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Cecilia Bartoli|Antonio Vivaldi

Antonio Vivaldi

Cecilia Bartoli, Matheus, Jean-Christophe Spinosi

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This is Cecilia Bartoli's second collection of Vivaldi arias; the first appeared in 1999 under the title The Vivaldi Album, and Bartoli continues to record for the same label, Decca, with a stability that's rare these days. The cynics' first question will be about how Bartoli's voice is holding up: she was 52 when this album appeared in 2019. As it happens, she's fine. You can sample "Combatta un gentil cor," from Act II of Tito Manlio, RV 738, to assure yourself of her continued combination of flair and pitch precision in the big, high-powered arias. "If you perfect your technique, that's what gives you longevity," Bartoli confidently told Flemish television, and it seems she has the chops to deliver on that boast. It's a middle-aged voice, sure, but it's undiminished, and such an approach obscures what's best about Bartoli: her knack for reshaping the repertory and then singing the new music in such a way that you feel it's always been around. In 1999, Vivaldi opera was still fairly new, at least in major-label circles. Now it's more familiar, but with just a few exceptions, the arias and even the operas here will be unknown to all but Baroque enthusiasts. Backed in a sympathetically fiery vein by France's Ensemble Matheus under Jean-Christophe Spinosi, Bartoli delivers standard-setting performances of repertory that she successfully argues has been unjustly neglected.

© TiVo

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Antonio Vivaldi

Cecilia Bartoli

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Argippo, RV 697 (Antonio Vivaldi)

1
Act I : "Se lento ancora il fulmine" (Zanaida)
00:03:51

Cecilia Bartoli, Mezzo-Soprano - Ensemble Matheus - Jean-Christophe Spinosi, Conductor - Antonio Vivaldi, Composer - Domenico Lalli, Author - (Arend Prohmann, Producer - Philip Siney, Engineer - Claudio Becker-Foss, Asst. Recording Engineer)

℗ 2018 Decca Music Group Limited

Orlando furioso, RV 728 (Antonio Vivaldi)

2
Act I : Aria "Sol da te, mio dolce amore" (Ruggiero)
00:09:49

Cecilia Bartoli, Mezzo-Soprano - Jean-Marc Goujon, Solo Flute - Ensemble Matheus - Jean-Christophe Spinosi, Conductor - Antonio Vivaldi, Composer - Grazio Braccioli, Author - (Arend Prohmann, Producer - Philip Siney, Engineer - Claudio Becker-Foss, Asst. Recording Engineer)

℗ 2018 Decca Music Group Limited

3
Act II : "Ah fuggi rapido" (Astolfo)
00:02:21

Cecilia Bartoli, Mezzo-Soprano - Ensemble Matheus - Jean-Christophe Spinosi, Conductor - Antonio Vivaldi, Composer - Grazio Braccioli, Author - (Arend Prohmann, Producer - Philip Siney, Engineer - Claudio Becker-Foss, Asst. Recording Engineer)

℗ 2018 Decca Music Group Limited

Il Giustino, RV 717 (Antonio Vivaldi)

4
Act I : "Vedrò con mio diletto" (Anastasio)
00:06:13

Cecilia Bartoli, Mezzo-Soprano - Ensemble Matheus - Jean-Christophe Spinosi, Conductor - Antonio Vivaldi, Composer - Nicolò Beregan, Author - (Arend Prohmann, Producer - Philip Siney, Engineer - Claudio Becker-Foss, Asst. Recording Engineer)

℗ 2018 Decca Music Group Limited

La Silvia, RV 734 (Antonio Vivaldi)

5
Act II : "Quell’augellin che canta" (Silvia)
00:04:10

Cecilia Bartoli, Mezzo-Soprano - Ensemble Matheus - Jean-Christophe Spinosi, Solo Violin & Conductor - Antonio Vivaldi, Composer - Enrico Bissari, Author - (Arend Prohmann, Producer - Philip Siney, Engineer - Claudio Becker-Foss, Asst. Recording Engineer)

℗ 2018 Decca Music Group Limited

Ottone in Villa, RV 729 (Antonio Vivaldi)

6
Act II : "Leggi almeno, tiranna infedele" (Caio)
00:05:50

Cecilia Bartoli, Mezzo-Soprano - Ensemble Matheus - Jean-Christophe Spinosi, Conductor - Antonio Vivaldi, Composer - Domenico Lalli, Author - (Arend Prohmann, Producer - Philip Siney, Engineer - Claudio Becker-Foss, Asst. Recording Engineer)

℗ 2018 Decca Music Group Limited

La Verità in cimento, RV 739 (Antonio Vivaldi)

7
Act I : "Solo quella guancia bella" (Rosane)
00:02:28

Cecilia Bartoli, Mezzo-Soprano - Ensemble Matheus - Jean-Christophe Spinosi, Conductor - Antonio Vivaldi, Composer - Giovanni Palazzi & Domenico Lalli, Authors - (Arend Prohmann, Producer - Philip Siney, Engineer - Claudio Becker-Foss, Asst. Recording Engineer)

℗ 2018 Decca Music Group Limited

Andromeda Liberata (Serenata Veneziana), RV 117 (Antonio Vivaldi)

8
Sovente il sole (Perseo)
00:09:44

Cecilia Bartoli, Mezzo-Soprano - Ensemble Matheus - Jean-Christophe Spinosi, Conductor - Antonio Vivaldi, Composer - Anonyme, Author - (Arend Prohmann, Producer - Philip Siney, Engineer - Claudio Becker-Foss, Asst. Recording Engineer)

℗ 2018 Decca Music Group Limited

Tito Manlio, RV 738 (Antonio Vivaldi)

9
Act II : "Combatta un gentil cor" (Lucio)
00:04:01

Cecilia Bartoli, Mezzo-Soprano - Serge Tizac, Trumpet - Ensemble Matheus - Jean-Christophe Spinosi, Conductor - Antonio Vivaldi, Composer - Matteo Noris, Author - (Arend Prohmann, Producer - Philip Siney, Engineer - Claudio Becker-Foss, Asst. Recording Engineer)

℗ 2018 Decca Music Group Limited

Catone in Utica, RV 705 (Antonio Vivaldi)

10
Act II : "Se mai senti spirarti sul volto" (Cesare)
00:09:48

Cecilia Bartoli, Mezzo-Soprano - Ensemble Matheus - Jean-Christophe Spinosi, Conductor - Antonio Vivaldi, Composer - Pietro Metastasio, Author - (Arend Prohmann, Producer - Philip Siney, Engineer - Claudio Becker-Foss, Asst. Recording Engineer)

℗ 2018 Decca Music Group Limited

Resenha do Álbum

This is Cecilia Bartoli's second collection of Vivaldi arias; the first appeared in 1999 under the title The Vivaldi Album, and Bartoli continues to record for the same label, Decca, with a stability that's rare these days. The cynics' first question will be about how Bartoli's voice is holding up: she was 52 when this album appeared in 2019. As it happens, she's fine. You can sample "Combatta un gentil cor," from Act II of Tito Manlio, RV 738, to assure yourself of her continued combination of flair and pitch precision in the big, high-powered arias. "If you perfect your technique, that's what gives you longevity," Bartoli confidently told Flemish television, and it seems she has the chops to deliver on that boast. It's a middle-aged voice, sure, but it's undiminished, and such an approach obscures what's best about Bartoli: her knack for reshaping the repertory and then singing the new music in such a way that you feel it's always been around. In 1999, Vivaldi opera was still fairly new, at least in major-label circles. Now it's more familiar, but with just a few exceptions, the arias and even the operas here will be unknown to all but Baroque enthusiasts. Backed in a sympathetically fiery vein by France's Ensemble Matheus under Jean-Christophe Spinosi, Bartoli delivers standard-setting performances of repertory that she successfully argues has been unjustly neglected.

© TiVo

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