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Michael Collins|Michael Collins Plays British Clarinet Sonatas, Vol. 2

Michael Collins Plays British Clarinet Sonatas, Vol. 2

Michael Collins, Michael McHale

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This is the second in a series of albums devoted to British clarinet sonatas; you might not have been aware that there was enough good material there to justify even one, but clarinetist Michael Collins is a superb player who has been making a strong case for the whole repertory. The music on this program is generally lighter in tone than that on volume one, if that's to your taste. It opens with an absolutely delightful find: the Sonatina for clarinet and piano, Op. 29, of Malcolm Arnold is a jaunty work whose mixture of 4/4 and 6/8 in the first movement seems suggested by popular styles but keeps them tantalizingly at arm's length. The work's slow movement is a fine example of Arnold's lyrical gift. Nothing else quite reaches the level of the Arnold, but any of the pieces is enjoyable on its own merits. The Sonata for clarinet and piano by Arnold Cooke is an essay in Hindemith's style with a good feel for Hindemith's way with instrumentally idiomatic writing, while the Sonatina by Joseph Horovitz is another light, lyrical work that frames the program nicely in combination with the Arnold. The Tributes by Edward Gregson and Le Tombeau de Ravel by Arthur Benjamin are neo-classic works that specifically refer to the styles of earlier composers; probably they together constitute a bit much of that element. Nevertheless, Collins is a player with a flawless tone and a fine sense of telling detail, and the music is beautifully recorded. The album is a must for wind players, and the little Arnold sonatina is a fetching work that would enhance any concert program.
© TiVo

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Michael Collins Plays British Clarinet Sonatas, Vol. 2

Michael Collins

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Sonatina for Clarinet and Piano, Op. 29 (Sir Malcolm Arnold)

1
I. Allegro con brio
00:02:35

Sir Malcolm Arnold, Composer - Michael Collins, Clarinet, MainArtist - Michael McHale, Piano, MainArtist

2013 Chandos Records 2013 Chandos Records

2
II. Andantino
00:02:34

Sir Malcolm Arnold, Composer - Michael Collins, Clarinet, MainArtist - Michael McHale, Piano, MainArtist

2013 Chandos Records 2013 Chandos Records

3
III. Furioso
00:02:09

Sir Malcolm Arnold, Composer - Michael Collins, Clarinet, MainArtist - Michael McHale, Piano, MainArtist

2013 Chandos Records 2013 Chandos Records

Sonata in B-Flat for Clarinet and Piano (Arnold Cooke)

4
I. Allegro moderato
00:06:03

Michael Collins, Clarinet, MainArtist - Arnold Cooke, Composer - Michael McHale, Piano, MainArtist

2013 Chandos Records 2013 Chandos Records

5
II. Scherzando
00:03:12

Michael Collins, Clarinet, MainArtist - Arnold Cooke, Composer - Michael McHale, Piano, MainArtist

2013 Chandos Records 2013 Chandos Records

6
III. Adagio ma non troppo
00:06:23

Michael Collins, Clarinet, MainArtist - Arnold Cooke, Composer - Michael McHale, Piano, MainArtist

2013 Chandos Records 2013 Chandos Records

7
IV. Molto vivace
00:03:28

Michael Collins, Clarinet, MainArtist - Arnold Cooke, Composer - Michael McHale, Piano, MainArtist

2013 Chandos Records 2013 Chandos Records

Tributes (Edward Gregson)

8
I. To Francis Poulenc (For Emma Johnson)
00:01:40

Michael Collins, Clarinet, MainArtist - Edward Gregson, Composer - Michael McHale, Piano, MainArtist

2013 Chandos Records 2013 Chandos Records

9
II. To Gerald Finzi (For John Bradbury)
00:03:54

Michael Collins, Clarinet, MainArtist - Edward Gregson, Composer - Michael McHale, Piano, MainArtist

2013 Chandos Records 2013 Chandos Records

10
III. To Igor Stravinsky (For Linda Merrick)
00:03:24

Michael Collins, Clarinet, MainArtist - Edward Gregson, Composer - Michael McHale, Piano, MainArtist

2013 Chandos Records 2013 Chandos Records

11
IV. To Olivier Messiaen (After "Louange á l'Éternité de Jésus") (For Nicholas Cox)
00:05:38

Michael Collins, Clarinet, MainArtist - Edward Gregson, Composer - Michael McHale, Piano, MainArtist

2013 Chandos Records 2013 Chandos Records

12
V. To Béla Bartók (For Michael Collins)
00:03:08

Michael Collins, Clarinet, MainArtist - Edward Gregson, Composer - Michael McHale, Piano, MainArtist

2013 Chandos Records 2013 Chandos Records

13
Le Tombeau de Ravel: Valse-Caprices
00:13:01

Michael Collins, Clarinet, MainArtist - Arthur Benjamin, Composer - Michael McHale, Piano, MainArtist

2013 Chandos Records 2013 Chandos Records

Sonatina for Clarinet and Piano (Joseph Horovitz)

14
I. Allegro calmato
00:04:51

Michael Collins, Clarinet, MainArtist - Joseph Horovitz, Composer - Michael McHale, Piano, MainArtist

2013 Chandos Records 2013 Chandos Records

15
II. Lento, quasi andante
00:04:07

Michael Collins, Clarinet, MainArtist - Joseph Horovitz, Composer - Michael McHale, Piano, MainArtist

2013 Chandos Records 2013 Chandos Records

16
III. Con brio
00:03:35

Michael Collins, Clarinet, MainArtist - Joseph Horovitz, Composer - Michael McHale, Piano, MainArtist

2013 Chandos Records 2013 Chandos Records

Album review

This is the second in a series of albums devoted to British clarinet sonatas; you might not have been aware that there was enough good material there to justify even one, but clarinetist Michael Collins is a superb player who has been making a strong case for the whole repertory. The music on this program is generally lighter in tone than that on volume one, if that's to your taste. It opens with an absolutely delightful find: the Sonatina for clarinet and piano, Op. 29, of Malcolm Arnold is a jaunty work whose mixture of 4/4 and 6/8 in the first movement seems suggested by popular styles but keeps them tantalizingly at arm's length. The work's slow movement is a fine example of Arnold's lyrical gift. Nothing else quite reaches the level of the Arnold, but any of the pieces is enjoyable on its own merits. The Sonata for clarinet and piano by Arnold Cooke is an essay in Hindemith's style with a good feel for Hindemith's way with instrumentally idiomatic writing, while the Sonatina by Joseph Horovitz is another light, lyrical work that frames the program nicely in combination with the Arnold. The Tributes by Edward Gregson and Le Tombeau de Ravel by Arthur Benjamin are neo-classic works that specifically refer to the styles of earlier composers; probably they together constitute a bit much of that element. Nevertheless, Collins is a player with a flawless tone and a fine sense of telling detail, and the music is beautifully recorded. The album is a must for wind players, and the little Arnold sonatina is a fetching work that would enhance any concert program.
© TiVo

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