The Miseducation of Lauryn Hill

Lauryn Hill

Released on 25/08/98 by Ruffhouse - Columbia
Main artists: Lauryn Hill
Genre: Pop
Distinctions: The Qobuz Essential Discography

Available in

16-Bit/44.1 kHz Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

Though the Fugees had been wildly successful, and Lauryn Hill had been widely recognized as a key to their popularity, few were prepared for her stunning debut. The social heart of the group and its most talented performer, she tailored The Miseducation of Lauryn Hill not as a crossover record but as a collection of overtly personal and political statements; nevertheless, it rocketed to the top of the album charts and made her a superstar. Also, and most importantly, it introduced to the wider pop world an astonishingly broad talent. Hill's verses were intelligent and hardcore, with the talent to rank up there with Method Man. And for the choruses she could move from tough to smooth in a flash, with a vocal prowess that allowed her to be her own chanteuse (à la Mariah Carey). Hill, of Haitian heritage, rhymed in a tough Caribbean patois on the opener, "Lost Ones," wasting little time to excoriate her former bandmates and/or record-label executives for caving in to commercial success. She used a feature for Carlos Santana ("To Zion") to explain how her child comes before her career and found a hit single with "Doo Wop (That Thing)," an intelligent dissection of the sex game that saw it from both angles. "Superstar" took to task musicians with more emphasis on the bottom line than making great music (perhaps another Fugees nod), while her collaborations with a pair of sympathetic R&B superstars (D'Angelo and Mary J. Blige) also paid major dividends. And if her performing talents, vocal range, and songwriting smarts weren't enough, Hill also produced much of the record, ranging from stun-gun hip-hop to smoother R&B with little trouble. Though it certainly didn't sound like a crossover record, The Miseducation of Lauryn Hill affected so many widely varying audiences that it's no surprise the record became a commercial hit as well as a musical epoch-maker.

© John Bush /TiVo

More info

The Miseducation of Lauryn Hill

Lauryn Hill

You are currently listening to samples.

Listen to over 100 million songs with an unlimited streaming plan.

Listen to this playlist and more than 100 million songs with our unlimited streaming plans.

From $17.49/month

Intro

00:00:47

Lauryn Hill, Associated Performer, Executive Producer, Main Artist - Andrew Smith, Guitar - Spoken Word, Lyricist - Francis Dunnery, Guitar - Devon Kirkpatrick, Editor - DON-e, Piano - Comissioner Gordon, Mixing Engineer - Loris Holland, Piano - Jr. Herb Powers, Mastering Engineer - Matt Howe, Recording Engineer - Stewart Zender, Bass - Tony Prendatt, Recording Engineer - Neil Tucker, Recording Engineer - Tom Barney, Bass - Elisabeth Valletti, Harp - Chip Verspyck, Recording Engineer - Bud Beadle, Alto Saxophone, Flute, Tenor Saxophone - Kevin Robinson, Trumpet - Fayyaz Virti, Trombone