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Lee Ritenour|Alive In L.A. (Live (1997 Ash Grove In Santa Monica))

Alive In L.A. (Live (1997 Ash Grove In Santa Monica))

Lee Ritenour

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Jazz being the most spontaneous and improvisational of all musical forms, it's often best appreciated in a live setting, where artistry can take over for commercial considerations and jamming for minutes on end is encouraged. Lee Ritenour has enhanced his pop-jazz catalog in recent years with projects featuring tunes that would lend themselves to such creative stretching, and so wraps up his long run at GRP with Alive in L.A., a brilliantly realized, no-overdubs-allowed ensemble date that delves into his diverse interests, from Brazilian to straight-ahead trio jazz and blues. Fans who know him best from his lighthearted radio fare may just be astounded at his chops, which do proud the grand traditions of his idol Wes Montgomery, and even try to reach a bit beyond. Recorded over three nights at the Ash Grove in Santa Monica, CA, Ritenour finds a gang of musicians even more explosive than his Fourplay pals in saxman Bill Evans (who wails heartily on Wes Montgomery's odd metered "4 on 6"), keyboardists Alan Pasqua and Barnaby Finch, and drummer Sonny Emory. Rit's clearly in charge, but it's the energetic company he keeps that makes this a hard-grooving, unforgettable date.

© Jonathan Widran /TiVo

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Alive In L.A. (Live (1997 Ash Grove In Santa Monica))

Lee Ritenour

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1
A Little Bumpin' (Live (1997 Ash Grove In Santa Monica))
00:05:04

Don Murray, Mixer, Recording Engineer, StudioPersonnel - LEE RITENOUR, Composer, Producer, Recording Arranger, MainArtist, AssociatedPerformer

℗ 1997 GRP Records Inc.

2
Night Rhythms (Live (1997 Ash Grove In Santa Monica))
00:07:06

Don Murray, Mixer, Recording Engineer, StudioPersonnel - LEE RITENOUR, Composer, Producer, Recording Arranger, MainArtist, AssociatedPerformer

℗ 1997 GRP Records Inc.

3
Boss City (Live (1997 Ash Grove In Santa Monica))
00:06:20

Don Murray, Mixer, Recording Engineer, StudioPersonnel - LEE RITENOUR, Producer, Recording Arranger, MainArtist, AssociatedPerformer - Wes Montgomery, ComposerLyricist - John L. Montgomery, ComposerLyricist

℗ 1997 GRP Records Inc.

4
San Juan Sunset (Live (1997 Ash Grove In Santa Monica))
00:05:11

Eumir Deodato, Composer - Don Murray, Mixer, Recording Engineer, StudioPersonnel - LEE RITENOUR, Producer, Recording Arranger, MainArtist, AssociatedPerformer

℗ 1997 GRP Records Inc.

5
Uptown (Live (1997 Ash Grove In Santa Monica))
00:07:30

Don Murray, Mixer, Recording Engineer, StudioPersonnel - LEE RITENOUR, Producer, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1997 GRP Records Inc.

6
Waltz For Carmen (Live (1997 Ash Grove In Santa Monica))
00:06:09

Don Murray, Mixer, Recording Engineer, StudioPersonnel - LEE RITENOUR, Producer, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Mitch Holder, Composer

℗ 1997 GRP Records Inc.

7
Wes Bound (Live (1997 Ash Grove In Santa Monica))
00:06:53

Don Murray, Mixer, Recording Engineer, StudioPersonnel - LEE RITENOUR, Composer, Producer, Recording Arranger, MainArtist, AssociatedPerformer

℗ 1997 GRP Records Inc.

8
Pacific Nights (Live (1997 Ash Grove In Santa Monica))
00:03:29

Don Murray, Mixer, Recording Engineer, StudioPersonnel - LEE RITENOUR, Producer, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1997 GRP Records Inc.

9
Rio Funk (Live (1997 Ash Grove In Santa Monica))
00:06:23

Don Murray, Mixer, Recording Engineer, StudioPersonnel - LEE RITENOUR, Producer, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1997 GRP Records Inc.

10
Four On Six (Live (1997 Ash Grove In Santa Monica))
00:09:50

Don Murray, Mixer, Recording Engineer, StudioPersonnel - LEE RITENOUR, Producer, Recording Arranger, MainArtist, AssociatedPerformer - Wes Montgomery, Composer

℗ 1997 GRP Records Inc.

Resenha do Álbum

Jazz being the most spontaneous and improvisational of all musical forms, it's often best appreciated in a live setting, where artistry can take over for commercial considerations and jamming for minutes on end is encouraged. Lee Ritenour has enhanced his pop-jazz catalog in recent years with projects featuring tunes that would lend themselves to such creative stretching, and so wraps up his long run at GRP with Alive in L.A., a brilliantly realized, no-overdubs-allowed ensemble date that delves into his diverse interests, from Brazilian to straight-ahead trio jazz and blues. Fans who know him best from his lighthearted radio fare may just be astounded at his chops, which do proud the grand traditions of his idol Wes Montgomery, and even try to reach a bit beyond. Recorded over three nights at the Ash Grove in Santa Monica, CA, Ritenour finds a gang of musicians even more explosive than his Fourplay pals in saxman Bill Evans (who wails heartily on Wes Montgomery's odd metered "4 on 6"), keyboardists Alan Pasqua and Barnaby Finch, and drummer Sonny Emory. Rit's clearly in charge, but it's the energetic company he keeps that makes this a hard-grooving, unforgettable date.

© Jonathan Widran /TiVo

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