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David Byrne|American Utopia  (Deluxe Edition)

American Utopia (Deluxe Edition)

David Byrne

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"Is this meant ironically? Is it a joke? Do I mean this seriously? In what way?" David Byrne seems to be simultaneously inviting and acknowledging some likely reactions to his 2018 album, American Utopia, in his own liner notes. At a time when America has been thrown into a state of chaos -- something Byrne witnessed and creatively reacted to as an artist during the Reagan era -- here he imagines what appears to be an alternate version of the United States and the people who live in it. (Animals, too -- a variety of critters pop up in "Every Day Is a Miracle," and "Dog's Mind" imagines how our canine friends view the world.) Not everything in Byrne's Bizarro World America is a good time, especially on "Gasoline and Dirty Sheets" and "This Is That." But much of this album portrays folks who are both dazzled and overwhelmed by the abundant possibilities presented in "It's Not Dark Up Here," "Everybody's Coming to My House," and "I Dance Like This." American Utopia began as a series of rhythm tracks created by Brian Eno, which Byrne then fashioned into songs, with a variety of other collaborators reshaping the results, including co-producers Rodaidh McDonald and Patrick Dillett and musicians Daniel Lopatin, Thomas Bartlett, and Joey Waronker. The final product is a sonic crazy quilt that's rich and evocative, by turns ominous and seductive, and the stylistic shape-shifting that dominates these tracks suits the many moods of Byrne's characters very well indeed. In concept, American Utopia bears faint resemblance to the cheerfully odd average Americans who populated Talking Heads' 1986 album True Stories (and Byrne's accompanying feature film), but this album's wit is more pointed, the tone is cooler and less secure, and the cumulative effect less joyous and a bit more puzzled about what awaits us with the next dawn. American Utopia is an album of beautiful and witty surfaces stretched over a sea of troubled waters, and if Byrne is rarely inclined to give direct answers to the questions he asks, it's obvious this isn't a joke, it's an ambitious work from an important American artist.

© Mark Deming /TiVo

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American Utopia (Deluxe Edition)

David Byrne

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1
I Dance Like This
00:03:33

Joey Waronker, Snare Drums, Tom Tom Drums - Patrick Dillett, Producer, Engineer - Greg Calbi, MasteringEngineer - David Wrench, Additional Programmer, MixingEngineer - Brian Eno, Writer, Background Vocals, Additional Programmer, Drum Programmer, Vocoder - David Byrne, Composer, Producer, Guitar, Keyboards, Vocals, Writer, MainArtist - Alex Epton, Engineer - Thomas Bartlett, Piano, Mellotron - Rodaidh McDonald, Producer, Additional Keyboards, Percussion - Marta salogni, MixingEngineer - Jack Sugden, MixingEngineer - Tuck Nelson, MixingEngineer

© 2018 Nonesuch Records Inc. ℗ 2018 Todomundo Ltd., under exclusive license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

2
Gasoline and Dirty Sheets
00:03:19

Jamie Edwards, Additional Sitar - Patrick Dillett, Producer, Engineer - Greg Calbi, MasteringEngineer - David Wrench, Additional Programmer, MixingEngineer - Brian Eno, Writer - David Byrne, Producer, Guitar, Keyboards, Vocals, Writer, MainArtist - Alex Epton, Engineer, Additional Programmer, Drum Programmer - Thomas Bartlett, Mellotron - Nathan Jenkins, Harmonica, Voices - Rodaidh McDonald, Producer, Arranger, Keyboards, Drum Programmer - Jack Peñate, Keyboards, Backing Vocals - Happa, Drum Programmer - Marta salogni, MixingEngineer - Jaakko Savolainen, Guitar, Bass, Synthesizer - Jack Sugden, MixingEngineer - Isaiah Barr, Saxophone - Tuck Nelson, MixingEngineer

© 2018 Nonesuch Records Inc. ℗ 2018 Todomundo Ltd., under exclusive license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

3
Every Day Is a Miracle
00:04:46

Patrick Dillett, Producer, Engineer - Greg Calbi, MasteringEngineer - David Wrench, Additional Programmer, MixingEngineer - Brian Eno, Writer - David Byrne, Composer, Producer, Guitar, Vocals, Writer, MainArtist - Alex Epton, Engineer, Synthesizer - Rodaidh McDonald, Producer, Arranger, Keyboards, Drum Programmer - Ben Anderson, Cymbals - Jack Peñate, Drums, Keyboards, Bass, Shaker - Jam City, Drums, Guitar, Synthesizer - Happa, Drums, Electronics - Ben Reed, Live Bass - Koreless, Drums - Marta salogni, MixingEngineer - Jaakko Savolainen, Keyboards - Jack Sugden, MixingEngineer - Magnus Bang Olsen, Piano - Tuck Nelson, MixingEngineer

© 2018 Nonesuch Records Inc. ℗ 2018 Todomundo Ltd., under exclusive license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

4
Dog's Mind
00:02:29

Patrick Dillett, Producer, Engineer - Greg Calbi, MasteringEngineer - David Wrench, Additional Programmer, MixingEngineer - Brian Eno, Writer - David Byrne, Producer, Vocals, Writer, MainArtist - Alex Epton, Engineer - Daniel Lopatin, Drums, Keyboards, Bass, Synthesizer - Rodaidh McDonald, Producer, Arranger, Drum Programmer - Marta salogni, MixingEngineer - Jack Sugden, MixingEngineer - Tuck Nelson, MixingEngineer

© 2018 Nonesuch Records Inc. ℗ 2018 Todomundo Ltd., under exclusive license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

5
This Is That
00:04:31

Patrick Dillett, Engineer - Greg Calbi, MasteringEngineer - David Wrench, Additional Programmer, MixingEngineer - David Byrne, Vocals, Writer, MainArtist - Joe Williams, Harp - Alex Epton, Engineer - Daniel Lopatin, Producer, Drums, Keyboards, Writer - Rodaidh McDonald, Arranger, Additional Producer, Drum Programmer - Marta salogni, MixingEngineer - Gabriel Schuman, AdditionalEngineer - Jack Sugden, MixingEngineer - Tuck Nelson, MixingEngineer

© 2018 Nonesuch Records Inc. ℗ 2018 Todomundo Ltd., under exclusive license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

6
It's Not Dark Up Here
00:04:10

Mauro Refosco, Wood Block Percussion - Patrick Dillett, Producer, Engineer - Greg Calbi, MasteringEngineer - David Wrench, Additional Programmer, MixingEngineer - Brian Eno, Keyboards, Percussion, Writer, Whistle, Brass, Sound Effects Vocals, Celeste Piano - David Byrne, Producer, Guitar, Vocals, Writer, MainArtist - Alex Epton, Engineer, Drum Programmer - Rodaidh McDonald, Producer, Bells, Additional Keyboards, Drum Programmer - Marta salogni, MixingEngineer - Jack Sugden, MixingEngineer - Tuck Nelson, MixingEngineer

© 2018 Nonesuch Records Inc. ℗ 2018 Todomundo Ltd., under exclusive license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

7
Bullet
00:03:09

Mauro Refosco, Bongo Drums, Talking Drums - Patrick Dillett, Producer, Engineer - Greg Calbi, MasteringEngineer - David Wrench, Additional Programmer, MixingEngineer - Brian Eno, Writer - David Byrne, Composer, Producer, Guitar, Keyboards, Vocals, Writer, MainArtist - Alex Epton, Engineer, Bass - Thomas Bartlett, Mellotron - Airhead, Drums - Rodaidh McDonald, Producer, Drum Programmer, Strings - Jack Peñate, Keyboards, Backing Vocals - Marta salogni, MixingEngineer - Jack Sugden, MixingEngineer - Tuck Nelson, MixingEngineer

© 2018 Nonesuch Records Inc. ℗ 2018 Todomundo Ltd., under exclusive license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

8
Doing the Right Thing
00:03:38

Mauro Refosco, Percussion - Patrick Dillett, Producer, Engineer - Greg Calbi, MasteringEngineer - David Wrench, Additional Programmer, MixingEngineer - Brian Eno, Drums, Keyboards, Writer - David Byrne, Producer, Guitar, Writer, Vox Organ, MainArtist - Alex Epton, Cymbals, Engineer, Drum Programmer - Daniel Lopatin, Keyboards, Strings, Pro Tools Processing - Rodaidh McDonald, Producer, Additional Keyboards, Additional Programmer, Drum Programmer - Marta salogni, MixingEngineer - Brian Wolfe, Drums - Jack Sugden, MixingEngineer - MMPH, Arranger, Sound Effects (SFX) - Tuck Nelson, MixingEngineer

© 2018 Nonesuch Records Inc. ℗ 2018 Todomundo Ltd., under exclusive license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

9
Everybody's Coming to My House
00:03:29

Mauro Refosco, Percussion - Patrick Dillett, Producer, Engineer - Greg Calbi, MasteringEngineer - David Wrench, Additional Programmer, MixingEngineer - Brian Eno, Percussion, Writer, Rhythm Guitar - David Byrne, Composer, Producer, Guitar, Keyboards, Vocals, Writer, MainArtist, Paddle Drums - Alex Epton, Engineer, Shaker - Daniel Lopatin, Pro Tools Processing - Thomas Bartlett, Mellotron - Rodaidh McDonald, Producer, Additional Keyboards, Drum Programmer - Happa, Drum Programmer, Synthesizer - Sampha, Piano - Ben Reed, Live Bass - Marta salogni, MixingEngineer - TTY, Synthesizer - Jack Sugden, MixingEngineer - Isaiah Barr, Saxophone - Tuck Nelson, MixingEngineer

© 2018 Nonesuch Records Inc. ℗ 2018 Todomundo Ltd., under exclusive license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

10
Here
00:04:13

Patrick Dillett, Engineer - Greg Calbi, MasteringEngineer - David Wrench, Additional Programmer, MixingEngineer - David Byrne, Guitar, Vocals, Writer, MainArtist - Alex Epton, Engineer - Daniel Lopatin, Producer, Drums, Keyboards, Writer - Rodaidh McDonald, Arranger, Additional Producer - Marta salogni, MixingEngineer - Jack Sugden, MixingEngineer - Tuck Nelson, MixingEngineer

© 2018 Nonesuch Records Inc. ℗ 2018 Todomundo Ltd., under exclusive license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

11
I Zimbra (Live from Kings Theatre, September 2018)
00:03:12

Mauro Refosco, Cowbell Percussion - Greg Calbi, MasteringEngineer - Brian Eno, Writer - David Byrne, Producer, Lead Vocals, Writer, MainArtist - John Chadwick, AdditionalEngineer - Bobby Wooten, Bass Guitar, Backing Vocals - Hugo Ball, Writer - Patrick Dillet, Producer - Stéphane San Juan, Bass Drums - Rodaidh McDonald, Producer - Chris Giarmo, Backing Vocals - Daniel Freedman, Snare Drums - Pete Keppler, Engineer - Jamie Nelson, AdditionalEngineer - Davi Viera, Bongo Drums - Angie Swan, Guitar, Backing Vocals - Gustavo DiDalva, Talking Drums - Karl Mansfield, Keyboards - Tendayi Kuumba, Backing Vocals

© 2018 Nonesuch Records Inc. ℗ 2018 Todomundo Ltd., under exclusive license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States.

12
Every Day Is a Miracle (Live from Kings Theatre, September 2018)
00:04:49

Mauro Refosco, Repique - Greg Calbi, MasteringEngineer - Brian Eno, Writer - David Byrne, Composer, Producer, Lead Vocals, Writer, MainArtist - John Chadwick, AdditionalEngineer - Bobby Wooten, Bass Guitar, Backing Vocals - Patrick Dillet, Producer - Tim Keiper, Claves Percussion - Stéphane San Juan, Bass Drums - Rodaidh McDonald, Producer - Chris Giarmo, Backing Vocals - Daniel Freedman, Snare Drums - Pete Keppler, Engineer - Jamie Nelson, AdditionalEngineer - Angie Swan, Guitar, Backing Vocals - Karl Mansfield, Keyboards - Tendayi Kuumba, Backing Vocals

© 2018 Nonesuch Records Inc. ℗ 2018 Todomundo Ltd., under exclusive license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States.

13
Everybody's Coming to My House (Live from Kings Theatre, September 2018)
00:03:44

Mauro Refosco, Tambourine, Maracas Percussion - Greg Calbi, MasteringEngineer - Brian Eno, Writer - David Byrne, Composer, Producer, Lead Vocals, Writer, MainArtist - John Chadwick, AdditionalEngineer - Bobby Wooten, Bass Guitar, Backing Vocals - Patrick Dillet, Producer - Tim Keiper, Bass Drums, Snare Drums - Stéphane San Juan, Cowbell Percussion - Rodaidh McDonald, Producer - Chris Giarmo, Backing Vocals - Daniel Freedman, Bass Drums, Snare Drums - Pete Keppler, Engineer - Jamie Nelson, AdditionalEngineer - Davi Viera, Bongo Drums - Angie Swan, Guitar, Backing Vocals - Gustavo DiDalva, Congas - Karl Mansfield, Keyboards - Tendayi Kuumba, Backing Vocals

© 2018 Nonesuch Records Inc. ℗ 2018 Todomundo Ltd., under exclusive license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States.

14
This Must Be the Place (Naïve Melody) (Live from Kings Theatre, September 2018)
00:04:54

Mauro Refosco, Cymbals - Greg Calbi, MasteringEngineer - JERRY HARRISON, Writer - David Byrne, Producer, Lead Vocals, Writer, MainArtist - Chris Frantz, Writer - Tina Weymouth, Writer - John Chadwick, AdditionalEngineer - Bobby Wooten, Bass Guitar - Patrick Dillet, Producer - Tim Keiper, Snare Drums - Stéphane San Juan, Tom Tom Drums - Rodaidh McDonald, Producer - Chris Giarmo, Backing Vocals - Daniel Freedman, Bass Drums - Pete Keppler, Engineer - Jamie Nelson, AdditionalEngineer - Angie Swan, Guitar - Karl Mansfield, Keyboards - Tendayi Kuumba, Backing Vocals

© 2018 Nonesuch Records Inc. ℗ 2018 Todomundo Ltd., under exclusive license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States.

15
Dog's Mind (Live from Kings Theatre, September 2018)
00:02:57

Greg Calbi, MasteringEngineer - Brian Eno, Writer - David Byrne, Producer, Lead Vocals, Writer, MainArtist - John Chadwick, AdditionalEngineer - Bobby Wooten, Bass Guitar - Patrick Dillet, Producer - Tim Keiper, Cymbals - Rodaidh McDonald, Producer - Chris Giarmo, Backing Vocals - Pete Keppler, Engineer - Jamie Nelson, AdditionalEngineer - Angie Swan, Guitar - Karl Mansfield, Keyboards - Tendayi Kuumba, Backing Vocals

© 2018 Nonesuch Records Inc. ℗ 2018 Todomundo Ltd., under exclusive license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States.

16
Toe Jam (Live from Kings Theatre, September 2018)
00:03:43

Norman Cook, Writer - Mauro Refosco, Surdo - Greg Calbi, MasteringEngineer - David Byrne, Composer, Producer, Lead Vocals, Writer, MainArtist - John Chadwick, AdditionalEngineer - Bobby Wooten, Bass Guitar - Patrick Dillet, Producer - Tim Keiper, Gurio Percussion - Stéphane San Juan, Snare Drums - Rodaidh McDonald, Producer - Chris Giarmo, Backing Vocals - Daniel Freedman, Bass Drums - Pete Keppler, Engineer - Jamie Nelson, AdditionalEngineer - Davi Viera, Timba Percussion - Angie Swan, Guitar, Backing Vocals - Gustavo DiDalva, Timbales Drums - Karl Mansfield, Keyboards - Tendayi Kuumba, Backing Vocals

© 2018 Nonesuch Records Inc. ℗ 2018 Todomundo Ltd., under exclusive license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States.

Resenha do Álbum

"Is this meant ironically? Is it a joke? Do I mean this seriously? In what way?" David Byrne seems to be simultaneously inviting and acknowledging some likely reactions to his 2018 album, American Utopia, in his own liner notes. At a time when America has been thrown into a state of chaos -- something Byrne witnessed and creatively reacted to as an artist during the Reagan era -- here he imagines what appears to be an alternate version of the United States and the people who live in it. (Animals, too -- a variety of critters pop up in "Every Day Is a Miracle," and "Dog's Mind" imagines how our canine friends view the world.) Not everything in Byrne's Bizarro World America is a good time, especially on "Gasoline and Dirty Sheets" and "This Is That." But much of this album portrays folks who are both dazzled and overwhelmed by the abundant possibilities presented in "It's Not Dark Up Here," "Everybody's Coming to My House," and "I Dance Like This." American Utopia began as a series of rhythm tracks created by Brian Eno, which Byrne then fashioned into songs, with a variety of other collaborators reshaping the results, including co-producers Rodaidh McDonald and Patrick Dillett and musicians Daniel Lopatin, Thomas Bartlett, and Joey Waronker. The final product is a sonic crazy quilt that's rich and evocative, by turns ominous and seductive, and the stylistic shape-shifting that dominates these tracks suits the many moods of Byrne's characters very well indeed. In concept, American Utopia bears faint resemblance to the cheerfully odd average Americans who populated Talking Heads' 1986 album True Stories (and Byrne's accompanying feature film), but this album's wit is more pointed, the tone is cooler and less secure, and the cumulative effect less joyous and a bit more puzzled about what awaits us with the next dawn. American Utopia is an album of beautiful and witty surfaces stretched over a sea of troubled waters, and if Byrne is rarely inclined to give direct answers to the questions he asks, it's obvious this isn't a joke, it's an ambitious work from an important American artist.

© Mark Deming /TiVo

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