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Dory Previn's fourth album was the result of an aborted 1973 stage musical. It's a fine collection, but its failure as a theatre production is hardly surprising -- "Jesus Was A Androgyne" is hardly the stuff of aisle-packing contemporary musicals. In truth, she was too elevated for her own good, as lofty material like "Anima/Animus" proved. Even when writing in cliché she impressed: "The Perfect Man" is her take on the tale of the golden man with feet of clay, and should by rights be toe-curling and unimaginative. Instead, it's an arresting piece with a pretty, counterpoint piano accompaniment. Only the grating honky-tonk arrangements elsewhere disappoint.
© Charles Donovan /TiVo
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Dory Previn, Composer, MainArtist
(C) 1972 Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1972 EMI Records Ltd ℗ 1971 Capitol Records, LLC
Dory Previn, Composer, MainArtist
(C) 1972 Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1972 EMI Records Ltd ℗ 1972 Capitol Records Inc.
Dory Previn, Composer, MainArtist
(C) 1972 Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1972 EMI Records Ltd ℗ 1972 Capitol Records, LLC
Dory Previn, Composer, MainArtist
(C) 1972 Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1972 EMI Records Ltd ℗ 1972 Capitol Records Inc.
Dory Previn, Composer, MainArtist
(C) 1972 Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1972 EMI Records Ltd ℗ 1972 Capitol Records Inc.
Dory Previn, Composer, MainArtist
(C) 1972 Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1972 EMI Records Ltd ℗ 1972 Capitol Records, LLC
Dory Previn, Composer, MainArtist
(C) 1972 Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1972 EMI Records Ltd ℗ 1972 Capitol Records, LLC
Dory Previn, Composer, MainArtist
(C) 1972 Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1972 EMI Records Ltd ℗ 1972 Capitol Records Inc.
Dory Previn, Composer, MainArtist
(C) 1972 Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1972 EMI Records Ltd ℗ 1972 Capitol Records, LLC
Dory Previn, Composer, MainArtist
(C) 1972 Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1972 EMI Records Ltd ℗ 1972 Capitol Records Inc.
Dory Previn, Composer, MainArtist
(C) 1972 Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1972 EMI Records Ltd ℗ 1972 Capitol Records Inc.
Dory Previn, Composer, MainArtist
(C) 1972 Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1972 EMI Records Ltd ℗ 1972 Capitol Records, LLC
Album review
Dory Previn's fourth album was the result of an aborted 1973 stage musical. It's a fine collection, but its failure as a theatre production is hardly surprising -- "Jesus Was A Androgyne" is hardly the stuff of aisle-packing contemporary musicals. In truth, she was too elevated for her own good, as lofty material like "Anima/Animus" proved. Even when writing in cliché she impressed: "The Perfect Man" is her take on the tale of the golden man with feet of clay, and should by rights be toe-curling and unimaginative. Instead, it's an arresting piece with a pretty, counterpoint piano accompaniment. Only the grating honky-tonk arrangements elsewhere disappoint.
© Charles Donovan /TiVo
About the album
- 1 disc(s) - 12 track(s)
- Total length: 00:49:02
- Main artists: Dory Previn
- Composer: Dory Previn
- Label: Zonophone
- Genre: Pop/Rock Pop
© 1972 Capitol Records Inc. ℗ 1972 Capitol Records Inc.
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