Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
Philip Catherine is an eclectic guitarist, comfortable within tradition, but just as comfortable fusing tradition with newer elements. On Meeting Colours, he's joined by quite a large orchestra to interpret ten of his pieces (two compositions receive more than one treatment) and Duke Ellington's "In a Sentimental Mood." The multiple flutes and saxophones create a big sound that ranges from grand to silky smooth, working in tandem with Catherine and trumpeter Bert Joris' leads. The large assembly also leaves ample room for subtly complex arrangements with trombones, trumpets, and clarinets. Catherine's compositions also offer intriguing nuances, as with the opening of "Happy Tears," allowing for changes in tempo and mood. The performance of compositions like "Pink Circus" and "On the Ground" are tastefully subdued, and Catherine's lead work weaves smoothly into the overall structure. The only complaint a fan might have is that the album, especially through the first half, is very mellow and, though well conceived, not too surprising. A second version of "December 26th (In Tempo)" pinpoints the problem, when it allows -- as few other pieces on the album do -- Catherine a chance to really cut loose on his guitar. Other pieces, like "The Hostage," are interesting in places, but leave one wishing for more fireworks. Overall, Meeting Colours is stylishly conceived and executed, but perhaps too low-key, relaxed, and safe for its own good.
© Ronnie D. Lankford, Jr. /TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From $17.49/month
Philip Catherine, MainArtist - Brussels Jazz Orchestra, MainArtist
© 2005 Francis Dreyfus Music SARL, a BMG Company ℗ 2005 Francis Dreyfus Music SARL, a BMG Company
Philip Catherine, MainArtist - Brussels Jazz Orchestra, MainArtist
© 2005 Francis Dreyfus Music SARL, a BMG Company ℗ 2005 Francis Dreyfus Music SARL, a BMG Company
Philip Catherine, MainArtist - Brussels Jazz Orchestra, MainArtist
© 2005 Francis Dreyfus Music SARL, a BMG Company ℗ 2005 Francis Dreyfus Music SARL, a BMG Company
Philip Catherine, MainArtist - Brussels Jazz Orchestra, MainArtist
© 2005 Francis Dreyfus Music SARL, a BMG Company ℗ 2005 Francis Dreyfus Music SARL, a BMG Company
Philip Catherine, MainArtist - Brussels Jazz Orchestra, MainArtist
© 2005 Francis Dreyfus Music SARL, a BMG Company ℗ 2005 Francis Dreyfus Music SARL, a BMG Company
Philip Catherine, MainArtist - Brussels Jazz Orchestra, MainArtist
© 2005 Francis Dreyfus Music SARL, a BMG Company ℗ 2005 Francis Dreyfus Music SARL, a BMG Company
Philip Catherine, MainArtist - Brussels Jazz Orchestra, MainArtist
© 2005 Francis Dreyfus Music SARL, a BMG Company ℗ 2005 Francis Dreyfus Music SARL, a BMG Company
Philip Catherine, MainArtist - Brussels Jazz Orchestra, MainArtist
© 2005 Francis Dreyfus Music SARL, a BMG Company ℗ 2005 Francis Dreyfus Music SARL, a BMG Company
Philip Catherine, MainArtist - Brussels Jazz Orchestra, MainArtist
© 2005 Francis Dreyfus Music SARL, a BMG Company ℗ 2005 Francis Dreyfus Music SARL, a BMG Company
Philip Catherine, MainArtist - Brussels Jazz Orchestra, MainArtist
© 2005 Francis Dreyfus Music SARL, a BMG Company ℗ 2005 Francis Dreyfus Music SARL, a BMG Company
Philip Catherine, MainArtist - Brussels Jazz Orchestra, MainArtist
© 2005 Francis Dreyfus Music SARL, a BMG Company ℗ 2005 Francis Dreyfus Music SARL, a BMG Company
Philip Catherine, MainArtist - Brussels Jazz Orchestra, MainArtist
© 2005 Francis Dreyfus Music SARL, a BMG Company ℗ 2005 Francis Dreyfus Music SARL, a BMG Company
Philip Catherine, MainArtist - Brussels Jazz Orchestra, MainArtist
© 2005 Francis Dreyfus Music SARL, a BMG Company ℗ 2005 Francis Dreyfus Music SARL, a BMG Company
Album review
Philip Catherine is an eclectic guitarist, comfortable within tradition, but just as comfortable fusing tradition with newer elements. On Meeting Colours, he's joined by quite a large orchestra to interpret ten of his pieces (two compositions receive more than one treatment) and Duke Ellington's "In a Sentimental Mood." The multiple flutes and saxophones create a big sound that ranges from grand to silky smooth, working in tandem with Catherine and trumpeter Bert Joris' leads. The large assembly also leaves ample room for subtly complex arrangements with trombones, trumpets, and clarinets. Catherine's compositions also offer intriguing nuances, as with the opening of "Happy Tears," allowing for changes in tempo and mood. The performance of compositions like "Pink Circus" and "On the Ground" are tastefully subdued, and Catherine's lead work weaves smoothly into the overall structure. The only complaint a fan might have is that the album, especially through the first half, is very mellow and, though well conceived, not too surprising. A second version of "December 26th (In Tempo)" pinpoints the problem, when it allows -- as few other pieces on the album do -- Catherine a chance to really cut loose on his guitar. Other pieces, like "The Hostage," are interesting in places, but leave one wishing for more fireworks. Overall, Meeting Colours is stylishly conceived and executed, but perhaps too low-key, relaxed, and safe for its own good.
© Ronnie D. Lankford, Jr. /TiVo
About the album
- 1 disc(s) - 13 track(s)
- Total length: 01:06:02
- Main artists: Philip Catherine Brussels Jazz Orchestra
- Label: Dreyfus Jazz
- Genre: Jazz
© 2005 Francis Dreyfus Music SARL, a BMG Company ℗ 2005 Francis Dreyfus Music SARL, a BMG Company
Improve album informationWhy buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.