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While Max Bruch's First Concerto was recorded, re-recorded and over-recorded to the nth degree, we can't say the same of Bruch's very elegant Scottish Fantasy Enter Joshua Bell, the new artistic director of the Academy of St Martin in the Fields, both playing the violin and heading up an ensemble to offer us both the Concerto – which he had recorded about thirty years ago with Marriner – and the Fantasy, a discographic first for him. This Fantasy, written in 1880 after the Second Concerto, was Sarasate but first performed by Joachim. The composer weaves it together from an infinitely elegant tissue of themes, and melodic impressions of Scotland, real or imagined. Joshua Bell, of Scottish descent himself, swims like a wild salmon through the clear waters of lochs and highland torrents, while the orchestra, clearly rapt, offers him a beautiful foil. © SM/Qobuz
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Scottish Fantasy for Violin and Orchestra, Op. 46 (Max Bruch)
Academy of St Martin in the Fields - Joshua Bell, Conductor, Violin - Max Bruch, Composer
(P) 2018 J. Bell Ventures, under exclusive license to Sony Music Entertainment
Academy of St Martin in the Fields - Joshua Bell, Conductor, Violin - Max Bruch, Composer
(P) 2018 J. Bell Ventures, under exclusive license to Sony Music Entertainment
Academy of St Martin in the Fields - Joshua Bell, Conductor, Violin - Max Bruch, Composer
(P) 2018 J. Bell Ventures, under exclusive license to Sony Music Entertainment
Academy of St Martin in the Fields - Joshua Bell, Conductor, Violin - Max Bruch, Composer
(P) 2018 J. Bell Ventures, under exclusive license to Sony Music Entertainment
Violin Concerto No. 1 in G minor, Op. 26 (Max Bruch)
Academy of St Martin in the Fields - Joshua Bell, Conductor, Violin - Max Bruch, Composer
(P) 2018 J. Bell Ventures, under exclusive license to Sony Music Entertainment
Academy of St Martin in the Fields - Joshua Bell, Conductor, Violin - Max Bruch, Composer
(P) 2018 J. Bell Ventures, under exclusive license to Sony Music Entertainment
Academy of St Martin in the Fields - Joshua Bell, Conductor, Violin - Max Bruch, Composer
(P) 2018 J. Bell Ventures, under exclusive license to Sony Music Entertainment
Resenha do Álbum
While Max Bruch's First Concerto was recorded, re-recorded and over-recorded to the nth degree, we can't say the same of Bruch's very elegant Scottish Fantasy Enter Joshua Bell, the new artistic director of the Academy of St Martin in the Fields, both playing the violin and heading up an ensemble to offer us both the Concerto – which he had recorded about thirty years ago with Marriner – and the Fantasy, a discographic first for him. This Fantasy, written in 1880 after the Second Concerto, was Sarasate but first performed by Joachim. The composer weaves it together from an infinitely elegant tissue of themes, and melodic impressions of Scotland, real or imagined. Joshua Bell, of Scottish descent himself, swims like a wild salmon through the clear waters of lochs and highland torrents, while the orchestra, clearly rapt, offers him a beautiful foil. © SM/Qobuz
Detalhes da gravação original : Recorded September 8-9, 2017 at Air Studios, London, UK
Sobre o álbum
- 1 disco(s) - 7 faixa(s)
- Duração total: 00:55:39
- 1 Folheto digital
- Artistas principais: Joshua Bell
- Compositor: Max Bruch
- Gravadora: Sony Classical
- Área: Allemagne
- Género: Clássica Música de concerto Concertos para violino
- Época: Música Romântica
(P) 2018 J. Bell Ventures, under exclusive license to Sony Music Entertainment
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