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Black Oak Ensemble|Avant l'orage: French String Trios, 1926–1939

Avant l'orage: French String Trios, 1926–1939

Black Oak Ensemble

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Idioma disponível: inglês

This is the second album of unusual early 20th century repertory issued by the Black Oak Ensemble, clearly, a group to watch. Here the group offers seven string trios from the years 1926 to 1939, "Avant l'Orage" ("Before the Storm"), in the words of the album title. The puckish works of Jean Françaix sometimes show up in the programming of chamber music societies and the like, but most of the composers here are rare finds, even in France. The works by Henri Tomasi, Robert Casadesus (the pianist), and Gustave Samazeuilh are recorded here for the first time. The pieces have a neoclassic tinge and hold together nicely, reflecting the French neoclassic values of balance, melodicism, and gentle wit. The influence of Debussy's Impressionism is there, but it is on the margins, even in the Suite en trio of Debussy's student Samazeuilh; the harmonies march forward straightforwardly, and the works are formally clear. Yet there is nothing backward-looking about the music, which is fresh and lively. Several of the slow movements have a deeply lyrical tinge (sample the one by Jean Cras, who, in addition to composing, was a French naval officer). In general, this music deserves to be much better known than it is, and it would enliven any university music recital.

© James Manheim /TiVo

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Avant l'orage: French String Trios, 1926–1939

Black Oak Ensemble

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Trio à cordes en forme de divertissement (Henri Tomasi)

1
I. Prélude
00:02:16

Henri Tomasi, Composer - Black Oak Ensemble, Ensemble, MainArtist

(C) 2022 Cedille (P) 2022 Cedille

2
II. Nocturne
00:04:46

Henri Tomasi, Composer - Black Oak Ensemble, Ensemble, MainArtist

(C) 2022 Cedille (P) 2022 Cedille

3
III. Scherzo
00:05:53

Henri Tomasi, Composer - Black Oak Ensemble, Ensemble, MainArtist

(C) 2022 Cedille (P) 2022 Cedille

4
IV. Final
00:05:11

Henri Tomasi, Composer - Black Oak Ensemble, Ensemble, MainArtist

(C) 2022 Cedille (P) 2022 Cedille

Trio for Violin, Viola & Cello (Jean Cras)

5
I. —
00:07:37

Jean Cras, Composer - Black Oak Ensemble, Ensemble, MainArtist

(C) 2022 Cedille (P) 2022 Cedille

6
II. Lent
00:06:54

Jean Cras, Composer - Black Oak Ensemble, Ensemble, MainArtist

(C) 2022 Cedille (P) 2022 Cedille

7
III. Animé
00:04:22

Jean Cras, Composer - Black Oak Ensemble, Ensemble, MainArtist

(C) 2022 Cedille (P) 2022 Cedille

8
IV. Très animé
00:05:12

Jean Cras, Composer - Black Oak Ensemble, Ensemble, MainArtist

(C) 2022 Cedille (P) 2022 Cedille

9
I. Presto
00:03:28

Emile Goue, Composer - Black Oak Ensemble, Ensemble, MainArtist

(C) 2022 Cedille (P) 2022 Cedille

10
II. Adagio
00:06:30

Emile Goue, Composer - Black Oak Ensemble, Ensemble, MainArtist

(C) 2022 Cedille (P) 2022 Cedille

11
III. Final en forme de tarantelle
00:04:38

Emile Goue, Composer - Black Oak Ensemble, Ensemble, MainArtist

(C) 2022 Cedille (P) 2022 Cedille

Trio à Cordes (Jean Françaix)

12
I. Allegretto vivo
00:01:58

Jean Francaix, Composer - Black Oak Ensemble, Ensemble, MainArtist

(C) 2022 Cedille (P) 2022 Cedille

13
II. Scherzo
00:03:15

Jean Francaix, Composer - Black Oak Ensemble, Ensemble, MainArtist

(C) 2022 Cedille (P) 2022 Cedille

14
III. Andante
00:03:46

Jean Francaix, Composer - Black Oak Ensemble, Ensemble, MainArtist

(C) 2022 Cedille (P) 2022 Cedille

15
IV. Rondo
00:03:39

Jean Francaix, Composer - Black Oak Ensemble, Ensemble, MainArtist

(C) 2022 Cedille (P) 2022 Cedille

DISCO 2

1
I. Allegro con brio
00:04:33

Robert Casadesus, Composer - Black Oak Ensemble, Ensemble, MainArtist

(C) 2022 Cedille (P) 2022 Cedille

2
II. Légende
00:06:46

Robert Casadesus, Composer - Black Oak Ensemble, Ensemble, MainArtist

(C) 2022 Cedille (P) 2022 Cedille

3
III. Allegro aperto
00:04:29

Robert Casadesus, Composer - Black Oak Ensemble, Ensemble, MainArtist

(C) 2022 Cedille (P) 2022 Cedille

Suite en trio for Violin, Viola & Cello (Gustave Samazeuilh)

4
I. Prélude
00:03:40

Gustave Samazeuilh, Composer - Black Oak Ensemble, Ensemble, MainArtist

(C) 2022 Cedille (P) 2022 Cedille

5
II. Française
00:03:59

Gustave Samazeuilh, Composer - Black Oak Ensemble, Ensemble, MainArtist

(C) 2022 Cedille (P) 2022 Cedille

6
III. Sarabande
00:04:50

Gustave Samazeuilh, Composer - Black Oak Ensemble, Ensemble, MainArtist

(C) 2022 Cedille (P) 2022 Cedille

7
IV. Divertissement
00:02:34

Gustave Samazeuilh, Composer - Black Oak Ensemble, Ensemble, MainArtist

(C) 2022 Cedille (P) 2022 Cedille

8
V. Musette
00:02:24

Gustave Samazeuilh, Composer - Black Oak Ensemble, Ensemble, MainArtist

(C) 2022 Cedille (P) 2022 Cedille

9
VI. Forlane
00:03:33

Gustave Samazeuilh, Composer - Black Oak Ensemble, Ensemble, MainArtist

(C) 2022 Cedille (P) 2022 Cedille

3 pieces en trio (Gabriel Pierné)

10
No. 1, Modéré, sans lenteur
00:09:06

Gabriel Pierné, Composer - Black Oak Ensemble, Ensemble, MainArtist

(C) 2022 Cedille (P) 2022 Cedille

11
No. 2, Chanson
00:06:29

Gabriel Pierné, Composer - Black Oak Ensemble, Ensemble, MainArtist

(C) 2022 Cedille (P) 2022 Cedille

12
No. 3, Les trois clercqs de Sainct-Nicholas
00:05:26

Gabriel Pierné, Composer - Black Oak Ensemble, Ensemble, MainArtist

(C) 2022 Cedille (P) 2022 Cedille

Resenha do Álbum

This is the second album of unusual early 20th century repertory issued by the Black Oak Ensemble, clearly, a group to watch. Here the group offers seven string trios from the years 1926 to 1939, "Avant l'Orage" ("Before the Storm"), in the words of the album title. The puckish works of Jean Françaix sometimes show up in the programming of chamber music societies and the like, but most of the composers here are rare finds, even in France. The works by Henri Tomasi, Robert Casadesus (the pianist), and Gustave Samazeuilh are recorded here for the first time. The pieces have a neoclassic tinge and hold together nicely, reflecting the French neoclassic values of balance, melodicism, and gentle wit. The influence of Debussy's Impressionism is there, but it is on the margins, even in the Suite en trio of Debussy's student Samazeuilh; the harmonies march forward straightforwardly, and the works are formally clear. Yet there is nothing backward-looking about the music, which is fresh and lively. Several of the slow movements have a deeply lyrical tinge (sample the one by Jean Cras, who, in addition to composing, was a French naval officer). In general, this music deserves to be much better known than it is, and it would enliven any university music recital.

© James Manheim /TiVo

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(C) 2022 Cedille (P) 2022 Cedille

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