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Orchestra Della Svizzera Italiana|Maderna & Berio: Now, And Then

Maderna & Berio: Now, And Then

Orchestra della Svizzera Italiana, Dennis Russell Davies

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Don't be fooled by the album cover: the music recorded here is NOT Maderna, but Frescobaldi, Gabrieli and a few other composers from the same era, only orchestrated by Maderna. Among these late Renaissance and baroque works, as re-written, can be found, as a kind of pillar whose meaning in the album rather defies comprehension, the Sequenza XII by Berio which was initially conceived for a guitar solo and transcribed by the composer for guitar and chamber orchestra under the name of Chemins V. The whole work is about orchestrations, re-editions, translations from other eras. When it comes to Maderna and other old composers, the interest is neither musicological nor historical, as the orchestrations were done in the 20th Century, with 20th-Century orchestral techniques. Maderna's work, dating from the 1950s to the 1970s, bears witness to the widespread interest in masters from the past, with new editions, exhumations, rediscoveries; and Monteverdi was played without overmuch concern for period instruments - even if Hindemith, for example, tried to perform L’Orfeo with what old instruments he was able to gather... Seen from this point of view, the Maderna orchestrations are almost recompositions, although without ever betraying or travestying the manuscript, as Stravinsky did with Pergolese: it sticks, for example, to a "baroque" orchestra from our times, without instruments which did not exist at the time. A truly interesting recording. © SM/Qobuz

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Maderna & Berio: Now, And Then

Orchestra Della Svizzera Italiana

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Tre Pezzi (Girolamo Frescobaldi)

1
1. Recercar super LA-FA-SOL-LA-RE (Transcription By Bruno Maderna)
Orchestra Della Svizzera Italiana
00:04:33

Girolamo Frescobaldi, Composer - Dennis Russell Davies, Conductor, MainArtist - Orchestra della Svizzera Italiana, Orchestra, MainArtist - Michael Rast, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Bruno Maderna, Contributor, Transcription

℗ 2017 ECM Records GmbH

2
2a. Christe (Transcription By Bruno Maderna)
Orchestra Della Svizzera Italiana
00:00:53

Girolamo Frescobaldi, Composer - Dennis Russell Davies, Conductor, MainArtist - Orchestra della Svizzera Italiana, Orchestra, MainArtist - Michael Rast, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Bruno Maderna, Contributor, Transcription

℗ 2017 ECM Records GmbH

3
2b. Kyrie (Transcription By Bruno Maderna)
Orchestra Della Svizzera Italiana
00:00:44

Girolamo Frescobaldi, Composer - Dennis Russell Davies, Conductor, MainArtist - Orchestra della Svizzera Italiana, Orchestra, MainArtist - Michael Rast, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Bruno Maderna, Contributor, Transcription

℗ 2017 ECM Records GmbH

4
3. Bergamasca (Transcription By Bruno Maderna)
Orchestra Della Svizzera Italiana
00:04:43

Girolamo Frescobaldi, Composer - Dennis Russell Davies, Conductor, MainArtist - Orchestra della Svizzera Italiana, Orchestra, MainArtist - Michael Rast, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Bruno Maderna, Contributor, Transcription

℗ 2017 ECM Records GmbH

5
La Basadonna (Transcription By Bruno Maderna)
Orchestra Della Svizzera Italiana
00:03:20

Dennis Russell Davies, Conductor, MainArtist - Orchestra della Svizzera Italiana, Orchestra, MainArtist - Giovanni Legrenzi, Composer - Michael Rast, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Bruno Maderna, Arranger, Work Arranger

℗ 2017 ECM Records GmbH

6
Chemins V
Pablo Márquez
00:20:42

Luciano Berio, Composer - Dennis Russell Davies, Conductor, MainArtist - Orchestra della Svizzera Italiana, Orchestra, MainArtist - Michael Rast, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Pablo Marquez, Guitar, MainArtist, AssociatedPerformer

℗ 2017 ECM Records GmbH

7
Canzone a tre cori (Transcription By Bruno Maderna)
Orchestra Della Svizzera Italiana
00:05:19

Giovanni Gabrieli, Composer - Dennis Russell Davies, Conductor, MainArtist - Orchestra della Svizzera Italiana, Orchestra, MainArtist - Michael Rast, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Bruno Maderna, Contributor, Transcription

℗ 2017 ECM Records GmbH

8
La Napolitana (Transcription By Bruno Maderna)
Orchestra Della Svizzera Italiana
00:02:18

Dennis Russell Davies, Conductor, MainArtist - Orchestra della Svizzera Italiana, Orchestra, MainArtist - Michael Rast, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Bruno Maderna, Contributor, Transcription - Lodovico Viadana, Composer

℗ 2017 ECM Records GmbH

9
La Venexiana (Transcription By Bruno Maderna)
Orchestra Della Svizzera Italiana
00:03:11

Dennis Russell Davies, Conductor, MainArtist - Orchestra della Svizzera Italiana, Orchestra, MainArtist - Michael Rast, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Bruno Maderna, Contributor, Transcription - Lodovico Viadana, Composer

℗ 2017 ECM Records GmbH

10
La Veronese (Transcription By Bruno Maderna)
Orchestra Della Svizzera Italiana
00:02:43

Dennis Russell Davies, Conductor, MainArtist - Orchestra della Svizzera Italiana, Orchestra, MainArtist - Michael Rast, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Bruno Maderna, Contributor, Transcription - Lodovico Viadana, Composer

℗ 2017 ECM Records GmbH

11
La Romana (Transcription By Bruno Maderna)
Orchestra Della Svizzera Italiana
00:01:52

Dennis Russell Davies, Conductor, MainArtist - Orchestra della Svizzera Italiana, Orchestra, MainArtist - Michael Rast, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Bruno Maderna, Contributor, Transcription - Lodovico Viadana, Composer

℗ 2017 ECM Records GmbH

12
La Mantovana (Transcription By Bruno Maderna)
Orchestra Della Svizzera Italiana
00:01:31

Dennis Russell Davies, Conductor, MainArtist - Orchestra della Svizzera Italiana, Orchestra, MainArtist - Michael Rast, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Bruno Maderna, Contributor, Transcription - Lodovico Viadana, Composer

℗ 2017 ECM Records GmbH

Palestrina-Konzert (Unico Wilhelm van Wassenaer)

13
1. Grave assai sostenuto (Transcription By Bruno Maderna)
Orchestra Della Svizzera Italiana
00:03:39

Dennis Russell Davies, Conductor, MainArtist - Orchestra della Svizzera Italiana, Orchestra, MainArtist - Michael Rast, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Unico Wilhelm van Wassenaer, Composer - Bruno Maderna, Arranger, Work Arranger

℗ 2017 ECM Records GmbH

14
2. Andante (Transcription By Bruno Maderna)
Orchestra Della Svizzera Italiana
00:03:34

Dennis Russell Davies, Conductor, MainArtist - Orchestra della Svizzera Italiana, Orchestra, MainArtist - Michael Rast, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Unico Wilhelm van Wassenaer, Composer - Bruno Maderna, Arranger, Work Arranger

℗ 2017 ECM Records GmbH

15
3. Vivace (Transcription By Bruno Maderna)
Orchestra Della Svizzera Italiana
00:03:26

Dennis Russell Davies, Conductor, MainArtist - Orchestra della Svizzera Italiana, Orchestra, MainArtist - Michael Rast, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Unico Wilhelm van Wassenaer, Composer - Bruno Maderna, Arranger, Work Arranger

℗ 2017 ECM Records GmbH

Album review

Don't be fooled by the album cover: the music recorded here is NOT Maderna, but Frescobaldi, Gabrieli and a few other composers from the same era, only orchestrated by Maderna. Among these late Renaissance and baroque works, as re-written, can be found, as a kind of pillar whose meaning in the album rather defies comprehension, the Sequenza XII by Berio which was initially conceived for a guitar solo and transcribed by the composer for guitar and chamber orchestra under the name of Chemins V. The whole work is about orchestrations, re-editions, translations from other eras. When it comes to Maderna and other old composers, the interest is neither musicological nor historical, as the orchestrations were done in the 20th Century, with 20th-Century orchestral techniques. Maderna's work, dating from the 1950s to the 1970s, bears witness to the widespread interest in masters from the past, with new editions, exhumations, rediscoveries; and Monteverdi was played without overmuch concern for period instruments - even if Hindemith, for example, tried to perform L’Orfeo with what old instruments he was able to gather... Seen from this point of view, the Maderna orchestrations are almost recompositions, although without ever betraying or travestying the manuscript, as Stravinsky did with Pergolese: it sticks, for example, to a "baroque" orchestra from our times, without instruments which did not exist at the time. A truly interesting recording. © SM/Qobuz

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