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Barbra Streisand|The Third Album

The Third Album

Barbra Streisand

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On her first album, Barbra Streisand established herself as a singer who discovered or created new standards instead of one who revived or re-created old ones. She wavered from this commitment on her second album, and on her third gave in to convention completely. There was nothing wrong with her interpretations of such old favorites as "My Melancholy Baby," "Taking a Chance on Love," "As Time Goes By," or "It Had to Be You," except perhaps that they seemed overly tame for a performer of such demonstrated individuality. And Streisand was far less successful on "Bewitched, Bothered and Bewildered," betraying little understanding of Lorenz Hart's nuanced lyric, or on Jerome Kern and Oscar Hammerstein II's "Make Believe," which had none of the playfulness the song needed, and of which Streisand certainly was capable. She did seem assured going back to Harold Arlen's St. Louis Woman for "I Had Myself a True Love," using its bluesy tone for some emotional fireworks. But The Third Album, while it was another demonstration of the beauty of Barbra Streisand's voice, also suggested that her interpretive abilities remained limited.
© William Ruhlmann /TiVo

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The Third Album

Barbra Streisand

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1
My Melancholy Baby
00:02:59

Maybelle E. Watson, Composer - George A. Norton, Composer - Barbra Streisand, MainArtist - Ernie Burnett, Composer

2015 exclusiv for streaming partners 2015 exclusiv for streaming partners

2
Make Believe
00:02:37

Jerome Kern, Composer - Oscar Hammerstein II , Composer - Barbra Streisand, MainArtist

2015 exclusiv for streaming partners 2015 exclusiv for streaming partners

3
Bewitched (Bothered And Bewildered)
00:02:50

Richard Rodgers, Composer - Lorenz Hart, Composer - Barbra Streisand, MainArtist

2015 exclusiv for streaming partners 2015 exclusiv for streaming partners

4
Draw Me A Circle
00:02:11

Barbra Streisand, MainArtist - Cy Young, Composer

2015 exclusiv for streaming partners 2015 exclusiv for streaming partners

5
It Had To Be You
00:03:43

Gus Kahn, Composer - Isham Jones, Composer - Barbra Streisand, MainArtist

2015 exclusiv for streaming partners 2015 exclusiv for streaming partners

6
Just In Time
00:02:13

Jule Styne, Composer - Adolph Green, Composer - Betty Comden, Composer - Barbra Streisand, MainArtist

2015 exclusiv for streaming partners 2015 exclusiv for streaming partners

7
As Time Goes By
00:03:44

Herman Hupfeld, Composer - Barbra Streisand, MainArtist

2015 exclusiv for streaming partners 2015 exclusiv for streaming partners

8
I Had Myself A True Love
00:04:22

Johnny Mercer, Composer - Harold Arlen, Composer - Barbra Streisand, MainArtist

2015 exclusiv for streaming partners 2015 exclusiv for streaming partners

9
Never Will I Marry
00:02:24

FRANK LOESSER, Composer - Barbra Streisand, MainArtist

2015 exclusiv for streaming partners 2015 exclusiv for streaming partners

10
Taking A Chance On love
00:02:30

Vernon Duke, Composer - John Latouche, Composer - Ted Fetter, Composer - Barbra Streisand, MainArtist

2015 exclusiv for streaming partners 2015 exclusiv for streaming partners

Album review

On her first album, Barbra Streisand established herself as a singer who discovered or created new standards instead of one who revived or re-created old ones. She wavered from this commitment on her second album, and on her third gave in to convention completely. There was nothing wrong with her interpretations of such old favorites as "My Melancholy Baby," "Taking a Chance on Love," "As Time Goes By," or "It Had to Be You," except perhaps that they seemed overly tame for a performer of such demonstrated individuality. And Streisand was far less successful on "Bewitched, Bothered and Bewildered," betraying little understanding of Lorenz Hart's nuanced lyric, or on Jerome Kern and Oscar Hammerstein II's "Make Believe," which had none of the playfulness the song needed, and of which Streisand certainly was capable. She did seem assured going back to Harold Arlen's St. Louis Woman for "I Had Myself a True Love," using its bluesy tone for some emotional fireworks. But The Third Album, while it was another demonstration of the beauty of Barbra Streisand's voice, also suggested that her interpretive abilities remained limited.
© William Ruhlmann /TiVo

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