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Otis Gibbs|one day our whispers

one day our whispers

Otis Gibbs

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Otis Gibbs has a gritty vocal style that seems to automatically give his music an air of authenticity. Like Steve Earle or Tom Waits, this gives the impression of a man who carved his songs from hard-lived experience. The folk-country arrangements, from twangy steel guitars to backwoods mandolins, deepen these impressions on One Day Our Whispers. But Gibbs, like Earle, isn't just a good old boy, and has a thing or two to say about the world we all live in. "I Wanna Change It" gives a good impression -- at first glance -- of some rootsy, good-time love song with the refrain "I wanna change it with you." But the "you" of the song is the listener, and Gibbs' song finally ends up as a rustic, post-millennium version of "I'd Like to Teach the World to Sing." "The Peoples Day" makes this connection even more obvious with allusions to Big Bill Hayward, Mother Jones, and Sacco & Vanzetti, leading one to realize that Gibbs' real roots lie with Woody Guthrie, early Bob Dylan, and Nebraska-era Springsteen. Like Guthrie, though, Gibbs isn't just a pamphleteer, and he's perfectly capable of writing catchy throwaways like "Daughter of a Truck Drivin Man" and fine story-songs like "Get Me Out of Detroit." With a deep roots sound, One Day Our Whispers may end up in the country section of the local record store, but that's just because there's no category called socially conscious folk.
© Ronnie D. Lankford Jr. /TiVo

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one day our whispers

Otis Gibbs

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1
karluv most
00:04:04

Otis Gibbs, Composer, MainArtist

2004 otis gibbs 2004 otis gibbs

2
small town saturday night
00:03:35

Otis Gibbs, Composer, MainArtist

2004 otis gibbs 2004 otis gibbs

3
daughter of a truck drivin man
00:02:41

Otis Gibbs, Composer, MainArtist

2004 otis gibbs 2004 otis gibbs

4
get me out of detroit
00:04:30

Otis Gibbs, Composer, MainArtist

2004 otis gibbs 2004 otis gibbs

5
i wanna change it
00:03:39

Otis Gibbs, Composer, MainArtist

2004 otis gibbs 2004 otis gibbs

6
ours is the time
00:03:08

Otis Gibbs, Composer, MainArtist

2004 otis gibbs 2004 otis gibbs

7
the peoples day
00:02:03

Otis Gibbs, Composer, MainArtist

2004 otis gibbs 2004 otis gibbs

8
murder at the read house
00:03:34

Otis Gibbs, Composer, MainArtist

2004 otis gibbs 2004 otis gibbs

9
thirty three
00:04:41

Otis Gibbs, Composer, MainArtist

2004 otis gibbs 2004 otis gibbs

10
ballad of the highway
00:03:23

Otis Gibbs, Composer, MainArtist

2004 otis gibbs 2004 otis gibbs

11
putnam county girl
00:05:15

Otis Gibbs, Composer, MainArtist

2004 otis gibbs 2004 otis gibbs

12
iris
00:02:09

Otis Gibbs, Composer, MainArtist

2004 otis gibbs 2004 otis gibbs

13
big brother john
00:01:46

Otis Gibbs, Composer, MainArtist

2004 otis gibbs 2004 otis gibbs

14
lonely room
00:02:45

Otis Gibbs, Composer, MainArtist

2004 otis gibbs 2004 otis gibbs

15
the night bleeds hope
00:03:48

Otis Gibbs, Composer, MainArtist

2004 otis gibbs 2004 otis gibbs

Album review

Otis Gibbs has a gritty vocal style that seems to automatically give his music an air of authenticity. Like Steve Earle or Tom Waits, this gives the impression of a man who carved his songs from hard-lived experience. The folk-country arrangements, from twangy steel guitars to backwoods mandolins, deepen these impressions on One Day Our Whispers. But Gibbs, like Earle, isn't just a good old boy, and has a thing or two to say about the world we all live in. "I Wanna Change It" gives a good impression -- at first glance -- of some rootsy, good-time love song with the refrain "I wanna change it with you." But the "you" of the song is the listener, and Gibbs' song finally ends up as a rustic, post-millennium version of "I'd Like to Teach the World to Sing." "The Peoples Day" makes this connection even more obvious with allusions to Big Bill Hayward, Mother Jones, and Sacco & Vanzetti, leading one to realize that Gibbs' real roots lie with Woody Guthrie, early Bob Dylan, and Nebraska-era Springsteen. Like Guthrie, though, Gibbs isn't just a pamphleteer, and he's perfectly capable of writing catchy throwaways like "Daughter of a Truck Drivin Man" and fine story-songs like "Get Me Out of Detroit." With a deep roots sound, One Day Our Whispers may end up in the country section of the local record store, but that's just because there's no category called socially conscious folk.
© Ronnie D. Lankford Jr. /TiVo

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