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Gewandhausorchester Leipzig|Bruckner: Symphonies Nos. 2 & 8 / Wagner: Meistersinger Prelude

Bruckner: Symphonies Nos. 2 & 8 / Wagner: Meistersinger Prelude

Gewandhausorchester, Andris Nelsons

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Performances of Bruckner's symphonies, especially of the gigantic Symphony No. 8 in C minor, vary greatly even though Bruckner, in his expressive markings, was pretty specific about what he wanted. These vast works can fit together in many ways, and anyone who doubts this need only consider the multiple versions of the symphonies that Bruckner himself made, giving interpreters fits ever since. The Eighth is arguably the most difficult work for the players in the symphonic repertory, and there's a lot to be said for just letting the instrumental work of a fine ensemble wash over the listener; they do not come much finer than the Gewandhausorchester Leipzig, which is steeped in this music, but there's more, for Andris Nelsons' reading is fresh. He points the whole symphony toward the mighty finale, and once he's there, he pushes the players nearly to the limits, with thrilling effect. Consider the brass passages at the beginning, where the triplets and the listener's pulse both race. Nelsons is more than a minute faster in the finale than in Herbert von Karajan's classic 1988 recording with the Vienna Philharmonic, although he is slower elsewhere, and he makes everything revolve around this point. The Symphony No. 2 in C minor is perhaps less distinctive but is equally cleanly executed, and Wagner's Prelude to Die Meistersinger is an inventive curtain-raiser. With superb engineering from Deutsche Grammophon, this is a standout Bruckner release.

© TiVo

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Bruckner: Symphonies Nos. 2 & 8 / Wagner: Meistersinger Prelude

Gewandhausorchester Leipzig

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Die Meistersinger von Nürnberg, WWV 96 (Richard Wagner)

1
Prelude
00:10:35

Richard Wagner, ComposerLyricist - Everett Porter, Producer, Recording Engineer, StudioPersonnel - Andris Nelsons, Conductor, MainArtist - Gewandhausorchester, Orchestra, MainArtist - Karel Bruggeman, Asst. Recording Engineer, StudioPersonnel

℗ 2021 Deutsche Grammophon GmbH, Berlin

Symphony No. 2 in C Minor, WAB 102 (2nd Version 1877, Ed. William Carragan) (Anton Bruckner)

2
I. Moderato
00:18:25

Anton BRUCKNER, Composer - Everett Porter, Producer, Recording Engineer, StudioPersonnel - Andris Nelsons, Conductor, MainArtist - William Carragan, Contributor, Work Editor - Gewandhausorchester, Orchestra, MainArtist - Karel Bruggeman, Asst. Recording Engineer, StudioPersonnel

℗ 2021 Deutsche Grammophon GmbH, Berlin

3
II. Andante. Feierlich, etwas bewegt
00:16:58

Anton BRUCKNER, Composer - Everett Porter, Producer, Recording Engineer, StudioPersonnel - Andris Nelsons, Conductor, MainArtist - William Carragan, Contributor, Work Editor - Gewandhausorchester, Orchestra, MainArtist - Karel Bruggeman, Asst. Recording Engineer, StudioPersonnel

℗ 2021 Deutsche Grammophon GmbH, Berlin

4
III. Scherzo. Mäßig schnell - Trio. Gleiches Tempo
00:06:32

Anton BRUCKNER, Composer - Everett Porter, Producer, Recording Engineer, StudioPersonnel - Andris Nelsons, Conductor, MainArtist - William Carragan, Contributor, Work Editor - Gewandhausorchester, Orchestra, MainArtist - Karel Bruggeman, Asst. Recording Engineer, StudioPersonnel

℗ 2021 Deutsche Grammophon GmbH, Berlin

5
IV. Finale. Mehr schnell
00:16:13

Anton BRUCKNER, Composer - Everett Porter, Producer, Recording Engineer, StudioPersonnel - Andris Nelsons, Conductor, MainArtist - William Carragan, Contributor, Work Editor - Gewandhausorchester, Orchestra, MainArtist - Karel Bruggeman, Asst. Recording Engineer, StudioPersonnel

℗ 2021 Deutsche Grammophon GmbH, Berlin

Symphony No. 8 in C Minor, WAB 108 (1890 Version, Ed. Nowak) (Anton Bruckner)

6
I. Allegro moderato
00:16:29

Anton BRUCKNER, Composer - Everett Porter, Producer, Recording Engineer, StudioPersonnel - Andris Nelsons, Conductor, MainArtist - Gewandhausorchester, Orchestra, MainArtist - Lauran Jurrius, Asst. Recording Engineer, StudioPersonnel - Leopold Nowak, Contributor, Work Editor

℗ 2021 Deutsche Grammophon GmbH, Berlin

7
II. Scherzo. Allegro moderato - Trio. Langsam
00:14:46

Anton BRUCKNER, Composer - Everett Porter, Producer, Recording Engineer, StudioPersonnel - Andris Nelsons, Conductor, MainArtist - Gewandhausorchester, Orchestra, MainArtist - Lauran Jurrius, Asst. Recording Engineer, StudioPersonnel - Leopold Nowak, Contributor, Work Editor

℗ 2021 Deutsche Grammophon GmbH, Berlin

8
III. Adagio. Feierlich langsam; doch nicht schleppend
00:27:37

Anton BRUCKNER, Composer - Everett Porter, Producer, Recording Engineer, StudioPersonnel - Andris Nelsons, Conductor, MainArtist - Gewandhausorchester, Orchestra, MainArtist - Lauran Jurrius, Asst. Recording Engineer, StudioPersonnel - Leopold Nowak, Contributor, Work Editor

℗ 2021 Deutsche Grammophon GmbH, Berlin

9
IV. Finale. Feierlich, nicht schnell
00:23:03

Anton BRUCKNER, Composer - Everett Porter, Producer, Recording Engineer, StudioPersonnel - Andris Nelsons, Conductor, MainArtist - Gewandhausorchester, Orchestra, MainArtist - Lauran Jurrius, Asst. Recording Engineer, StudioPersonnel - Leopold Nowak, Contributor, Work Editor

℗ 2021 Deutsche Grammophon GmbH, Berlin

Resenha do Álbum

Performances of Bruckner's symphonies, especially of the gigantic Symphony No. 8 in C minor, vary greatly even though Bruckner, in his expressive markings, was pretty specific about what he wanted. These vast works can fit together in many ways, and anyone who doubts this need only consider the multiple versions of the symphonies that Bruckner himself made, giving interpreters fits ever since. The Eighth is arguably the most difficult work for the players in the symphonic repertory, and there's a lot to be said for just letting the instrumental work of a fine ensemble wash over the listener; they do not come much finer than the Gewandhausorchester Leipzig, which is steeped in this music, but there's more, for Andris Nelsons' reading is fresh. He points the whole symphony toward the mighty finale, and once he's there, he pushes the players nearly to the limits, with thrilling effect. Consider the brass passages at the beginning, where the triplets and the listener's pulse both race. Nelsons is more than a minute faster in the finale than in Herbert von Karajan's classic 1988 recording with the Vienna Philharmonic, although he is slower elsewhere, and he makes everything revolve around this point. The Symphony No. 2 in C minor is perhaps less distinctive but is equally cleanly executed, and Wagner's Prelude to Die Meistersinger is an inventive curtain-raiser. With superb engineering from Deutsche Grammophon, this is a standout Bruckner release.

© TiVo

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