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Marcela Roggeri|Astor Piazzolla

Astor Piazzolla

Astor Piazzolla - Transcription José Ogivieki - Arrangement José Ogivieki

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Idioma disponível: inglês

This is a collection of oddities and rarities by the Argentine tango fusion master Astor Piazzolla, with songs mostly arranged for voice and piano, or instrumental pieces for arranged for piano alone. You wouldn't know that from the packaging, or from the track list containing some famous titles, or even from the booklet, which gives a standard biography of Piazzolla's career but isn't much help on the music at hand; it identifies the language of the song version of Oblivion heard here as French, when in fact it is in Italian. It's not a Piazzolla album for newcomers to his music, but it does touch on some of his compositions of the 1950s, when he still thought he might like to become a straight classical composer; these aren't often recorded, and they show his adventurous spirit. Some of the pieces aren't tangos at all; the Suite for piano of 1955 is thoroughly Parisian. There are a few of the famous tangos in restrained piano versions or vocal settings, but the only hint of the typical Piazzolla mood comes in Muerte del ángel (track 14). The rest, thanks to the voice of French soprano Magali Léger, is rather delicate. The songs mostly come from the first part of Piazzolla's career, and in only one case do they reflect the contributions of Piazzolla's favorite collaborator, Horacio Ferrer. Instead there are experiments of various kinds, such as Los pájaros perdidos, which contrasts tango with rhythmically regular art song, or the jostling tango-waltz hybrid Valsísimo (track 11), which suggests Erik Satie. More an album for the Piazzolla enthusiast than for the general listener.
© James Manheim /TiVo

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Astor Piazzolla

Marcela Roggeri

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1
Aire de la Zamba Niña
00:03:14

Marcela Roggeri, interprète - Magali Léger, interprète - Astor Piazzolla, compositeur - Transcription José Ogivieki, compositeur - Pocha Barros, auteur

2010 Jean-Baptiste Millot/Transart 2010 Transart

2
C'est l'amour
00:02:35

Marcela Roggeri, interprète - Astor Piazzolla, compositeur

2010 Jean-Baptiste Millot/Transart 2010 Transart

3
Milonga Sin Palabras
00:04:56

Marcela Roggeri, interprète - Magali Léger, interprète - Astor Piazzolla, compositeur - DR, auteur

2010 Jean-Baptiste Millot/Transart 2010 Transart

4
Suite para piano : Preludio
00:02:05

Marcela Roggeri, interprète - Astor Piazzolla, compositeur

2010 Jean-Baptiste Millot/Transart 2010 Transart

5
Suite para piano : Siciliana
00:02:56

Marcela Roggeri, interprète - Astor Piazzolla, compositeur

2010 Jean-Baptiste Millot/Transart 2010 Transart

6
Suite para piano : Toccata
00:02:36

Marcela Roggeri, interprète - Astor Piazzolla, compositeur

2010 Jean-Baptiste Millot/Transart 2010 Transart

7
Oblivion
00:04:41

Marcela Roggeri, interprète - Magali Léger, interprète - Astor Piazzolla, compositeur - Transcription José Ogivieki, compositeur - Angela Denia Tarenzi, auteur

2010 Jean-Baptiste Millot/Transart 2010 Transart

8
Retrato de Alfredo Gobbi
00:04:31

Marcela Roggeri, interprète - Astor Piazzolla, compositeur

2010 Jean-Baptiste Millot/Transart 2010 Transart

9
Los Pajaros Perdidos
00:03:47

Marcela Roggeri, interprète - Magali Léger, interprète - Astor Piazzolla, compositeur - Mario Cesar Trejo, auteur

2010 Jean-Baptiste Millot/Transart 2010 Transart

10
Ave Maria
00:05:19

Marcela Roggeri, interprète - Magali Léger, interprète - Astor Piazzolla, compositeur - Arrangement José Ogivieki, compositeur - DR, auteur

2010 Jean-Baptiste Millot/Transart 2010 Transart

11
Valsisimo
00:04:10

Marcela Roggeri, interprète - Astor Piazzolla, compositeur

2010 Jean-Baptiste Millot/Transart 2010 Transart

12
Années de solitude
00:03:43

Marcela Roggeri, interprète - Magali Léger, interprète - Astor Piazzolla, compositeur - Maxime Le Forestier, auteur

2010 Jean-Baptiste Millot/Transart 2010 Transart

13
Milonga del Angel
00:03:42

Marcela Roggeri, interprète - Astor Piazzolla, compositeur

2010 Jean-Baptiste Millot/Transart 2010 Transart

14
Muerte del Angel
00:02:33

Marcela Roggeri, interprète - Astor Piazzolla, compositeur - Arrangement José Ogivieki, compositeur

2010 Jean-Baptiste Millot/Transart 2010 Transart

15
Balada para un Loco
00:05:15

Marcela Roggeri, interprète - Magali Léger, interprète - Astor Piazzolla, compositeur - Arrangement José Ogivieki, compositeur - Horacio Ferrer, auteur

2010 Jean-Baptiste Millot/Transart 2010 Transart

16
Siempre Se Vuelve a Buenos Aires
00:03:22

Marcela Roggeri, interprète - Magali Léger, interprète - Astor Piazzolla, compositeur - Arrangement José Ogivieki, compositeur - Eladia Blazquez, auteur

2010 Jean-Baptiste Millot/Transart 2010 Transart

Resenha do Álbum

This is a collection of oddities and rarities by the Argentine tango fusion master Astor Piazzolla, with songs mostly arranged for voice and piano, or instrumental pieces for arranged for piano alone. You wouldn't know that from the packaging, or from the track list containing some famous titles, or even from the booklet, which gives a standard biography of Piazzolla's career but isn't much help on the music at hand; it identifies the language of the song version of Oblivion heard here as French, when in fact it is in Italian. It's not a Piazzolla album for newcomers to his music, but it does touch on some of his compositions of the 1950s, when he still thought he might like to become a straight classical composer; these aren't often recorded, and they show his adventurous spirit. Some of the pieces aren't tangos at all; the Suite for piano of 1955 is thoroughly Parisian. There are a few of the famous tangos in restrained piano versions or vocal settings, but the only hint of the typical Piazzolla mood comes in Muerte del ángel (track 14). The rest, thanks to the voice of French soprano Magali Léger, is rather delicate. The songs mostly come from the first part of Piazzolla's career, and in only one case do they reflect the contributions of Piazzolla's favorite collaborator, Horacio Ferrer. Instead there are experiments of various kinds, such as Los pájaros perdidos, which contrasts tango with rhythmically regular art song, or the jostling tango-waltz hybrid Valsísimo (track 11), which suggests Erik Satie. More an album for the Piazzolla enthusiast than for the general listener.
© James Manheim /TiVo

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