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Emmylou Harris|All I Intended to Be

All I Intended to Be

Emmylou Harris

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In 1995, Emmylou Harris made a decisive break with her creative past, recording the album Wrecking Ball with producer Daniel Lanois and abandoning the traditional country purity of her best-known work for lovely but spectral musical landscapes and exploring her muse as a songwriter in a way she had never attempted before. After Wrecking Ball, Harris recorded three albums in which she made the most of her new creative freedom and honed her impressive gifts as a songwriter, but All I Intended to Be, her first new release in five years, finds her reaching back toward a sound and style that recall the country and folk influences of her earlier work. But All I Intended to Be is clearly the work of an artist who is looking to the past entirely on her own terms, and with the lessons learned since 1995 clearly audible at all times. All I Intended to Be was produced by Brian Ahern, who was behind the controls for most of her albums of the '70s and '80s, and it features a handful of session players who worked with Harris and Ahern in the past, while Harris' occasional partner in harmony Dolly Parton contributes backing vocals to "Gold" (as does Vince Gill). The album's largely acoustic textures manage to sound both homey and fresh; if the melodies and the arrangements nod politely to traditional country sounds (and hold hands on "Gold"), the space in the production and the unpretentious artfulness of the songs reflect an intelligence and restraint largely absent from country music in the new millennium. Harris wrote or co-wrote six of these 13 songs, leaving more room for covers than on Red Dirt Girl or Stumble into Grace, but the tone of the album is consistent throughout, and she brings a streamlined passion to material by Patty Griffin, Billy Joe Shaver, and Merle Haggard that makes them her own. (Harris also writes and sings several tunes with Kate and Anna McGarrigle in what continues to be a truly inspired collaboration.) And as always, the most memorable thing about All I Intended to Be is Emmylou Harris' voice; there are few singers in any genre with a greater natural skill and better instincts, and as wonderful as these songs are and as fine a band as she and Ahern have on hand, it's her glorious voice that turns these simple materials into gold, and she only improves with the passage of the years. The surfaces of this album may seem less bold than the albums that immediately preceded it, but All I Intended to Be is the work of a consummate artist who is still reaching out to new places even when she points to her creative history.

© Mark Deming /TiVo

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All I Intended to Be

Emmylou Harris

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1
Shores of White Sand
00:04:20

Randy Sharp, Harmony Vocals - Emmylou Harris, Acoustic Guitar, Vocals, MainArtist - Karen Brooks, Harmony Vocals - Bill Payne, Keyboards - Keith Knudsen, Drums - Jim Horn, Recorder - Brian Ahern, Producer, Engineer, 12 String Guitar - Buddy Miller, Harmony Vocals - Donivan Cowart, Engineer - Jack Wesley Routh, Writer - Emory Gordy Jr., Bass Guitar - Jack Routh, Harmony Vocals - LYNN LANGHAM, Harmony Vocals - Tim Goodman, Acoustic Guitar - Stuart Taylor, Engineer - John McPhee, Electric Guitar

2008 © Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 2008 ℗ Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States.

2
Hold On
00:04:35

Harry Stinson, Drums - Jude Johnstone, Writer - Emmylou Harris, Acoustic Guitar, Lead Vocals, Harmony Vocals, MainArtist - Greg Leisz, Slide Guitar - Glenn Worf, Bass Guitar - Brian Ahern, Producer - Glen Hardin, Keyboards - Buddy Miller, Harmony Vocals - Kenny Vaughn, Electric Guitar

2008 © Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 2008 ℗ Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States.

3
Moon Song
00:04:04

Pam Rose, Acoustic Guitar, Harmony Vocals - Mary Ann Kennedy, Mandolin, Harmony Vocals - Patty Griffin, Writer - Emmylou Harris, Acoustic Guitar, Lead Vocals, Harmony Vocals, MainArtist - Patrick Warren, Keyboards - Phil Madeira, Accordion - Brian Ahern, Producer - ANNA MCGARRIGLE, Harmony Vocals - Steve Fishell, Steel Guitar - Kate McGarrigle, Harmony Vocals - David Pomeroy, Bass Guitar

2008 © Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 2008 ℗ Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States.

4
Broken Man's Lament
00:05:03

Harry Stinson, Drums - Mark Germino, Writer - Emmylou Harris, Acoustic Guitar, Lead Vocals, Harmony Vocals, MainArtist - Karen Brooks, Harmony Vocals - Patrick Warren, Keyboards - Glenn Worf, Bass - Brian Ahern, Producer, Electric Guitar - Glen Hardin, Keyboards - Kenny Vaughn, Electric Guitar

2008 © Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 2008 ℗ Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States.

5
Gold
00:03:30

Harry Stinson, Drums - Emmylou Harris, Acoustic Guitar, Vocals, Writer, MainArtist - Vince Gill, Harmony Vocals - Dolly Parton, Harmony Vocals - Brian Ahern, Producer, Bass - Glen Hardin, Keyboards - Kenny Vaughn, Electric Guitar - Glen Worf, Bass

2008 © Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 2008 ℗ Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States.

6
How She Could Sing the Wildwood Flower
00:03:43

Harry Stinson, Drums - Emmylou Harris, Acoustic Guitar, Lead Vocals, Writer, Harmony Vocals, MainArtist - Patrick Warren, Keyboards - Brian Ahern, Producer, Banjo, Bass Guitar, 12 String Guitar - ANNA MCGARRIGLE, Vocals, Writer - Kate McGarrigle, Solo Banjo, Guitar, Vocals, Writer

2008 © Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 2008 ℗ Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States.

7
All That You Have Is Your Soul
00:04:40

Harry Stinson, Drums - Emmylou Harris, Composer, Acoustic Guitar, Lead Vocals, Harmony Vocals, MainArtist - Karen Brooks, Harmony Vocals - Tracy Chapman, Writer - Glenn Worf, Bass Guitar - Brian Ahern, Producer, Electric Guitar - Glen Hardin, Keyboards - Steve Fishell, Steel Guitar - Kenny Vaughn, Electric Guitar

2008 © Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 2008 ℗ Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States.

8
Take That Ride
00:03:37

Harry Stinson, Drums - Richard Bennett, Acoustic Guitar - Emmylou Harris, Acoustic Guitar, Lead Vocals, Writer, Harmony Vocals, MainArtist - Greg Leisz, Steel Guitar - Glenn Worf, Bass Guitar - Brian Ahern, Producer - Glen Hardin, Keyboards - Buddy Miller, Vocals - Kenny Vaughn, Electric Guitar

2008 © Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 2008 ℗ Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States.

9
Old Five and Dimers Like Me
00:04:14

Billy Joe Shaver, Writer - Tom Gray, Bass Guitar - Harry Stinson, Drums - Stuart Duncan, Mandolin - Emmylou Harris, Acoustic Guitar, Lead Vocals, Harmony Vocals, MainArtist - Phil Madeira, Accordion - Brian Ahern, Producer, Bass Guitar - John Starling, Acoustic Guitar, Vocals - Mike Auldridge, Vocals, Dobro - Fats Kaplan, Mandolin

2008 © Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 2008 ℗ Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States.

10
Kern River
00:04:01

Tom Gray, Bass Guitar - Stuart Duncan, Mandolin, Fiddle - Emmylou Harris, Acoustic Guitar, Vocals, MainArtist - Greg Leisz, Steel Guitar - Phil Madeira, Accordion - Merle Haggard, Writer - Brian Ahern, Producer - John Starling, Acoustic Guitar, Vocals - Mike Auldridge, Vocals, Dobro

2008 © Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 2008 ℗ Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States.

11
Not Enough
00:03:23

Pam Rose, Acoustic Guitar, Harmony Vocals - Mary Ann Kennedy, Mandolin, Harmony Vocals - Emmylou Harris, Acoustic Guitar, Lead Vocals, Writer, Harmony Vocals, MainArtist - Patrick Warren, Keyboards - Greg Leisz, Mando-cello Mandolin - Brian Ahern, Producer, Bass Guitar

2008 © Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 2008 ℗ Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States.

12
Sailing Round the Room
00:05:31

Harry Stinson, Drums - Emmylou Harris, Lead Vocals, Writer, MainArtist - Patrick Warren, Keyboards - Phil Madeira, Accordion - Brian Ahern, Producer, Electric Guitar - ANNA MCGARRIGLE, Writer, Harmony Vocals - Steve Fishell, Steel Guitar - Kate McGarrigle, Vocals, Writer, Gut Strung Guitar - David Pomeroy, Bass Guitar

2008 © Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 2008 ℗ Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States.

13
Beyond the Great Divide
00:04:26

Tom Gray, Bass Guitar - Stuart Duncan, Mandolin, Violin - Emmylou Harris, Acoustic Guitar, Lead Vocals, Harmony Vocals, MainArtist - Greg Leisz, Steel Guitar - Phil Madeira, Accordion - Brian Ahern, Producer - J.C. Crowley, Writer - John Starling, Acoustic Guitar, Harmony Vocals - Mike Auldridge, Harmony Vocals, Dobro - Jack Wesley Routh, Writer

2008 © Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 2008 ℗ Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States.

Resenha do Álbum

In 1995, Emmylou Harris made a decisive break with her creative past, recording the album Wrecking Ball with producer Daniel Lanois and abandoning the traditional country purity of her best-known work for lovely but spectral musical landscapes and exploring her muse as a songwriter in a way she had never attempted before. After Wrecking Ball, Harris recorded three albums in which she made the most of her new creative freedom and honed her impressive gifts as a songwriter, but All I Intended to Be, her first new release in five years, finds her reaching back toward a sound and style that recall the country and folk influences of her earlier work. But All I Intended to Be is clearly the work of an artist who is looking to the past entirely on her own terms, and with the lessons learned since 1995 clearly audible at all times. All I Intended to Be was produced by Brian Ahern, who was behind the controls for most of her albums of the '70s and '80s, and it features a handful of session players who worked with Harris and Ahern in the past, while Harris' occasional partner in harmony Dolly Parton contributes backing vocals to "Gold" (as does Vince Gill). The album's largely acoustic textures manage to sound both homey and fresh; if the melodies and the arrangements nod politely to traditional country sounds (and hold hands on "Gold"), the space in the production and the unpretentious artfulness of the songs reflect an intelligence and restraint largely absent from country music in the new millennium. Harris wrote or co-wrote six of these 13 songs, leaving more room for covers than on Red Dirt Girl or Stumble into Grace, but the tone of the album is consistent throughout, and she brings a streamlined passion to material by Patty Griffin, Billy Joe Shaver, and Merle Haggard that makes them her own. (Harris also writes and sings several tunes with Kate and Anna McGarrigle in what continues to be a truly inspired collaboration.) And as always, the most memorable thing about All I Intended to Be is Emmylou Harris' voice; there are few singers in any genre with a greater natural skill and better instincts, and as wonderful as these songs are and as fine a band as she and Ahern have on hand, it's her glorious voice that turns these simple materials into gold, and she only improves with the passage of the years. The surfaces of this album may seem less bold than the albums that immediately preceded it, but All I Intended to Be is the work of a consummate artist who is still reaching out to new places even when she points to her creative history.

© Mark Deming /TiVo

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