Categories:
Cart 0

Your cart is empty

Damnation|The Second Damnation Plus

The Second Damnation Plus

Damnation

Available in
16-Bit/44.1 kHz Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

The Damnation of Adam Blessing's second LP (sometimes attributed in discographies to Damnation) went in a harder rock direction than their 1969 self-titled debut. The result was a more stylistically consistent, yet overall less interesting effort that was closer to the standard of competent, but below-top-of-the-line early Midwestern hard rock bands, lacking some of the pop influences that were among the most interesting attributes of their prior album. It's not totally run-of-the-mill, though, since Adam Blessing was one of the best singers in the style, and since the group were more adept at background vocal harmonies than almost any other similar bands of the era. "Death of a Virgin" and (to a lesser extent) "Everyone," actually sound closer to the likes of Moby Grape and some of Quicksilver's more song-driven material than Midwestern hard rock; this and some other tracks are graced with some particularly exceptional bass playing by Ray Benich. Cuts like "Driver" and "Back to the River" are more typical of their approach, though, relying on pile-driving blues-rockish riffs and pummeling drums, boringly so on the overlong "In the Morning."
© Richie Unterberger /TiVo

More info

The Second Damnation Plus

Damnation

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

You are currently listening to samples.

Listen to over 100 million songs with an unlimited streaming plan.

Listen to this playlist and more than 100 million songs with our unlimited streaming plans.

From $17.49/month

1
No Way
00:03:18

Damnation, Performer - Bob Kalamasz, Composer, Writer - Ray Benich, Composer, Writer - Adam Blessing, Composer, Writer - Jim Quinn, Composer, Writer - Bill Schwark, Composer, Writer

Akarma Akarma

2
Death of a Virgin
00:03:41

Damnation, Performer - Bob Kalamasz, Composer, Writer - Ray Benich, Composer, Writer - Adam Blessing, Composer, Writer - Jim Quinn, Composer, Writer - Bill Schwark, Composer, Writer

Akarma Akarma

3
Driver
00:03:56

Damnation, Performer - Bob Kalamasz, Composer, Writer - Ray Benich, Composer, Writer - Adam Blessing, Composer, Writer - Jim Quinn, Composer, Writer - Bill Schwark, Composer, Writer

Akarma Akarma

4
Everyone
00:04:13

Damnation, Performer - Bob Kalamasz, Composer, Writer - Ray Benich, Composer, Writer - Adam Blessing, Composer, Writer - Jim Quinn, Composer, Writer - Bill Schwark, Composer, Writer

Akarma Akarma

5
Back to the River
00:05:19

Damnation, Performer - Bob Kalamasz, Composer, Writer - Ray Benich, Composer, Writer - Adam Blessing, Composer, Writer - Jim Quinn, Composer, Writer - Bill Schwark, Composer, Writer

Akarma Akarma

6
Money Tree
00:04:50

Damnation, Performer - Bob Kalamasz, Composer, Writer - Ray Benich, Composer, Writer - Adam Blessing, Composer, Writer - Jim Quinn, Composer, Writer - Bill Schwark, Composer, Writer

Akarma Akarma

7
Ba-Dup
00:03:22

Damnation, Performer - Bob Kalamasz, Composer, Writer - Ray Benich, Composer, Writer - Adam Blessing, Composer, Writer - Jim Quinn, Composer, Writer - Bill Schwark, Composer, Writer

Akarma Akarma

8
New York City Woman
00:06:01

Damnation, Performer - Bob Kalamasz, Composer, Writer - Ray Benich, Composer, Writer - Adam Blessing, Composer, Writer - Jim Quinn, Composer, Writer - Bill Schwark, Composer, Writer

Akarma Akarma

9
In the Morning
00:06:16

Damnation, Performer - Bob Kalamasz, Composer, Writer - Ray Benich, Composer, Writer - Adam Blessing, Composer, Writer - Jim Quinn, Composer, Writer - Bill Schwark, Composer, Writer

Akarma Akarma

10
Smile
00:01:06

Damnation, Performer - Bob Kalamasz, Composer, Writer - Ray Benich, Composer, Writer - Adam Blessing, Composer, Writer - Jim Quinn, Composer, Writer - Bill Schwark, Composer, Writer

Akarma Akarma

11
Sunny Days
00:04:36

Damnation, Performer - Bill Constable, Composer, Writer - Ken Constable, Composer, Writer - Ray Benich, Composer, Writer - William Schwark, Composer, Writer - Robert Kalamasz, Composer, Writer - Jim Quinn, Composer, Writer

Akarma Akarma

12
Running Away
00:05:52

Damnation, Performer - Bob Kalamasz, Composer, Writer - Ray Benich, Composer, Writer - Adam Blessing, Composer, Writer - Jim Quinn, Composer, Writer - Bill Schwark, Composer, Writer

Akarma Akarma

13
Find Out Lover
00:04:55

Damnation, Performer - Bill Constable, Composer, Writer - Ken Constable, Composer, Writer - Ray Benich, Composer, Writer - William Schwark, Composer, Writer - Robert Kalamasz, Composer, Writer - Jim Quinn, Composer, Writer

Akarma Akarma

14
Get Up
00:03:59

Damnation, Performer - Bill Constable, Composer, Writer - Ken Constable, Composer, Writer - Ray Benich, Composer, Writer - William Schwark, Composer, Writer - Robert Kalamasz, Composer, Writer - Jim Quinn, Composer, Writer

Akarma Akarma

15
Dawn
00:05:25

Damnation, Performer - Bill Constable, Composer, Writer - Ken Constable, Composer, Writer - Ray Benich, Composer, Writer - William Schwark, Composer, Writer - Robert Kalamasz, Composer, Writer - Jim Quinn, Composer, Writer

Akarma Akarma

Album review

The Damnation of Adam Blessing's second LP (sometimes attributed in discographies to Damnation) went in a harder rock direction than their 1969 self-titled debut. The result was a more stylistically consistent, yet overall less interesting effort that was closer to the standard of competent, but below-top-of-the-line early Midwestern hard rock bands, lacking some of the pop influences that were among the most interesting attributes of their prior album. It's not totally run-of-the-mill, though, since Adam Blessing was one of the best singers in the style, and since the group were more adept at background vocal harmonies than almost any other similar bands of the era. "Death of a Virgin" and (to a lesser extent) "Everyone," actually sound closer to the likes of Moby Grape and some of Quicksilver's more song-driven material than Midwestern hard rock; this and some other tracks are graced with some particularly exceptional bass playing by Ray Benich. Cuts like "Driver" and "Back to the River" are more typical of their approach, though, relying on pile-driving blues-rockish riffs and pummeling drums, boringly so on the overlong "In the Morning."
© Richie Unterberger /TiVo

About the album

Improve album information

Qobuz logo Why buy on Qobuz...

On sale now...

Mélusine

Cécile McLorin Salvant

Mélusine Cécile McLorin Salvant

Giant Steps

John Coltrane

Giant Steps John Coltrane

Your Mother Should Know: Brad Mehldau Plays The Beatles

Brad Mehldau

Tutu

Miles Davis

Tutu Miles Davis
More on Qobuz
By Damnation

Reborn

Damnation

Reborn Damnation

State of Freedom

Damnation

State of Freedom Damnation

Jack the Ripper

Damnation

Jack the Ripper Damnation

DEMO(n)S

Damnation

DEMO(n)S Damnation

The Damnation Of Adam Blessing

Damnation

You may also like...

i/o

Peter Gabriel

i/o Peter Gabriel

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

Now And Then

The Beatles

Now And Then The Beatles

Rumours

Fleetwood Mac

Rumours Fleetwood Mac

Dark Matter

Pearl Jam

Dark Matter Pearl Jam