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Yami Bolo|Up Life Street

Up Life Street

Yami Bolo

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Yami Bolo released three excellent albums between 1988 and 1991, but it was the following year's Up Life Street that was his first masterpiece. It's an extraordinarily powerful set, both lyrically and musically, and Trevor "Leggo" Douglas and Bolo, who co-produced, infused the entire album with a majestic, massive sound that demands attention.Andrew Campbell, Anthony "Benbow" Creary, and five percussionists' compulsive rhythms fire up the set, adding exclamation points to every track. The layers of keyboardists (six are credited, including Bolo himself) add a denseness to the sound and a vastness to the atmospheres, as well as an imperative air that just can't be ignored. Equally important is the track order, which is intriguingly sequenced by lyrical theme, and moves from the universal to the personal, the general to the specific, creating in its wake the feel of a concept album. And in a way Up Life Street is precisely that, as Bolo explores ghetto life and his own personal observations on living far from the rich and famous. The anthemic single "Blood a Run" powerfully opens the set, its thumping rhythm adding its own emphasis to Bolo's anti-violence theme that swings from the violent streets of Kingston to the equally blood-strewn Middle East. "Iniquity Work" also spun on 45, delves into the general suffering of the capitol's underclass, while the specifics are vividly illustrated on "Mama Cries," a song that virtually sucker punches listeners with the realities of poverty. "Greedium" is the cause of all this misery, and elicits emotive soul searching on Bolo's part, which spills over into "Pretty Looks," wherein the singer dismisses the facile in favor of purity and truth. Further in, Bolo's strong cover of "Life Is a Song Worth Singing" slots perfectly into the set with its positive message of love and self-empowerment. By that track, Street has shifted into the personal, with the singer deftly alternating between the romantic and religious realms before bringing the set to its powerful conclusion with "Time Heals All Broken Hearts," a potent song that mixes heartache and Jah's love. Bolo had developed an impressive Waterhouse style that enhances his emotional delivery here, and together with his insightful lyrics, the majestic production, and stellar riddims, this set packs a powerful musical and thematic wallop.

© Jo-Ann Greene /TiVo

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Up Life Street

Yami Bolo

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1
Blood A Run
00:03:45

Tony Asher, Keyboards, AssociatedPerformer - Sugar Minott, Background Vocalist, AssociatedPerformer - Augustus Pablo, Keyboards, AssociatedPerformer - David Hamilton, Mixer, Recording Engineer, Background Vocalist, AssociatedPerformer, StudioPersonnel - Yami Bolo, Keyboards, Vocals, MainArtist, AssociatedPerformer - Leroy Sibbles, Background Vocalist, AssociatedPerformer - Sharon Forrester, Background Vocalist, AssociatedPerformer - Keith Sterling, Keyboards, AssociatedPerformer - Earl "Chinna" Smith, Guitar, AssociatedPerformer - Andrew Campbell, Bass Guitar, AssociatedPerformer - Anthony Selassie, Recording Engineer, StudioPersonnel - Chris Meredith, Keyboards, AssociatedPerformer - Rohan Richards, Mixer, Recording Engineer, StudioPersonnel - Uziah Thompson, Percussion, AssociatedPerformer - Squidly Cole, Percussion, AssociatedPerformer - Rolando McLean, Producer, Recording Producer, ComposerLyricist - Trevor Douglas, Producer, Recording Producer - Anthony Creary, Drums, AssociatedPerformer - Dizzy Johnny, Percussion, AssociatedPerformer - Gaylord Bravo, Mixer, Recording Engineer, StudioPersonnel - Lydon Roberts, Keyboards, AssociatedPerformer - Harry T, Percussion, AssociatedPerformer - Skully Simpson, Percussion, AssociatedPerformer - Otis Newton, Background Vocalist, AssociatedPerformer - Omar Newton, Background Vocalist, AssociatedPerformer - T. Lyn, Recording Engineer, StudioPersonnel - Densil Pinnock, Mixer, Recording Engineer, StudioPersonnel

℗ 1992 Rounder Records, a division of Concord Music Group, Inc.

2
Iniquity Worker
00:03:44

Tony Asher, Keyboards, AssociatedPerformer - Sugar Minott, Background Vocalist, AssociatedPerformer - Augustus Pablo, Keyboards, AssociatedPerformer - David Hamilton, Mixer, Recording Engineer, Background Vocalist, AssociatedPerformer, StudioPersonnel - Yami Bolo, Keyboards, Vocals, MainArtist, AssociatedPerformer - Leroy Sibbles, Background Vocalist, AssociatedPerformer - Sharon Forrester, Background Vocalist, AssociatedPerformer - Keith Sterling, Keyboards, AssociatedPerformer - Earl "Chinna" Smith, Guitar, AssociatedPerformer - Andrew Campbell, Bass Guitar, AssociatedPerformer - Anthony Selassie, Recording Engineer, StudioPersonnel - Chris Meredith, Keyboards, AssociatedPerformer - Rohan Richards, Mixer, Recording Engineer, StudioPersonnel - Uziah Thompson, Percussion, AssociatedPerformer - Squidly Cole, Percussion, AssociatedPerformer - Rolando McLean, Producer, Recording Producer, ComposerLyricist - Trevor Douglas, Producer, Recording Producer - Anthony Creary, Drums, AssociatedPerformer - Dizzy Johnny, Percussion, AssociatedPerformer - Gaylord Bravo, Mixer, Recording Engineer, StudioPersonnel - Lydon Roberts, Keyboards, AssociatedPerformer - Harry T, Percussion, AssociatedPerformer - Skully Simpson, Percussion, AssociatedPerformer - Otis Newton, Background Vocalist, AssociatedPerformer - Omar Newton, Background Vocalist, AssociatedPerformer - T. Lyn, Recording Engineer, StudioPersonnel - Densil Pinnock, Mixer, Recording Engineer, StudioPersonnel

℗ 1992 Rounder Records, a division of Concord Music Group, Inc.

3
Greedium
00:03:40

Tony Asher, Keyboards, AssociatedPerformer - Sugar Minott, Background Vocalist, AssociatedPerformer - Augustus Pablo, Keyboards, AssociatedPerformer - David Hamilton, Mixer, Recording Engineer, Background Vocalist, AssociatedPerformer, StudioPersonnel - Yami Bolo, Keyboards, Vocals, MainArtist, AssociatedPerformer - Leroy Sibbles, Background Vocalist, AssociatedPerformer - Sharon Forrester, Background Vocalist, AssociatedPerformer - Keith Sterling, Keyboards, AssociatedPerformer - Earl "Chinna" Smith, Guitar, AssociatedPerformer - Andrew Campbell, Bass Guitar, AssociatedPerformer - Anthony Selassie, Recording Engineer, StudioPersonnel - Chris Meredith, Keyboards, AssociatedPerformer - Rohan Richards, Mixer, Recording Engineer, StudioPersonnel - Uziah Thompson, Percussion, AssociatedPerformer - Squidly Cole, Percussion, AssociatedPerformer - Rolando McLean, Producer, Recording Producer, ComposerLyricist - Trevor Douglas, Producer, Recording Producer - Anthony Creary, Drums, AssociatedPerformer - Dizzy Johnny, Percussion, AssociatedPerformer - Gaylord Bravo, Mixer, Recording Engineer, StudioPersonnel - Lydon Roberts, Keyboards, AssociatedPerformer - Harry T, Percussion, AssociatedPerformer - Skully Simpson, Percussion, AssociatedPerformer - Otis Newton, Background Vocalist, AssociatedPerformer, ComposerLyricist - Omar Newton, Background Vocalist, AssociatedPerformer, ComposerLyricist - T. Lyn, Recording Engineer, StudioPersonnel - Densil Pinnock, Mixer, Recording Engineer, StudioPersonnel

℗ 1992 Rounder Records, a division of Concord Music Group, Inc.

4
Pretty Looks
00:03:44

Tony Asher, Keyboards, AssociatedPerformer - Sugar Minott, Background Vocalist, AssociatedPerformer - Augustus Pablo, Keyboards, AssociatedPerformer - David Hamilton, Mixer, Recording Engineer, Background Vocalist, AssociatedPerformer, StudioPersonnel - Yami Bolo, Keyboards, Vocals, MainArtist, AssociatedPerformer - Leroy Sibbles, Background Vocalist, AssociatedPerformer - Sharon Forrester, Background Vocalist, AssociatedPerformer - Keith Sterling, Keyboards, AssociatedPerformer - Earl "Chinna" Smith, Guitar, AssociatedPerformer - Andrew Campbell, Bass Guitar, AssociatedPerformer - Anthony Selassie, Recording Engineer, StudioPersonnel - Chris Meredith, Keyboards, AssociatedPerformer - Rohan Richards, Mixer, Recording Engineer, StudioPersonnel - Uziah Thompson, Percussion, AssociatedPerformer - Squidly Cole, Percussion, AssociatedPerformer - Rolando McLean, Producer, Recording Producer, ComposerLyricist - Trevor Douglas, Producer, Recording Producer - Anthony Creary, Drums, AssociatedPerformer - Dizzy Johnny, Percussion, AssociatedPerformer - Gaylord Bravo, Mixer, Recording Engineer, StudioPersonnel - Lydon Roberts, Keyboards, AssociatedPerformer - Harry T, Percussion, AssociatedPerformer - Skully Simpson, Percussion, AssociatedPerformer - Otis Newton, Background Vocalist, AssociatedPerformer - Omar Newton, Background Vocalist, AssociatedPerformer - T. Lyn, Recording Engineer, StudioPersonnel - Densil Pinnock, Mixer, Recording Engineer, StudioPersonnel

℗ 1992 Rounder Records, a division of Concord Music Group, Inc.

5
Mama Cries
00:03:35

Tony Asher, Keyboards, AssociatedPerformer - Sugar Minott, Background Vocalist, AssociatedPerformer - Augustus Pablo, Keyboards, AssociatedPerformer - David Hamilton, Mixer, Recording Engineer, Background Vocalist, AssociatedPerformer, StudioPersonnel - Yami Bolo, Keyboards, Vocals, MainArtist, AssociatedPerformer - Leroy Sibbles, Background Vocalist, AssociatedPerformer - Sharon Forrester, Background Vocalist, AssociatedPerformer - Keith Sterling, Keyboards, AssociatedPerformer - Earl "Chinna" Smith, Guitar, AssociatedPerformer - THEODORE DOUGLAS, ComposerLyricist - Andrew Campbell, Bass Guitar, AssociatedPerformer - Anthony Selassie, Recording Engineer, StudioPersonnel - Chris Meredith, Keyboards, AssociatedPerformer - Rohan Richards, Mixer, Recording Engineer, StudioPersonnel - Uziah Thompson, Percussion, AssociatedPerformer - Squidly Cole, Percussion, AssociatedPerformer - Rolando McLean, Producer, Recording Producer, ComposerLyricist - Trevor Douglas, Producer, Recording Producer - Anthony Creary, Drums, AssociatedPerformer - Dizzy Johnny, Percussion, AssociatedPerformer - Gaylord Bravo, Mixer, Recording Engineer, StudioPersonnel - Lydon Roberts, Keyboards, AssociatedPerformer - Harry T, Percussion, AssociatedPerformer - Skully Simpson, Percussion, AssociatedPerformer - Otis Newton, Background Vocalist, AssociatedPerformer - Omar Newton, Background Vocalist, AssociatedPerformer - T. Lyn, Recording Engineer, StudioPersonnel - Densil Pinnock, Mixer, Recording Engineer, StudioPersonnel

℗ 1992 Rounder Records, a division of Concord Music Group, Inc.

6
Life Is A Song Worth Singing
00:03:48

Tony Asher, Keyboards, AssociatedPerformer - LINDA CREED, ComposerLyricist - Sugar Minott, Background Vocalist, AssociatedPerformer - Augustus Pablo, Keyboards, AssociatedPerformer - David Hamilton, Mixer, Recording Engineer, Background Vocalist, AssociatedPerformer, StudioPersonnel - Yami Bolo, Keyboards, Vocals, MainArtist, AssociatedPerformer - Leroy Sibbles, Background Vocalist, AssociatedPerformer - Thomas Bell, ComposerLyricist - Sharon Forrester, Background Vocalist, AssociatedPerformer - Keith Sterling, Keyboards, AssociatedPerformer - Earl "Chinna" Smith, Guitar, AssociatedPerformer - Andrew Campbell, Bass Guitar, AssociatedPerformer - Anthony Selassie, Recording Engineer, StudioPersonnel - Chris Meredith, Keyboards, AssociatedPerformer - Rohan Richards, Mixer, Recording Engineer, StudioPersonnel - Uziah Thompson, Percussion, AssociatedPerformer - Squidly Cole, Percussion, AssociatedPerformer - Rolando McLean, Producer, Recording Producer - Trevor Douglas, Producer, Recording Producer - Anthony Creary, Drums, AssociatedPerformer - Dizzy Johnny, Percussion, AssociatedPerformer - Gaylord Bravo, Mixer, Recording Engineer, StudioPersonnel - Lydon Roberts, Keyboards, AssociatedPerformer - Harry T, Percussion, AssociatedPerformer - Skully Simpson, Percussion, AssociatedPerformer - Otis Newton, Background Vocalist, AssociatedPerformer - Omar Newton, Background Vocalist, AssociatedPerformer - T. Lyn, Recording Engineer, StudioPersonnel - Densil Pinnock, Mixer, Recording Engineer, StudioPersonnel

℗ 1992 Rounder Records, a division of Concord Music Group, Inc.

7
Let Your Love Light Shine
00:03:48

Tony Asher, Keyboards, AssociatedPerformer - Sugar Minott, Background Vocalist, AssociatedPerformer - Augustus Pablo, Keyboards, AssociatedPerformer - David Hamilton, Mixer, Recording Engineer, Background Vocalist, AssociatedPerformer, StudioPersonnel - Yami Bolo, Keyboards, Vocals, MainArtist, AssociatedPerformer - Leroy Sibbles, Background Vocalist, AssociatedPerformer - Sharon Forrester, Background Vocalist, AssociatedPerformer - Keith Sterling, Keyboards, AssociatedPerformer - Earl "Chinna" Smith, Guitar, AssociatedPerformer - Andrew Campbell, Bass Guitar, AssociatedPerformer - Anthony Selassie, Recording Engineer, StudioPersonnel - Chris Meredith, Keyboards, AssociatedPerformer - Rohan Richards, Mixer, Recording Engineer, StudioPersonnel - Uziah Thompson, Percussion, AssociatedPerformer - Squidly Cole, Percussion, AssociatedPerformer - Rolando McLean, Producer, Recording Producer, ComposerLyricist - Trevor Douglas, Producer, Recording Producer - Anthony Creary, Drums, AssociatedPerformer - Dizzy Johnny, Percussion, AssociatedPerformer - Gaylord Bravo, Mixer, Recording Engineer, StudioPersonnel - Lydon Roberts, Keyboards, AssociatedPerformer - Harry T, Percussion, AssociatedPerformer - Skully Simpson, Percussion, AssociatedPerformer - Otis Newton, Background Vocalist, AssociatedPerformer - Omar Newton, Background Vocalist, AssociatedPerformer - T. Lyn, Recording Engineer, StudioPersonnel - Densil Pinnock, Mixer, Recording Engineer, StudioPersonnel

℗ 1992 Rounder Records, a division of Concord Music Group, Inc.

8
Jah Jah Loving
00:03:45

Tony Asher, Keyboards, AssociatedPerformer - Sugar Minott, Background Vocalist, AssociatedPerformer - Augustus Pablo, Keyboards, AssociatedPerformer - David Hamilton, Mixer, Recording Engineer, Background Vocalist, AssociatedPerformer, StudioPersonnel - Yami Bolo, Keyboards, Vocals, MainArtist, AssociatedPerformer - Leroy Sibbles, Background Vocalist, AssociatedPerformer - Sharon Forrester, Background Vocalist, AssociatedPerformer - Keith Sterling, Keyboards, AssociatedPerformer - Earl "Chinna" Smith, Guitar, AssociatedPerformer - Andrew Campbell, Bass Guitar, AssociatedPerformer - Anthony Selassie, Recording Engineer, StudioPersonnel - Chris Meredith, Keyboards, AssociatedPerformer - Rohan Richards, Mixer, Recording Engineer, StudioPersonnel - Uziah Thompson, Percussion, AssociatedPerformer - Squidly Cole, Percussion, AssociatedPerformer - Rolando McLean, Producer, Recording Producer, ComposerLyricist - Trevor Douglas, Producer, Recording Producer - Anthony Creary, Drums, AssociatedPerformer - Dizzy Johnny, Percussion, AssociatedPerformer - Gaylord Bravo, Mixer, Recording Engineer, StudioPersonnel - Lydon Roberts, Keyboards, AssociatedPerformer - Harry T, Percussion, AssociatedPerformer - Skully Simpson, Percussion, AssociatedPerformer - Otis Newton, Background Vocalist, AssociatedPerformer - Omar Newton, Background Vocalist, AssociatedPerformer - T. Lyn, Recording Engineer, StudioPersonnel - Densil Pinnock, Mixer, Recording Engineer, StudioPersonnel

℗ 1992 Rounder Records, a division of Concord Music Group, Inc.

9
Pretty Black Eye Girl
00:03:26

Tony Asher, Keyboards, AssociatedPerformer - Sugar Minott, Background Vocalist, AssociatedPerformer - Augustus Pablo, Keyboards, AssociatedPerformer - David Hamilton, Mixer, Recording Engineer, Background Vocalist, AssociatedPerformer, StudioPersonnel - Yami Bolo, Keyboards, Vocals, MainArtist, AssociatedPerformer - Leroy Sibbles, Background Vocalist, AssociatedPerformer - Sharon Forrester, Background Vocalist, AssociatedPerformer - Keith Sterling, Keyboards, AssociatedPerformer - Earl "Chinna" Smith, Guitar, AssociatedPerformer - Andrew Campbell, Bass Guitar, AssociatedPerformer - Anthony Selassie, Recording Engineer, StudioPersonnel - Chris Meredith, Keyboards, AssociatedPerformer - Rohan Richards, Mixer, Recording Engineer, StudioPersonnel - Uziah Thompson, Percussion, AssociatedPerformer - Squidly Cole, Percussion, AssociatedPerformer - Rolando McLean, Producer, Recording Producer, ComposerLyricist - Trevor Douglas, Producer, Recording Producer - Anthony Creary, Drums, AssociatedPerformer - Dizzy Johnny, Percussion, AssociatedPerformer - Gaylord Bravo, Mixer, Recording Engineer, StudioPersonnel - Lydon Roberts, Keyboards, AssociatedPerformer - Harry T, Percussion, AssociatedPerformer - Skully Simpson, Percussion, AssociatedPerformer - Otis Newton, Background Vocalist, AssociatedPerformer - Omar Newton, Background Vocalist, AssociatedPerformer - T. Lyn, Recording Engineer, StudioPersonnel - Densil Pinnock, Mixer, Recording Engineer, StudioPersonnel

℗ 1992 Rounder Records, a division of Concord Music Group, Inc.

10
Time Heals All Broken Hearts
00:03:43

Tony Asher, Keyboards, AssociatedPerformer - Sugar Minott, Background Vocalist, AssociatedPerformer - Augustus Pablo, Keyboards, AssociatedPerformer - David Hamilton, Mixer, Recording Engineer, Background Vocalist, AssociatedPerformer, StudioPersonnel - Yami Bolo, Keyboards, Vocals, MainArtist, AssociatedPerformer - Leroy Sibbles, Background Vocalist, AssociatedPerformer - Sharon Forrester, Background Vocalist, AssociatedPerformer - Keith Sterling, Keyboards, AssociatedPerformer - Earl "Chinna" Smith, Guitar, AssociatedPerformer - THEODORE DOUGLAS, ComposerLyricist - Andrew Campbell, Bass Guitar, AssociatedPerformer - Anthony Selassie, Recording Engineer, StudioPersonnel - Chris Meredith, Keyboards, AssociatedPerformer - Rohan Richards, Mixer, Recording Engineer, StudioPersonnel - Uziah Thompson, Percussion, AssociatedPerformer - Squidly Cole, Percussion, AssociatedPerformer - Rolando McLean, Producer, Recording Producer, ComposerLyricist - Trevor Douglas, Producer, Recording Producer - Anthony Creary, Drums, AssociatedPerformer - Dizzy Johnny, Percussion, AssociatedPerformer - Gaylord Bravo, Mixer, Recording Engineer, StudioPersonnel - Lydon Roberts, Keyboards, AssociatedPerformer - Harry T, Percussion, AssociatedPerformer - Skully Simpson, Percussion, AssociatedPerformer - Otis Newton, Background Vocalist, AssociatedPerformer - Omar Newton, Background Vocalist, AssociatedPerformer - T. Lyn, Recording Engineer, StudioPersonnel - Densil Pinnock, Mixer, Recording Engineer, StudioPersonnel

℗ 1992 Rounder Records, a division of Concord Music Group, Inc.

Album review

Yami Bolo released three excellent albums between 1988 and 1991, but it was the following year's Up Life Street that was his first masterpiece. It's an extraordinarily powerful set, both lyrically and musically, and Trevor "Leggo" Douglas and Bolo, who co-produced, infused the entire album with a majestic, massive sound that demands attention.Andrew Campbell, Anthony "Benbow" Creary, and five percussionists' compulsive rhythms fire up the set, adding exclamation points to every track. The layers of keyboardists (six are credited, including Bolo himself) add a denseness to the sound and a vastness to the atmospheres, as well as an imperative air that just can't be ignored. Equally important is the track order, which is intriguingly sequenced by lyrical theme, and moves from the universal to the personal, the general to the specific, creating in its wake the feel of a concept album. And in a way Up Life Street is precisely that, as Bolo explores ghetto life and his own personal observations on living far from the rich and famous. The anthemic single "Blood a Run" powerfully opens the set, its thumping rhythm adding its own emphasis to Bolo's anti-violence theme that swings from the violent streets of Kingston to the equally blood-strewn Middle East. "Iniquity Work" also spun on 45, delves into the general suffering of the capitol's underclass, while the specifics are vividly illustrated on "Mama Cries," a song that virtually sucker punches listeners with the realities of poverty. "Greedium" is the cause of all this misery, and elicits emotive soul searching on Bolo's part, which spills over into "Pretty Looks," wherein the singer dismisses the facile in favor of purity and truth. Further in, Bolo's strong cover of "Life Is a Song Worth Singing" slots perfectly into the set with its positive message of love and self-empowerment. By that track, Street has shifted into the personal, with the singer deftly alternating between the romantic and religious realms before bringing the set to its powerful conclusion with "Time Heals All Broken Hearts," a potent song that mixes heartache and Jah's love. Bolo had developed an impressive Waterhouse style that enhances his emotional delivery here, and together with his insightful lyrics, the majestic production, and stellar riddims, this set packs a powerful musical and thematic wallop.

© Jo-Ann Greene /TiVo

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