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Accentus|Requiem(s)

Requiem(s)

Accentus - Doulce Mémoire - Chorus Musicus Köln

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Naïve has assembled an eclectic assortment of movements from requiems or requiem-like pieces, performed by a variety of ensembles. It's not a sampler, because not all the selections are from the catalog of Naïve or its subsidiaries. It's a somewhat odd mix of pieces, ranging from the traditional Eastern Orthodox service to a 1998 piece by Pascal Dusapin, performed by ensembles with widely varying levels of expertise, so it's hard to know exactly who the target audience is intended to be. There's no attempt to order the movements into a composite requiem mass -- the selections are something of a hodgepodge. The pieces are all at least proficiently performed, and some of the performances are very fine. The most interesting performances are of the less familiar repertoire, such as the Sanctus of Eustace du Caurroy, Hasse's Agnus Dei, Biber's Sanctus, Saint-Saëns' Agnus Dei, and Introit from Dusapin's Dona eis. The most familiar, most frequently recorded pieces are generally not represented in the most outstanding versions. Accentus, led by Laurence Equilbey, performs Denn alles Fleisch, from Ein Deutsches Requiem, in the version for two pianos, and this, of all the movements, is absolutely the least effective in this arrangement, so the impact of the music is diluted in spite of the fine singing. (On the other hand, Accentus' performance of the Dusapin is genuinely haunting.) Other pieces suffer from being merely good provincial performances, such as the excerpts from the Mozart and Berlioz Requiems. The album closes with its only non-choral selection, Ravel's "Kaddisch," for voice and piano, powerfully and movingly sung by baritone Bernard Kruysen. The overall sound quality is good and surprisingly consistent from track to track.

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Requiem(s)

Accentus

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1
Missa pro defunctis (Requiem des Rois de France): Sanctus
Doulce Mémoire - Denis Raisin Dadre
00:03:57

Doulce Mémoire, Performer - Denis Raisin-Dadre, Performer - Eustache Du Caurroy, Composer

2006 Valois / naïve 2006 Valois / naïve

2
Requiem in D Minor for Soloists, Choir and Orchestra, K. 626: No. 6, Lacrimosa
Chorus Musicus Köln
00:03:01

Chorus Musicus Köln, Performer - Das Neue Orchester, Performer - Christoph Spering, Performer - Wolfgang Amadeus Mozart, Composer

2006 Valois / naïve 2006 Valois / naïve

3
Ein deutsches Requiem, for Soprano, Baritone, Choir and Orchestra, Op. 45: No. 2, Chorus "Denn alles Fleisch es ist wie Gras"
Accentus
00:13:46

Accentus, Performer - Laurence Equilbey, Performer - Johannes Brahms, Composer

2006 Valois / naïve 2006 Valois / naïve

4
Requiem in E-Flat Major for Soloists, Choir and Orchestra: No. 17, Agnus Dei
Il Fondamento
00:03:27

Il Fondamento, Performer - Paul Dombrecht, Performer - Johann Adolf Hasse, Composer

2006 Valois / naïve 2006 Valois / naïve

5
Requiem No. 1 in C Minor for Chorus and Orchestra: No. 7, Pie Jesu
Chorus Musicus Köln
00:03:16

Chorus Musicus Köln, Performer - Das Neue Orchester, Performer - Christoph Spering, Performer - Luigi Cherubini, Composer

2006 Valois / naïve 2006 Valois / naïve

6
Requiem, Op.9: No. 4, Sanctus - Benedictus
Ensemble Vocal Michel Piquemal
00:03:08

Ensemble Vocal Michel Piquemal, Performer - Orchestre De La Cité, Performer - Miquel Piquemal, Performer - Maurice Duruflé, Composer

2006 Valois / naïve 2006 Valois / naïve

7
Grande Messe des morts, H. 75, Op. 5: No. 8, Offertorium: Domine Jesu Christe - Hostias (Chœur des âmes du Purgatoire)
Toronto Mendelssohn Choir
00:08:27

Toronto Mendelssohn Choir, Performer - Elora Festival Orchestra, Performer - Noel Edison, Performer - Hector Berlioz, Composer

2006 Valois / naïve 2006 Valois / naïve

8
Missa da Requiem for Soloists, Chorus and Orchestra: No. 7, Repons: Libera me - Dies irae - Libera me (soprano, chœur)
Hungarian State Opera Chorus And Orchestra
00:02:33

Hungarian State Opera Chorus And Orchestra, Performer - Pier Giorgio Morandi, Performer - Giuseppe Verdi, Composer

2006 Valois / naïve 2006 Valois / naïve

9
Requiem for Soloists, Chorus and Orchestra, Op. 54: No. 8, Agnus dei
Maîtrise des Hauts-de-Seine
00:07:29

Maîtrise des Hauts-de-Seine, Performer - Orchestre d'Orléans, Performer - Jean-Marc Cochereau, Performer - Camille Saint-Saëns, Composer

2006 Valois / naïve 2006 Valois / naïve

10
Requiem for Soprano, Bass, Chorus and Orchestra, Op. 48: No. 4, Pie Jesu (soprano)
Oxford Camerata
00:03:29

Oxford Camerata, Performer - Jeremy Summerly, Performer - Gabriel Fauré, Composer

2006 Valois / naïve 2006 Valois / naïve

11
Requiem in F Minor: Sanctus, Sanctus
Arsys Bourgogne
00:02:20

Arsys Bourgogne, Performer - Pierre Cao, Performer - Heinrich Ignaz Von Biber, Composer

2006 Valois / naïve 2006 Valois / naïve

12
Orthodox Requiem: Troparia in tone 5
The Russian Orthodox Patriarchate Choir
00:04:26

The Russian Orthodox Patriarchate Choir, Performer - Anatoly Grindenko, Performer - Orthodox requiem, Composer

2006 Valois / naïve 2006 Valois / naïve

13
Dona eis: No. 1, Introït
Accentus
00:04:09

Accentus, Performer - Laurence Equilbey, Performer - Ars Nova, Performer - Pascal Dusapin, Composer

2006 Valois / naïve 2006 Valois / naïve

14
2 Melodies on Hebrew Traditional Songs, for Voice and Piano: No. 1, Kaddish - a Jewish Prayer for the Death People on a Aramaic Text
Bernard Kruysen
00:04:29

Bernard Kruysen, Performer - Noël Lee, Performer - Maurice Ravel, Composer

2006 Valois / naïve 2006 Valois / naïve

Album review

Naïve has assembled an eclectic assortment of movements from requiems or requiem-like pieces, performed by a variety of ensembles. It's not a sampler, because not all the selections are from the catalog of Naïve or its subsidiaries. It's a somewhat odd mix of pieces, ranging from the traditional Eastern Orthodox service to a 1998 piece by Pascal Dusapin, performed by ensembles with widely varying levels of expertise, so it's hard to know exactly who the target audience is intended to be. There's no attempt to order the movements into a composite requiem mass -- the selections are something of a hodgepodge. The pieces are all at least proficiently performed, and some of the performances are very fine. The most interesting performances are of the less familiar repertoire, such as the Sanctus of Eustace du Caurroy, Hasse's Agnus Dei, Biber's Sanctus, Saint-Saëns' Agnus Dei, and Introit from Dusapin's Dona eis. The most familiar, most frequently recorded pieces are generally not represented in the most outstanding versions. Accentus, led by Laurence Equilbey, performs Denn alles Fleisch, from Ein Deutsches Requiem, in the version for two pianos, and this, of all the movements, is absolutely the least effective in this arrangement, so the impact of the music is diluted in spite of the fine singing. (On the other hand, Accentus' performance of the Dusapin is genuinely haunting.) Other pieces suffer from being merely good provincial performances, such as the excerpts from the Mozart and Berlioz Requiems. The album closes with its only non-choral selection, Ravel's "Kaddisch," for voice and piano, powerfully and movingly sung by baritone Bernard Kruysen. The overall sound quality is good and surprisingly consistent from track to track.

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