbane where the Go-Betweens cut their early singles with a band of local musicians backing Forster on a batch of country-rock-influenced songs. They flicker back and forth between quietly restrained ballads and rambling rockers as Forster delivers his usual poetically inclined lyrics in dramatic fashion. It's less Bad Seeds this time and closer to the loose-limbed, barely-in-control sound of the early Triffids. Like Danger in the Past does, though, it shows that Forster is more than able to fill an album with great songs all by himself. "Leave Here Satisfied" is an epic track that builds from a tender whisper to a whirling hurricane of sounds as Forster details the ins and outs of a lost friendship, "Atlanta Lie Low"'s gentle acoustic sound melds perfectly with the wistfully rueful vocals, and "Beyond Their Law" is a fine country-rocker with some typically trenchant lyrics and a cinematic chorus. There's even a song that could have been a hit single with the right break. "Drop" has a classic chord progression, a limber vocal melody, and sweeping production that would have sounded perfect on college radio. Overall, it's a strong batch of songs given more impact by the variations within the arrangements and the different shades of blue Forster paints the songs with; the smaller studio and less sophisticated band serve the record well, too, and it's one of the most energetic records Forster has been a part of since the early days of the GBs. People may wish the Go-Betweens were still together and making their fine brand of music, but as long as their members make records as lively and enjoyable as Calling from a Country Phone, their absence will be more or less tolerable.

© Tim Sendra /TiVo

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