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Rumon Gamba|The Film Music of Lord Berners & Constant Lambert

The Film Music of Lord Berners & Constant Lambert

Rumon Gamba, BBC Concert Orchestra, Mary Carewe, Joyful Company of Singers, Peter Broadbent

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After producing manifold high-quality volumes on British film music composers ranging from Addinsell to Vaughan Williams, Chandos Movies turns its attention to two prominent English composers whose individual output for film doesn't amount to enough to fill a whole CD: Constant Lambert and Lord Berners. These two were friends, and this is more than a little unusual, as you couldn't imagine personalities more dissimilar. Lambert, the ex-"angry young man" who settled into a position as conductor of the Sadler-Wells ballet company without conquering his addiction to alcohol, and Berners, the contrite, noble, and dapper diplomat who was nevertheless in his off-hours something of an artistic renaissance man: painter, novelist, and composer. What the two also share in this context is that their film music all dates to their last years of activity, a period when both composers -- who had in their youth enthusiastically embraced modernistic styles -- had moved into more conventional methods of expression while retaining certain aspects of modern style to spice up the program. Lambert's two film scores are for the wartime documentary film Merchant Seamen (1940) and for Alexander Korda's feature film adaptation of Anna Karenina (1948) starring Vivien Leigh. Lambert wrote a considerable amount of valuable film music criticism and was certainly knowledgeable about the possibilities of film scoring. Therefore, one wonders why he wrote such conservative scores; parts of Anna Karenina could almost pass for one of Herbert Stothart's workmanlike scores for MGM, and perhaps that was what Korda wanted, as MGM had already so effectively featured Greta Garbo in the role Leigh was to portray. Merchant Seamen is better; it even contains a little of the minimalistic patterning found in some of Lambert's early ballets in the cue entitled "Attack," though "Safe Convoy" contains some of the most facile and ingratiating music from Lambert's pen, and this is not meant in a positive way. Lord Berners was a little luckier in that two of the three projects for which he worked were distinguished outings, and all three were produced by Alberto Calvacanti's unit. Calvacanti was an especially musically sensitive producer/director who also worked with William Walton and Maurice Jaubert, among others. Champagne Charlie (1944) was a much loved nostalgia trip about the English Music Hall to which Lord Berners contributed a couple of minor numbers. The "Polka" was composed earlier and fares a bit better in its original piano version; as such it is one of Lord Berners' most famous pieces. The score for Basil Dearden and Calvacanti's low-key ghost story The Halfway House (1944) is easily the best thing on this album; the project stirs Lord Berners to some very inspired and exciting flights of fancy, especially in the "Drowning Scene." By general agreement, Irving's 1947 adaptation of Nicholas Nickleby is not considered among the most successful of the five feature film and TV adaptations of Dickens' novel, and here -- like in Champagne Charlie -- Lord Berners turned to the heritage of the English Music Hall and operetta for inspiration. While it doesn't exactly fall flat, it doesn't sparkle; this is some of the last music written by Lord Berners. As usual in this series, Chandos' sound is terrific and multidimensional, while Rumon Gamba delivers a careful and loving rendering of the music with the BBC Concert Orchestra. Both Lambert and Berners worked extensively in ballet, and one point where they differ is that Lambert scored for film as if it was film, whereas Lord Berners scored for film as if it was another ballet. Yet one more common thread twixt the two of them is that neither produced their best music for the medium.
© TiVo

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The Film Music of Lord Berners & Constant Lambert

Rumon Gamba

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Merchant Seamen Suite (Constant Lambert)

1
I. Fanfare
The BBC Concert Orchestra
00:01:29

Constant Lambert, Composer - BBC Concert Orchestra, Orchestra, MainArtist - Rumon Gamba, Conductor, MainArtist

2008 Chandos Records 2008 Chandos Records

2
II. Convoy in Fog
The BBC Concert Orchestra
00:02:26

Constant Lambert, Composer - BBC Concert Orchestra, Orchestra, MainArtist - Rumon Gamba, Conductor, MainArtist

2008 Chandos Records 2008 Chandos Records

3
III. Attack
The BBC Concert Orchestra
00:04:21

Constant Lambert, Composer - BBC Concert Orchestra, Orchestra, MainArtist - Rumon Gamba, Conductor, MainArtist

2008 Chandos Records 2008 Chandos Records

4
IV. Safe Convoy
The BBC Concert Orchestra
00:03:30

Constant Lambert, Composer - BBC Concert Orchestra, Orchestra, MainArtist - Rumon Gamba, Conductor, MainArtist

2008 Chandos Records 2008 Chandos Records

5
V. March
The BBC Concert Orchestra
00:02:52

Constant Lambert, Composer - BBC Concert Orchestra, Orchestra, MainArtist - Rumon Gamba, Conductor, MainArtist

2008 Chandos Records 2008 Chandos Records

Anna Karenina Suite (Constant Lambert)

6
I. Main Titles and opening scene
The BBC Concert Orchestra
00:03:57

Constant Lambert, Composer - BBC Concert Orchestra, Orchestra, MainArtist - Philip Lane, Arranger - Rumon Gamba, Conductor, MainArtist

2008 Chandos Records 2008 Chandos Records

7
II. Anna and Vronsky's first meeting
The BBC Concert Orchestra
00:02:20

Constant Lambert, Composer - BBC Concert Orchestra, Orchestra, MainArtist - Philip Lane, Arranger - Rumon Gamba, Conductor, MainArtist

2008 Chandos Records 2008 Chandos Records

8
III. Anna and Vronsky on the train
The BBC Concert Orchestra
00:02:39

Constant Lambert, Composer - BBC Concert Orchestra, Orchestra, MainArtist - Philip Lane, Arranger - Rumon Gamba, Conductor, MainArtist

2008 Chandos Records 2008 Chandos Records

9
IV. Séance scene
The BBC Concert Orchestra
00:02:35

Constant Lambert, Composer - BBC Concert Orchestra, Orchestra, MainArtist - Philip Lane, Arranger - Rumon Gamba, Conductor, MainArtist

2008 Chandos Records 2008 Chandos Records

10
V. Anna and Vronsky discovered
The BBC Concert Orchestra
00:01:42

Constant Lambert, Composer - BBC Concert Orchestra, Orchestra, MainArtist - Philip Lane, Arranger - Rumon Gamba, Conductor, MainArtist

2008 Chandos Records 2008 Chandos Records

11
VI. Anna's garden
The BBC Concert Orchestra
00:03:32

Constant Lambert, Composer - BBC Concert Orchestra, Orchestra, MainArtist - Philip Lane, Arranger - Rumon Gamba, Conductor, MainArtist

2008 Chandos Records 2008 Chandos Records

12
VII. Anna's illness
The BBC Concert Orchestra
00:02:49

Constant Lambert, Composer - BBC Concert Orchestra, Orchestra, MainArtist - Philip Lane, Arranger - Rumon Gamba, Conductor, MainArtist

2008 Chandos Records 2008 Chandos Records

13
VIII. Anna and Vronsky in Venice
The BBC Concert Orchestra
00:04:03

Constant Lambert, Composer - BBC Concert Orchestra, Orchestra, MainArtist - Philip Lane, Arranger - Rumon Gamba, Conductor, MainArtist

2008 Chandos Records 2008 Chandos Records

14
IX. Anna and Vronsky part acrimoniously
The BBC Concert Orchestra
00:03:13

Constant Lambert, Composer - BBC Concert Orchestra, Orchestra, MainArtist - Philip Lane, Arranger - Rumon Gamba, Conductor, MainArtist

2008 Chandos Records 2008 Chandos Records

15
X. Finale
The BBC Concert Orchestra
00:03:28

Constant Lambert, Composer - BBC Concert Orchestra, Orchestra, MainArtist - Philip Lane, Arranger - Rumon Gamba, Conductor, MainArtist

2008 Chandos Records 2008 Chandos Records

Champagne Charlie (Lord (Gerald Hugh Tyrwhitt-Wilson) Berners)

16
Come on Algernon
The BBC Concert Orchestra
00:03:10

Mary Carewe, MainArtist, SopranoSolo - BBC Concert Orchestra, Orchestra, MainArtist - Philip Lane, Arranger - Lord (Gerald Hugh Tyrwhitt-Wilson) Berners, Composer - Rumon Gamba, Conductor, MainArtist

2008 Chandos Records 2008 Chandos Records

17
Polka
The BBC Concert Orchestra
00:02:39

BBC Concert Orchestra, Orchestra, MainArtist - Philip Lane, Arranger - Lord (Gerald Hugh Tyrwhitt-Wilson) Berners, Composer - Rumon Gamba, Conductor, MainArtist

2008 Chandos Records 2008 Chandos Records

18
Nicholas Nickelby Suite
The BBC Concert Orchestra
00:10:27

BBC Concert Orchestra, Orchestra, MainArtist - Lord (Gerald Hugh Tyrwhitt-Wilson) Berners, Composer - Rumon Gamba, Conductor, MainArtist - Ernest Irving, Arranger

2008 Chandos Records 2008 Chandos Records

The Halfway House Suite (Lord (Gerald Hugh Tyrwhitt-Wilson) Berners)

19
I. Main Titles
The BBC Concert Orchestra
00:01:46

BBC Concert Orchestra, Orchestra, MainArtist - Philip Lane, Arranger - Lord (Gerald Hugh Tyrwhitt-Wilson) Berners, Composer - Rumon Gamba, Conductor, MainArtist

2008 Chandos Records 2008 Chandos Records

20
II. The Concert
The BBC Concert Orchestra
00:02:16

BBC Concert Orchestra, Orchestra, MainArtist - Philip Lane, Arranger - Lord (Gerald Hugh Tyrwhitt-Wilson) Berners, Composer - Rumon Gamba, Conductor, MainArtist

2008 Chandos Records 2008 Chandos Records

21
III. Bicycle Ride
The BBC Concert Orchestra
00:01:14

BBC Concert Orchestra, Orchestra, MainArtist - Philip Lane, Arranger - Lord (Gerald Hugh Tyrwhitt-Wilson) Berners, Composer - Rumon Gamba, Conductor, MainArtist

2008 Chandos Records 2008 Chandos Records

22
IV. Drowning Scene
The BBC Concert Orchestra
00:02:39

BBC Concert Orchestra, Orchestra, MainArtist - Philip Lane, Arranger - Lord (Gerald Hugh Tyrwhitt-Wilson) Berners, Composer - Rumon Gamba, Conductor, MainArtist

2008 Chandos Records 2008 Chandos Records

23
V. Séance Waltz
The BBC Concert Orchestra
00:04:15

BBC Concert Orchestra, Orchestra, MainArtist - Philip Lane, Arranger - Lord (Gerald Hugh Tyrwhitt-Wilson) Berners, Composer - Rumon Gamba, Conductor, MainArtist

2008 Chandos Records 2008 Chandos Records

24
VI. Resolutions & Finale
The BBC Concert Orchestra
00:06:01

Joyful Company of Singers, MainArtist - Peter Broadbent, MainArtist - BBC Concert Orchestra, MainArtist - Philip Lane, Arranger - Lord (Gerald Hugh Tyrwhitt-Wilson) Berners, Composer - Rumon Gamba, MainArtist

2008 Chandos Records 2008 Chandos Records

Album review

After producing manifold high-quality volumes on British film music composers ranging from Addinsell to Vaughan Williams, Chandos Movies turns its attention to two prominent English composers whose individual output for film doesn't amount to enough to fill a whole CD: Constant Lambert and Lord Berners. These two were friends, and this is more than a little unusual, as you couldn't imagine personalities more dissimilar. Lambert, the ex-"angry young man" who settled into a position as conductor of the Sadler-Wells ballet company without conquering his addiction to alcohol, and Berners, the contrite, noble, and dapper diplomat who was nevertheless in his off-hours something of an artistic renaissance man: painter, novelist, and composer. What the two also share in this context is that their film music all dates to their last years of activity, a period when both composers -- who had in their youth enthusiastically embraced modernistic styles -- had moved into more conventional methods of expression while retaining certain aspects of modern style to spice up the program. Lambert's two film scores are for the wartime documentary film Merchant Seamen (1940) and for Alexander Korda's feature film adaptation of Anna Karenina (1948) starring Vivien Leigh. Lambert wrote a considerable amount of valuable film music criticism and was certainly knowledgeable about the possibilities of film scoring. Therefore, one wonders why he wrote such conservative scores; parts of Anna Karenina could almost pass for one of Herbert Stothart's workmanlike scores for MGM, and perhaps that was what Korda wanted, as MGM had already so effectively featured Greta Garbo in the role Leigh was to portray. Merchant Seamen is better; it even contains a little of the minimalistic patterning found in some of Lambert's early ballets in the cue entitled "Attack," though "Safe Convoy" contains some of the most facile and ingratiating music from Lambert's pen, and this is not meant in a positive way. Lord Berners was a little luckier in that two of the three projects for which he worked were distinguished outings, and all three were produced by Alberto Calvacanti's unit. Calvacanti was an especially musically sensitive producer/director who also worked with William Walton and Maurice Jaubert, among others. Champagne Charlie (1944) was a much loved nostalgia trip about the English Music Hall to which Lord Berners contributed a couple of minor numbers. The "Polka" was composed earlier and fares a bit better in its original piano version; as such it is one of Lord Berners' most famous pieces. The score for Basil Dearden and Calvacanti's low-key ghost story The Halfway House (1944) is easily the best thing on this album; the project stirs Lord Berners to some very inspired and exciting flights of fancy, especially in the "Drowning Scene." By general agreement, Irving's 1947 adaptation of Nicholas Nickleby is not considered among the most successful of the five feature film and TV adaptations of Dickens' novel, and here -- like in Champagne Charlie -- Lord Berners turned to the heritage of the English Music Hall and operetta for inspiration. While it doesn't exactly fall flat, it doesn't sparkle; this is some of the last music written by Lord Berners. As usual in this series, Chandos' sound is terrific and multidimensional, while Rumon Gamba delivers a careful and loving rendering of the music with the BBC Concert Orchestra. Both Lambert and Berners worked extensively in ballet, and one point where they differ is that Lambert scored for film as if it was film, whereas Lord Berners scored for film as if it was another ballet. Yet one more common thread twixt the two of them is that neither produced their best music for the medium.
© TiVo

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