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Hawthorne String Quartet|Klein & Ullmann: Chamber Music from Theresienstadt

Klein & Ullmann: Chamber Music from Theresienstadt

Hawthorne String Quartet

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CHAMBER MUSIC BY GIDEON KLEIN AND VIKTOR ULLMANN MUSIC FROM THERESIENSTADT (1941-1945) This compact disc recording is dedicated to the unique creative spirit of the composers incarcerated in the concentration camp Theresienstadt. Their music is one of the most moving chapters of the spiritual resistance in the history of the Holocaust. Located sixty kilometers north of Prague, Terezin was built in 1780 as a garrison town by Emperor Josef II. With the invasion of Czechoslovakia by the Nazis in 1939, this fortress town was to become the Theresienstadt concentration camp. Theresienstadt was designed to serve two purposes: 1. a way station to the gas chambers of Auschwitz; and 2. an ideal vehicle of deception to mask the existence of the death camps, ultimately disguising the annihilation of the Jews. It was on November 24, 1941 that the first Jewish prisoners arrived in Terezin. Musical instruments were smuggled into Theresienstadt with the arrival of the second transport. Concerts, at first, were held secretly in the attics and basements of the barracks. Upon discovery of these secret performances, the Nazis realized the great importance of culture to the lives of the prisoners in Theresienstadt. They immediately sanctioned these cultural activities, believing that it would be easier to keep the prisoners under control....

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Klein & Ullmann: Chamber Music from Theresienstadt

Hawthorne String Quartet

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String Trio (Gideon Klein)

1
I. Allegro
Ronan Lefkowitz
00:02:25

Gideon Klein, Composer - Sato Knudsen, MainArtist - Mark Ludwig, MainArtist - Ronan Lefkowitz, MainArtist - Schott Music Edition, MusicPublisher

1991 Channel Classics Records 1991 Channel Classics Records

2
II. Variations on a Moravian Theme. Lento - Poco più mosso - Allegro feroce - Andantino - Andante mesto - Allegro scherzando - Grave
Ronan Lefkowitz
00:07:56

Gideon Klein, Composer - Sato Knudsen, MainArtist - Mark Ludwig, MainArtist - Ronan Lefkowitz, MainArtist - Schott Music Edition, MusicPublisher

1991 Channel Classics Records 1991 Channel Classics Records

3
III. Molto vivace
Ronan Lefkowitz
00:03:23

Gideon Klein, Composer - Sato Knudsen, MainArtist - Mark Ludwig, MainArtist - Ronan Lefkowitz, MainArtist - Schott Music Edition, MusicPublisher

1991 Channel Classics Records 1991 Channel Classics Records

4
Fantasia and Fugue
Ronan Lefkowitz
00:08:50

Gideon Klein, Composer - Sato Knudsen, MainArtist - Mark Ludwig, MainArtist - Ronan Lefkowitz, MainArtist - Schott Music Edition, MusicPublisher

1991 Channel Classics Records 1991 Channel Classics Records

Piano Sonata (Gideon Klein)

5
I. Allegro con fuoco
Virginia Eskin
00:05:05

Virginia Eskin, MainArtist - Gideon Klein, Composer - Schott Music Edition, MusicPublisher

1991 Channel Classics Records 1991 Channel Classics Records

6
II. Adagio
Virginia Eskin
00:03:27

Virginia Eskin, MainArtist - Gideon Klein, Composer - Schott Music Edition, MusicPublisher

1991 Channel Classics Records 1991 Channel Classics Records

7
III. Allegro vivace
Virginia Eskin
00:03:04

Virginia Eskin, MainArtist - Gideon Klein, Composer - Schott Music Edition, MusicPublisher

1991 Channel Classics Records 1991 Channel Classics Records

String Quartet, Op. 2 (Gideon Klein)

8
I. Lento
Hawthorne String Quartet
00:10:03

Hawthorne String Quartet, Ensemble, MainArtist - Gideon Klein, Composer - Schott Music Edition, MusicPublisher

1991 Channel Classics Records 1991 Channel Classics Records

9
II. Vivace ma non troppo
Hawthorne String Quartet
00:03:12

Hawthorne String Quartet, Ensemble, MainArtist - Gideon Klein, Composer - Schott Music Edition, MusicPublisher

1991 Channel Classics Records 1991 Channel Classics Records

10
III. Andante cantabile
Hawthorne String Quartet
00:06:41

Hawthorne String Quartet, Ensemble, MainArtist - Gideon Klein, Composer - Schott Music Edition, MusicPublisher

1991 Channel Classics Records 1991 Channel Classics Records

String Quartet No. 3, Op. 46 (Viktor Ullmann)

11
Ia. Allegro moderato
Hawthorne String Quartet
00:02:58

Hawthorne String Quartet, Ensemble, MainArtist - Viktor Ullmann, Composer - Schott Music Edition, MusicPublisher

1991 Channel Classics Records 1991 Channel Classics Records

12
Ib. Presto
Hawthorne String Quartet
00:04:04

Hawthorne String Quartet, Ensemble, MainArtist - Viktor Ullmann, Composer - Schott Music Edition, MusicPublisher

1991 Channel Classics Records 1991 Channel Classics Records

13
Ic. Largo
Hawthorne String Quartet
00:04:13

Hawthorne String Quartet, Ensemble, MainArtist - Viktor Ullmann, Composer - Schott Music Edition, MusicPublisher

1991 Channel Classics Records 1991 Channel Classics Records

14
II. Rondo - Finale. Allegro vivace e ritmico - Poco largamente quasi tempo primo
Hawthorne String Quartet
00:02:46

Hawthorne String Quartet, Ensemble, MainArtist - Viktor Ullmann, Composer - Schott Music Edition, MusicPublisher

1991 Channel Classics Records 1991 Channel Classics Records

Album review

CHAMBER MUSIC BY GIDEON KLEIN AND VIKTOR ULLMANN MUSIC FROM THERESIENSTADT (1941-1945) This compact disc recording is dedicated to the unique creative spirit of the composers incarcerated in the concentration camp Theresienstadt. Their music is one of the most moving chapters of the spiritual resistance in the history of the Holocaust. Located sixty kilometers north of Prague, Terezin was built in 1780 as a garrison town by Emperor Josef II. With the invasion of Czechoslovakia by the Nazis in 1939, this fortress town was to become the Theresienstadt concentration camp. Theresienstadt was designed to serve two purposes: 1. a way station to the gas chambers of Auschwitz; and 2. an ideal vehicle of deception to mask the existence of the death camps, ultimately disguising the annihilation of the Jews. It was on November 24, 1941 that the first Jewish prisoners arrived in Terezin. Musical instruments were smuggled into Theresienstadt with the arrival of the second transport. Concerts, at first, were held secretly in the attics and basements of the barracks. Upon discovery of these secret performances, the Nazis realized the great importance of culture to the lives of the prisoners in Theresienstadt. They immediately sanctioned these cultural activities, believing that it would be easier to keep the prisoners under control....

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