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Emmanuel Ceysson|Ballad in Red (Renié, Caplet, Debussy, Hindemith, Salzédo) (Bonus Track Version)

Ballad in Red (Renié, Caplet, Debussy, Hindemith, Salzédo) (Bonus Track Version)

Emmanuel Ceysson - Quatuor Voce

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Idioma disponível: inglês

The harp prodigy Emmanuel Ceysson, member of the orchestra of the Opéra national de Paris and more recently of the Metropolitan Opera, is a real star. His mad rise evokes that of the French Carlos Salzedo, born in the 19th, who became in New York the greatest harpist of his time, and revolutionized the repertoire of his instrument. This new album crosses the twentieth century in a program inspired by Gothic, under the sign of mystery and fantasy. The luminous Ballade by Salzedo resonates here with the works of more famous composers: Debussy’s impressionistic atmospheres shimmer, the fantastic settings of Caplet come to life, and the beauties of Hindemith’s writing play with the incredible sound palette of this orchestra-like instrument. Powerful in the bass, crystalline in the treble, Emmanuel Ceysson’s special red harp – built after Salzedo’s – blossoms fully in virtuoso solo pieces as well as in the dialogue with the strings of the Voce Quartet in the very Argentinian Gustavo Leone’s Quinteto Rojo. This imaginary but coherent musical stroll introduces to the new and captivating universes of the harp, with a repertoire devoted to the instrument. © Aparté

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Ballad in Red (Renié, Caplet, Debussy, Hindemith, Salzédo) (Bonus Track Version)

Emmanuel Ceysson

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Ballade fantastique pour harpe (Henriette Renié)

1
Ballade fantastique pour harpe
00:11:54

Emmanuel Ceysson, Harp - Henriette Renié, Composer - Louis Rouhier, MusicPublisher

Little Tribeca Little Tribeca

Conte fantastique (André Caplet)

2
Conte fantastique
00:16:33

Emmanuel Ceysson, Harp - Quatuor Voce - André Caplet, Composer - Durand, MusicPublisher

Little Tribeca Little Tribeca

Red Quintet (Gustavo Leone)

3
Red Quintet
00:11:51

Emmanuel Ceysson, Harp - Quatuor Voce - Gustavo Leone, Composer - Albany Records, MusicPublisher

Little Tribeca Little Tribeca

Sonate pour Harpe (Paul Hindemith)

4
I. Mäßig schnell
00:05:00

Emmanuel Ceysson, Harp - Paul Hindemith, Composer - SCHOTT MUSIC, MusicPublisher

Little Tribeca Little Tribeca

5
II. Lebhaft
00:02:29

Emmanuel Ceysson, Harp - Paul Hindemith, Composer - SCHOTT MUSIC, MusicPublisher

Little Tribeca Little Tribeca

6
III. Sehr langsam
00:03:06

Emmanuel Ceysson, Harp - Paul Hindemith, Composer - SCHOTT MUSIC, MusicPublisher

Little Tribeca Little Tribeca

3 Morceaux pour harpe seule (Carlos Salzedo)

7
I. Ballade, Op. 28
00:09:31

Emmanuel Ceysson, Harp - Carlos Salzedo, Composer - Alphonse Leduc, MusicPublisher

Little Tribeca Little Tribeca

Danse sacrée et danse profane, L. 103 (Claude Debussy)

8
I. Danse sacrée
00:04:31

Emmanuel Ceysson, Harp - Quatuor Voce - Claude Debussy, Composer - Durand, MusicPublisher

Little Tribeca Little Tribeca

9
II. Danse profane
00:04:54

Emmanuel Ceysson, Harp - Quatuor Voce - Claude Debussy, Composer - Durand, MusicPublisher

Little Tribeca Little Tribeca

Le Fil rouge d'après un thème de Mathias (Emmanuel Ceysson)

10
Le Fil rouge d'après un thème de Mathias (Bonus Track)
00:02:18

Emmanuel Ceysson, Composer, Harp - Copyright Control, MusicPublisher

Little Tribeca Little Tribeca

Resenha do Álbum

The harp prodigy Emmanuel Ceysson, member of the orchestra of the Opéra national de Paris and more recently of the Metropolitan Opera, is a real star. His mad rise evokes that of the French Carlos Salzedo, born in the 19th, who became in New York the greatest harpist of his time, and revolutionized the repertoire of his instrument. This new album crosses the twentieth century in a program inspired by Gothic, under the sign of mystery and fantasy. The luminous Ballade by Salzedo resonates here with the works of more famous composers: Debussy’s impressionistic atmospheres shimmer, the fantastic settings of Caplet come to life, and the beauties of Hindemith’s writing play with the incredible sound palette of this orchestra-like instrument. Powerful in the bass, crystalline in the treble, Emmanuel Ceysson’s special red harp – built after Salzedo’s – blossoms fully in virtuoso solo pieces as well as in the dialogue with the strings of the Voce Quartet in the very Argentinian Gustavo Leone’s Quinteto Rojo. This imaginary but coherent musical stroll introduces to the new and captivating universes of the harp, with a repertoire devoted to the instrument. © Aparté

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