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Gianandrea Noseda|Rota: Concerto Soiree, Divertimento Concertante & Symphony No. 3

Rota: Concerto Soiree, Divertimento Concertante & Symphony No. 3

Gianandrea Noseda, Filarmonica 900 del Teatro Regio di Torino, Barry Douglas, Davide Botto

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The abundant concert works of Italian composer Nino Rota continue to surface in recordings, many on major labels. Doubtless this is partly because Rota carries marquee value from his association with the Godfather films, but his music, although surely a mixed bag, is often just plain fun. You can break it down into three general categories, which don't necessarily correspond to individual works but are heard in combination. First is the group of marvelously cinematic tunes that make this release of interest to the still-numerous fans of Rota's film music; the Concerto Soirée for piano and orchestra offers a generous selection. Second, Rota made various attempts to master styles from the straight classical sphere. He avoided modernist idioms, but the Symphony No. 3 in C major, composed in 1956, is a competent essay in French-style neo-classicism in its outer movements. Finally there are pieces that show a style that's distinctively Rota's, and these are the best of all. Sample the gorgeously lyrical but not all sentimental slow movement of the Symphony No. 3 (track 11) or the witty Divertimento concertante for double bass and orchestra, whose interplay between the solo instruments and the orchestral brasses reveals a humor different from the light melodies in Rota's film scores. Nothing here is groundbreaking, but conductor Gianandrea Noseda and the Filarmonica '900 del Teatro Regio, Turin, with Irish pianist Barry Douglas in the Concerto Soirée, deliver vigorous renditions in keeping with the spirit of the music. Recommended especially for film music fans.
© TiVo

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Rota: Concerto Soiree, Divertimento Concertante & Symphony No. 3

Gianandrea Noseda

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Concerto Soirée (Nino Rota)

1
I. Valzer-Fantasia
00:05:01

Barry Douglas, Piano, MainArtist - Nino Rota, Composer - Gianandrea Noseda, Conductor, MainArtist - Filarmonica 900 del Teatro Regio di Torino, Orchestra, MainArtist

2011 Chandos Records 2011 Chandos Records

2
II. Ballo figurato
00:03:05

Barry Douglas, Piano, MainArtist - Nino Rota, Composer - Gianandrea Noseda, Conductor, MainArtist - Filarmonica 900 del Teatro Regio di Torino, Orchestra, MainArtist

2011 Chandos Records 2011 Chandos Records

3
III. Romanza
00:03:59

Barry Douglas, Piano, MainArtist - Nino Rota, Composer - Gianandrea Noseda, Conductor, MainArtist - Filarmonica 900 del Teatro Regio di Torino, Orchestra, MainArtist

2011 Chandos Records 2011 Chandos Records

4
IV. Quadriglia
00:03:42

Barry Douglas, Piano, MainArtist - Nino Rota, Composer - Gianandrea Noseda, Conductor, MainArtist - Filarmonica 900 del Teatro Regio di Torino, Orchestra, MainArtist

2011 Chandos Records 2011 Chandos Records

5
V. Can-can
00:03:42

Barry Douglas, Piano, MainArtist - Nino Rota, Composer - Gianandrea Noseda, Conductor, MainArtist - Filarmonica 900 del Teatro Regio di Torino, Orchestra, MainArtist

2011 Chandos Records 2011 Chandos Records

Divertimento concertante (Nino Rota)

6
I. Allegro. Allegro maestoso
00:08:44

Nino Rota, Composer - Gianandrea Noseda, Conductor, MainArtist - Davide Botto, MainArtist, DoubleBass - Filarmonica 900 del Teatro Regio di Torino, Orchestra, MainArtist

2011 Chandos Records 2011 Chandos Records

7
II. Marcia. Alla marcia
00:03:50

Nino Rota, Composer - Gianandrea Noseda, Conductor, MainArtist - Davide Botto, MainArtist, DoubleBass - Filarmonica 900 del Teatro Regio di Torino, Orchestra, MainArtist

2011 Chandos Records 2011 Chandos Records

8
III. Aria. Andante
00:06:29

Nino Rota, Composer - Gianandrea Noseda, Conductor, MainArtist - Davide Botto, MainArtist, DoubleBass - Filarmonica 900 del Teatro Regio di Torino, Orchestra, MainArtist

2011 Chandos Records 2011 Chandos Records

9
IV. Finale. Allegro marcato
00:04:48

Nino Rota, Composer - Gianandrea Noseda, Conductor, MainArtist - Davide Botto, MainArtist, DoubleBass - Filarmonica 900 del Teatro Regio di Torino, Orchestra, MainArtist

2011 Chandos Records 2011 Chandos Records

Symphony No. 3 in C major (Nino Rota)

10
I. Allegro
00:04:06

Nino Rota, Composer - Gianandrea Noseda, Conductor, MainArtist - Filarmonica 900 del Teatro Regio di Torino, Orchestra, MainArtist

2011 Chandos Records 2011 Chandos Records

11
II. Adagio con moto
00:07:21

Nino Rota, Composer - Gianandrea Noseda, Conductor, MainArtist - Filarmonica 900 del Teatro Regio di Torino, Orchestra, MainArtist

2011 Chandos Records 2011 Chandos Records

12
III. Scherzo. Allegretto mosso
00:02:44

Nino Rota, Composer - Gianandrea Noseda, Conductor, MainArtist - Filarmonica 900 del Teatro Regio di Torino, Orchestra, MainArtist

2011 Chandos Records 2011 Chandos Records

13
IV. Vivace con spirito
00:04:09

Nino Rota, Composer - Gianandrea Noseda, Conductor, MainArtist - Filarmonica 900 del Teatro Regio di Torino, Orchestra, MainArtist

2011 Chandos Records 2011 Chandos Records

Album review

The abundant concert works of Italian composer Nino Rota continue to surface in recordings, many on major labels. Doubtless this is partly because Rota carries marquee value from his association with the Godfather films, but his music, although surely a mixed bag, is often just plain fun. You can break it down into three general categories, which don't necessarily correspond to individual works but are heard in combination. First is the group of marvelously cinematic tunes that make this release of interest to the still-numerous fans of Rota's film music; the Concerto Soirée for piano and orchestra offers a generous selection. Second, Rota made various attempts to master styles from the straight classical sphere. He avoided modernist idioms, but the Symphony No. 3 in C major, composed in 1956, is a competent essay in French-style neo-classicism in its outer movements. Finally there are pieces that show a style that's distinctively Rota's, and these are the best of all. Sample the gorgeously lyrical but not all sentimental slow movement of the Symphony No. 3 (track 11) or the witty Divertimento concertante for double bass and orchestra, whose interplay between the solo instruments and the orchestral brasses reveals a humor different from the light melodies in Rota's film scores. Nothing here is groundbreaking, but conductor Gianandrea Noseda and the Filarmonica '900 del Teatro Regio, Turin, with Irish pianist Barry Douglas in the Concerto Soirée, deliver vigorous renditions in keeping with the spirit of the music. Recommended especially for film music fans.
© TiVo

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