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Celil Refik Kaya|Barrios Mangoré: Guitar Music, Vol. 4

Barrios Mangoré: Guitar Music, Vol. 4

Celil Refik Kaya

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Idioma disponível: inglês

The young Turkish guitarist Celil Refik Kaya made a good decision in trying to stand out from the crowd of new players of his instrument by turning to the music of Paraguayan composer Agustín Barrios. Barrios is not exactly neglected, but he has only a few large virtuoso pieces that tend to get played. He makes a stronger impression, however, in large groups of short pieces that produce a kaleidoscopic effect when heard in sequence. Barrios drew on a great variety of musical sources, not only Paraguayan, but from elsewhere in South America, especially Argentina, and Europe, and he seemed to have a virtuoso device that enlivened every humble folk model he used. His music is thus technically difficult but never flashy and always rooted in musical requirements. This fourth volume of Barrios' music has brought Kaya commercial success, and it's easy to see why: it doesn't contain large works like Barrios' La Catedral, the Bachian essay that John Williams used to program, but it has a striking variety of other types, including the marvelously concise Bach homage Estudio in B minor. Consider and sample the final Milonga (Estilo Criollo). You might get a dozen different answers asking South American musicians for a definition of either of those words, but in Barrios' hands what you hear is a piece that elegantly evokes cowboy music without any bit of showiness, and Kaya's controlled reading is a little gem. Elsewhere, there are flamenco-like sounds from Spain's Andalucía, transformed in Barrios' hands, various Paraguayan genres, etudes that always have some point of interest, and much more. Appealing from start to finish; the only disappointment is the hollow church sound, which detracts from the intimacy.
© TiVo

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Barrios Mangoré: Guitar Music, Vol. 4

Celil Refik Kaya

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Las Abejas (Agustín Barrios Mangoré)

1
Las abejas
00:02:10

Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

Preludio in C Minor (Agustín Barrios Mangoré)

2
Preludio in C Minor
00:02:13

Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

Serenata Morisca (Agustín Barrios Mangoré)

3
Serenata morisca
00:05:30

Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

Danza (Agustín Barrios Mangoré)

4
Danza
00:03:42

Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

Danza paraguaya (Excerpts) (Agustín Barrios Mangoré)

5
No. 2, Jha, che valle!
00:01:48

Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

Dinora (Agustín Barrios Mangoré)

6
Dinora
00:02:36

Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

Estudio de concierto No. 1 in A Major (Agustín Barrios Mangoré)

7
Estudio de concierto No. 1 in A Major
00:02:31

Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

Mazurka Apasionada (Agustín Barrios Mangoré)

8
Mazurka apasionada
00:05:21

Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

Aires criollos (Transcr. C. Erwich for Solo Guitar) (Agustín Barrios Mangoré)

9
Aires criollos (Transcr. C. Erwich for Solo Guitar)
00:02:58

Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist - Chris Erwich, Arranger

(C) 2018 Naxos (P) 2018 Naxos

Bicho feo "Tango humorístico" [Arr. T. Morris for Solo Guitar] (Agustín Barrios Mangoré)

10
Bicho feo "Tango humorístico" [Arr. T. Morris for Solo Guitar]
00:03:16

Agustin Barrios Mangore, Composer - Tony Morris, Arranger - Celil Refik Kaya, Artist, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

Altair (Agustín Barrios Mangoré)

11
Altair
00:02:10

Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

Estudio in B Minor "Homenaje a Bach" (Agustín Barrios Mangoré)

12
Estudio in B Minor "Homenaje a Bach"
00:01:53

Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

Divagaciones criollas (Transcr. C. Erwich for Solo Guitar) (Agustín Barrios Mangoré)

13
Divagaciones criollas (Transcr. C. Erwich for Solo Guitar)
00:03:07

Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist - Chris Erwich, Arranger

(C) 2018 Naxos (P) 2018 Naxos

Estudio No. 6 in E Minor (Agustín Barrios Mangoré)

14
Estudio No. 6 in E Minor
00:01:23

Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

Preludio in E Major (Agustín Barrios Mangoré)

15
Preludio in E Major
00:01:05

Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

Una limosnita por amor de Dios (Agustín Barrios Mangoré)

16
Una limosnita por amor de Dios
00:03:40

Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

Estudio para ambas manos (Agustín Barrios Mangoré)

17
Estudio para ambas manos
00:02:20

Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

Armonias de America (Agustín Barrios Mangoré)

18
Armonías de América
00:04:36

Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

Aires andaluces (Transcr. C. Erwich for Solo Guitar) (Agustín Barrios Mangoré)

19
Aires andaluces (Transcr. C. Erwich for Solo Guitar)
00:06:38

Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist - Chris Erwich, Arranger

(C) 2018 Naxos (P) 2018 Naxos

Canción de cuna (Agustín Barrios Mangoré)

20
Canción de cuna
00:03:12

Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

Danza paraguaya (Excerpts) (Agustín Barrios Mangoré)

21
No. 3, Londón Carapé
00:01:30

Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

Estilo argentino "Chinita" (Agustín Barrios Mangoré)

22
Estilo argentino "Chinita"
00:02:22

Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

La bananita (Transcr. C. Erwich for Solo Guitar) (Agustín Barrios Mangoré)

23
La bananita (Transcr. C. Erwich for Solo Guitar)
00:03:42

Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist - Chris Erwich, Arranger

(C) 2018 Naxos (P) 2018 Naxos

Sargento Cabral (Agustín Barrios Mangoré)

24
Sargento Cabral
00:01:36

Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

Preludio in A Minor (Agustín Barrios Mangoré)

25
Preludio in A Minor
00:03:01

Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

Milonga (Estilo criollo) [Transcr. C. Erwich for Solo Guitar] (Agustín Barrios Mangoré)

26
Milonga (Estilo criollo) [Transcr. C. Erwich for Solo Guitar]
00:03:06

Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist - Chris Erwich, Arranger

(C) 2018 Naxos (P) 2018 Naxos

Resenha do Álbum

The young Turkish guitarist Celil Refik Kaya made a good decision in trying to stand out from the crowd of new players of his instrument by turning to the music of Paraguayan composer Agustín Barrios. Barrios is not exactly neglected, but he has only a few large virtuoso pieces that tend to get played. He makes a stronger impression, however, in large groups of short pieces that produce a kaleidoscopic effect when heard in sequence. Barrios drew on a great variety of musical sources, not only Paraguayan, but from elsewhere in South America, especially Argentina, and Europe, and he seemed to have a virtuoso device that enlivened every humble folk model he used. His music is thus technically difficult but never flashy and always rooted in musical requirements. This fourth volume of Barrios' music has brought Kaya commercial success, and it's easy to see why: it doesn't contain large works like Barrios' La Catedral, the Bachian essay that John Williams used to program, but it has a striking variety of other types, including the marvelously concise Bach homage Estudio in B minor. Consider and sample the final Milonga (Estilo Criollo). You might get a dozen different answers asking South American musicians for a definition of either of those words, but in Barrios' hands what you hear is a piece that elegantly evokes cowboy music without any bit of showiness, and Kaya's controlled reading is a little gem. Elsewhere, there are flamenco-like sounds from Spain's Andalucía, transformed in Barrios' hands, various Paraguayan genres, etudes that always have some point of interest, and much more. Appealing from start to finish; the only disappointment is the hollow church sound, which detracts from the intimacy.
© TiVo

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