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Denis Raisin-Dadre|Attaingnant: Que je chatoulle ta fossette (Danceries)

Attaingnant: Que je chatoulle ta fossette (Danceries)

Pierre Attaingnant - Claudin de Sermisy - Pierre Sandrin

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The name of Pierre Attaingnant may be familiar to those who have picked up collections of Renaissance dance music for recorder ensemble. He was not primarily a composer but a publisher, perhaps the first to use movable type to print staff lines. He may, however, have composed some of the music heard here, most of which named no composer. Among his collections of printed music, issued in Paris from the 1530s to the 1550s, were books of instrumental pieces of various kinds -- ensemble dances, lute pieces, viol pieces, and more -- as well as songs. The relationship between the printed page and its realization in music is a complicated topic about which the interested buyer can learn something from the notes here (in French, English, and German). Suffice it to say for the present that the printed music leaves the composers a good deal of room for interpretation, and that the players of the ensemble Doulce Mémoire exploit that freedom here. They pick and choose from among Attaingnant's publications, loosely grouping pieces into sequences that could have been intended for similar forces: loud winds, which would have been played outdoors; viols with or without voice; lute pieces; and some really spectacular recorders called flûtes colonnes. The general mood is lively; the players are free to add zippy ornamentation, and percussion is added to most of the dances. Overall this is a vast improvement on the old-style recordings that covered this repertory, many of which plowed through large numbers of pieces on an unchanging group of recorders. The album touches on questions of interest to specialists -- a good deal of space is given over in the booklet to the fact that the winds and the strings are tuned to different pitches and have to transpose -- but it's also enjoyable for general listeners who have explored this repertory a bit as amateurs.

© TiVo

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Attaingnant: Que je chatoulle ta fossette (Danceries)

Denis Raisin-Dadre

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1
Basse dance "La Magdalena & Tourdion"
Doulce Mémoire - Denis Raisin Dadre
00:03:06

Doulce Mémoire, Performer - Denis Raisin-Dadre, Performer - Pierre Attaingnant, Composer

2010 Outhere 2010 Outhere

2
Première suytte de Bransles d'Escosse
Doulce Mémoire - Denis Raisin Dadre
00:03:27

Doulce Mémoire, Performer - Denis Raisin-Dadre, Performer - Pierre Attaingnant, Composer

2010 Outhere 2010 Outhere

3
Pavane - Pavane "La sguizera" - Gaillardes 10 & 15
Doulce Mémoire - Denis Raisin Dadre
00:05:25

Doulce Mémoire, Performer - Denis Raisin-Dadre, Performer - Pierre Attaingnant, Composer

2010 Outhere 2010 Outhere

4
Très brève et familière introduction pour entendre et apprendre par soy même à jouer toute chanson reduite en la tablature du luth: Prélude
Pascale Boquet
00:01:31

Doulce Mémoire, Performer - Denis Raisin-Dadre, Performer - Pierre Attaingnant, Composer

2010 Outhere 2010 Outhere

5
Amour pense que je dorme
Pascale Boquet
00:02:55

Doulce Mémoire, Performer - Denis Raisin-Dadre, Performer - Claudin de Sermisy, Composer

2010 Outhere 2010 Outhere

6
Pavane 18
Angélique Mauillon
00:01:14

Doulce Mémoire, Performer - Denis Raisin-Dadre, Performer - Pierre Attaingnant, Composer

2010 Outhere 2010 Outhere

7
Allemande "Et d'où venez vous, Madame Lucette" - Allemandes 2, 6, 5 & 4
Doulce Mémoire - Denis Raisin Dadre
00:04:45

Doulce Mémoire, Performer - Denis Raisin-Dadre, Performer - Pierre Attaingnant, Composer

2010 Outhere 2010 Outhere

8
Branle gay "Que je chatoulle ta fossette" - Branles gays 28, 23 & 42 - Branle gay 7
Doulce Mémoire - Denis Raisin Dadre
00:04:11

Doulce Mémoire, Performer - Denis Raisin-Dadre, Performer - Pierre Attaingnant, Composer

2010 Outhere 2010 Outhere

9
Auprès de vous
Pascale Boquet
00:01:44

Doulce Mémoire, Performer - Denis Raisin-Dadre, Performer - Claudin de Sermisy, Composer

2010 Outhere 2010 Outhere

10
Basse dance "Auprès de vous"
Pascale Boquet
00:02:15

Doulce Mémoire, Performer - Denis Raisin-Dadre, Performer - Pierre Attaingnant, Composer

2010 Outhere 2010 Outhere

11
Basse dance "Le corps s'en va"
Pascale Boquet
00:01:20

Doulce Mémoire, Performer - Denis Raisin-Dadre, Performer - Pierre Attaingnant, Composer

2010 Outhere 2010 Outhere

12
Réveillez vous, mes damoyselles
Pascale Boquet
00:01:24

Doulce Mémoire, Performer - Denis Raisin-Dadre, Performer - Pierre Sandrin, Composer

2010 Outhere 2010 Outhere

13
Pavane première - Gaillarde première
Doulce Mémoire - Denis Raisin Dadre
00:03:44

Doulce Mémoire, Performer - Denis Raisin-Dadre, Performer - Pierre Attaingnant, Composer

2010 Outhere 2010 Outhere

14
Basse dance "La brosse"
Doulce Mémoire - Denis Raisin Dadre
00:02:54

Doulce Mémoire, Performer - Denis Raisin-Dadre, Performer - Pierre Attaingnant, Composer

2010 Outhere 2010 Outhere

15
Bransles de Poictou
Doulce Mémoire - Denis Raisin Dadre
00:03:50

Doulce Mémoire, Performer - Denis Raisin-Dadre, Performer - Pierre Attaingnant, Composer

2010 Outhere 2010 Outhere

16
Bransles de Bourgogne
Doulce Mémoire - Denis Raisin Dadre
00:03:04

Doulce Mémoire, Performer - Denis Raisin-Dadre, Performer - Pierre Attaingnant, Composer

2010 Outhere 2010 Outhere

17
Pavane
Pascale Boquet
00:03:01

Doulce Mémoire, Performer - Denis Raisin-Dadre, Performer - Pierre Attaingnant, Composer

2010 Outhere 2010 Outhere

18
Languir me fais
Pascale Boquet
00:02:13

Doulce Mémoire, Performer - Denis Raisin-Dadre, Performer - Claudin de Sermisy, Composer - Adrian Petit Coclico, Composer

2010 Outhere 2010 Outhere

19
Gaillarde
Pascale Boquet
00:01:06

Doulce Mémoire, Performer - Denis Raisin-Dadre, Performer - Pierre Attaingnant, Composer

2010 Outhere 2010 Outhere

20
Pavane 8 - Pavane des Dieux - Gaillarde
Doulce Mémoire - Denis Raisin Dadre
00:04:00

Doulce Mémoire, Performer - Denis Raisin-Dadre, Performer - Pierre Attaingnant, Composer

2010 Outhere 2010 Outhere

21
M'amye est tant honneste
Doulce Mémoire - Denis Raisin Dadre
00:01:48

Doulce Mémoire, Performer - Denis Raisin-Dadre, Performer - Pierre Sandrin, Composer

2010 Outhere 2010 Outhere

22
Pavane "M'amye est tant honneste" - Gaillarde
Pascale Boquet
00:01:46

Doulce Mémoire, Performer - Denis Raisin-Dadre, Performer - Pierre Attaingnant, Composer

2010 Outhere 2010 Outhere

23
Pavane 19
Pascale Boquet
00:01:24

Doulce Mémoire, Performer - Denis Raisin-Dadre, Performer - Pierre Attaingnant, Composer

2010 Outhere 2010 Outhere

24
Basses dances 3 & 1 - Tourdions 8, 9 & 39
Doulce Mémoire - Denis Raisin Dadre
00:06:02

Doulce Mémoire, Performer - Denis Raisin-Dadre, Performer - Pierre Attaingnant, Composer

2010 Outhere 2010 Outhere

25
Basse dance "La gatta en italien" - Basse dance "La scarpa my faict mal"
Doulce Mémoire - Denis Raisin Dadre
00:05:31

Doulce Mémoire, Performer - Denis Raisin-Dadre, Performer - Pierre Attaingnant, Composer

2010 Outhere 2010 Outhere

Resenha do Álbum

The name of Pierre Attaingnant may be familiar to those who have picked up collections of Renaissance dance music for recorder ensemble. He was not primarily a composer but a publisher, perhaps the first to use movable type to print staff lines. He may, however, have composed some of the music heard here, most of which named no composer. Among his collections of printed music, issued in Paris from the 1530s to the 1550s, were books of instrumental pieces of various kinds -- ensemble dances, lute pieces, viol pieces, and more -- as well as songs. The relationship between the printed page and its realization in music is a complicated topic about which the interested buyer can learn something from the notes here (in French, English, and German). Suffice it to say for the present that the printed music leaves the composers a good deal of room for interpretation, and that the players of the ensemble Doulce Mémoire exploit that freedom here. They pick and choose from among Attaingnant's publications, loosely grouping pieces into sequences that could have been intended for similar forces: loud winds, which would have been played outdoors; viols with or without voice; lute pieces; and some really spectacular recorders called flûtes colonnes. The general mood is lively; the players are free to add zippy ornamentation, and percussion is added to most of the dances. Overall this is a vast improvement on the old-style recordings that covered this repertory, many of which plowed through large numbers of pieces on an unchanging group of recorders. The album touches on questions of interest to specialists -- a good deal of space is given over in the booklet to the fact that the winds and the strings are tuned to different pitches and have to transpose -- but it's also enjoyable for general listeners who have explored this repertory a bit as amateurs.

© TiVo

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