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Camel|Mirage

Mirage

Camel

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With their second album, Mirage, Camel begin to develop their own distinctive sound, highlighted by the group's liquid, intricate rhythms and the wonderful, unpredictable instrumental exchanges by keyboardist Pete Bardens and guitarist Andy Latimer. Camel also distinguish themselves from their prog rock peers with the multi-part suite "Lady Fantasy," which suggests the more complex directions they would take a few albums down the line. Also, Latimer's graceful flute playing distinguishes several songs on the record, including "Supertwister," and it's clear that he has a more supple technique than such contemporaries as Ian Anderson. Camel are still ironing out some quirks in their sound on Mirage, but it's evident that they are coming into their own.

© Daevid Jehnzen /TiVo

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Mirage

Camel

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1
Freefall
00:05:52

Peter Bardens, Keyboards, AssociatedPerformer, ComposerLyricist - Andy Ward, Drums, Percussion, AssociatedPerformer - Andrew Latimer, Guitar, Vocals, AssociatedPerformer - Doug Ferguson, Bass Guitar, AssociatedPerformer - Camel, MainArtist - David Hitchcock, Producer

℗ 1974 Decca Music Group Limited

2
Supertwister
00:03:18

Peter Bardens, Keyboards, AssociatedPerformer, ComposerLyricist - Andy Ward, Drums, Percussion, AssociatedPerformer - Andrew Latimer, Guitar, AssociatedPerformer - Doug Ferguson, Bass Guitar, AssociatedPerformer - Camel, MainArtist - David Hitchcock, Producer

℗ 1974 Decca Music Group Limited

3
Nimrodel (Medley)
00:09:15

Peter Bardens, Keyboards, AssociatedPerformer - Andy Ward, Drums, Percussion, AssociatedPerformer - Andrew Latimer, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Doug Ferguson, Bass Guitar, AssociatedPerformer - Camel, MainArtist - David Hitchcock, Producer

℗ 1974 Decca Music Group Limited

4
Earthrise
00:06:39

Peter Bardens, Keyboards, AssociatedPerformer, ComposerLyricist - Andy Ward, Drums, Percussion, AssociatedPerformer - Andrew Latimer, Guitar, AssociatedPerformer, ComposerLyricist - Doug Ferguson, Bass Guitar, AssociatedPerformer - Camel, MainArtist - David Hitchcock, Producer

℗ 1974 Decca Music Group Limited

5
Lady Fantasy (Medley)
00:12:43

Peter Bardens, Keyboards, AssociatedPerformer, ComposerLyricist - Andy Ward, Drums, Percussion, AssociatedPerformer, ComposerLyricist - Andrew Latimer, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Doug Ferguson, Bass Guitar, AssociatedPerformer - Camel, MainArtist - David Hitchcock, Producer - Douglas Charles Ferguson, ComposerLyricist

℗ 1974 Decca Music Group Limited

6
Supertwister (Live At The Marquee Club)
00:03:08

Peter Bardens, ComposerLyricist - Paschal Byrne, Mixer, StudioPersonnel - Mark Powell, Mixer, StudioPersonnel - Camel, MainArtist

℗ 2002 Decca Music Group Limited

7
Mystic Queen (Live At The Marquee Club)
00:06:05

Peter Bardens, ComposerLyricist - Paschal Byrne, Mixer, StudioPersonnel - Mark Powell, Mixer, StudioPersonnel - Camel, MainArtist

℗ 2002 Decca Music Group Limited

8
Arubaluba (Live At The Marquee Club)
00:07:44

Peter Bardens, ComposerLyricist - Paschal Byrne, Mixer, StudioPersonnel - Mark Powell, Mixer, StudioPersonnel - Camel, MainArtist

℗ 2002 Decca Music Group Limited

9
Lady Fantasy (Medley / Original Mix)
00:12:58

Peter Bardens, ComposerLyricist - Paschal Byrne, Mixer, StudioPersonnel - Andy Ward, ComposerLyricist - Mark Powell, Mixer, StudioPersonnel - Andrew Latimer, ComposerLyricist - Camel, MainArtist - Douglas Charles Ferguson, ComposerLyricist

℗ 2002 Decca Music Group Limited

Album review

With their second album, Mirage, Camel begin to develop their own distinctive sound, highlighted by the group's liquid, intricate rhythms and the wonderful, unpredictable instrumental exchanges by keyboardist Pete Bardens and guitarist Andy Latimer. Camel also distinguish themselves from their prog rock peers with the multi-part suite "Lady Fantasy," which suggests the more complex directions they would take a few albums down the line. Also, Latimer's graceful flute playing distinguishes several songs on the record, including "Supertwister," and it's clear that he has a more supple technique than such contemporaries as Ian Anderson. Camel are still ironing out some quirks in their sound on Mirage, but it's evident that they are coming into their own.

© Daevid Jehnzen /TiVo

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