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Nash Ensemble|John Pickard: The Gardener of Aleppo & Other Chamber Works

John Pickard: The Gardener of Aleppo & Other Chamber Works

Nash Ensemble and Martyn Brabbins

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Four previous releases on BIS Records have all featured John Pickard’s music for large orchestra – or, in the case of the Gaia Symphony, large brass band. This new album, on the other hand, presents scorings ranging from a solo oboe to a chamber ensemble of eight players. The seven works cover just over 30 years; the earliest one, Serenata Concertata, was Pickard’s first paid commission written at the age of twenty. In his liner notes, Pickard notes that he has an aversion to repeating himself: ‘so each new work tends to be a reaction against the character, structure and technique of the previous one… The result has been a body of work with a wide expressive range and this disc gives some indication of that. The pieces on it are grouped in a broad progression from the serious to the more lighthearted’.

The two opening works are indeed inspired by serious matters – the background to The Gardener of Aleppo is the war in Syria, while Daughters of Zion, the only vocal work on this recording, sets a text that reflects on anti-Jewish aspects of certain Early Christian celebrations.

In the latter work, Susan Bickley joins the players of the celebrated Nash Ensemble, who go on to lighter fare in Three Chicken Studies (Pickard himself has kept chickens as pets) and Ghost Train, a perpetuum mobile built on a cantus firmus derived from the "Dies iræ" theme. For this and the other chamber ensemble pieces the conductor Martyn Brabbins, a longtime collaborator of Pickard’s, wields his baton. © BIS Records

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John Pickard: The Gardener of Aleppo & Other Chamber Works

Nash Ensemble

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1
The Gardener of Aleppo
Philippa Davies
00:11:17

Lucy Wakeford, MainArtist, AssociatedPerformer - Philippa Davies, MainArtist, AssociatedPerformer - Simon Fox-Gál, Producer, SoundEngineer - John Pickard, Composer - Scott Dickinson, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

2
Daughters of Zion
Susan Bickley
00:08:13

Nash Ensemble, Ensemble, MainArtist - Simon Fox-Gál, Producer, SoundEngineer - Martyn Brabbins, Conductor, MainArtist - Susan Bickley, MainArtist, AssociatedPerformer - John Pickard, Composer - Gavin D’Costa, Lyricist

2020 BIS 2020 (P) BIS

3
Snowbound
Martin Robertson
00:10:27

Martin Robertson, MainArtist, AssociatedPerformer - Simon Fox-Gál, Producer, SoundEngineer - Ian Brown, MainArtist, AssociatedPerformer - Adrian Brendel, MainArtist, AssociatedPerformer - John Pickard, Composer

2020 BIS 2020 (P) BIS

Serenata Concertata (John Pickard)

4
I. Cadenza I
Philippa Davies
00:03:22

Nash Ensemble, Ensemble, MainArtist - Philippa Davies, MainArtist, AssociatedPerformer - Simon Fox-Gál, Producer, SoundEngineer - Martyn Brabbins, Conductor, MainArtist - John Pickard, Composer

2020 BIS 2020 (P) BIS

5
II. Aria I
Philippa Davies
00:04:29

Nash Ensemble, Ensemble, MainArtist - Philippa Davies, MainArtist, AssociatedPerformer - Simon Fox-Gál, Producer, SoundEngineer - Martyn Brabbins, Conductor, MainArtist - John Pickard, Composer

2020 BIS 2020 (P) BIS

6
III. Scherzo - Notturno
Philippa Davies
00:04:33

Nash Ensemble, Ensemble, MainArtist - Philippa Davies, MainArtist, AssociatedPerformer - Simon Fox-Gál, Producer, SoundEngineer - Martyn Brabbins, Conductor, MainArtist - John Pickard, Composer

2020 BIS 2020 (P) BIS

7
IV. Cadenza II
Philippa Davies
00:02:13

Nash Ensemble, Ensemble, MainArtist - Philippa Davies, MainArtist, AssociatedPerformer - Simon Fox-Gál, Producer, SoundEngineer - Martyn Brabbins, Conductor, MainArtist - John Pickard, Composer

2020 BIS 2020 (P) BIS

8
V. Aria II
Philippa Davies
00:06:16

Nash Ensemble, Ensemble, MainArtist - Philippa Davies, MainArtist, AssociatedPerformer - Simon Fox-Gál, Producer, SoundEngineer - Martyn Brabbins, Conductor, MainArtist - John Pickard, Composer

2020 BIS 2020 (P) BIS

3 Chicken Studies (John Pickard)

9
No. 1, Laying
Gareth Hulse
00:01:49

Simon Fox-Gál, Producer, SoundEngineer - Gareth Hulse, MainArtist, AssociatedPerformer - John Pickard, Composer

2020 BIS 2020 (P) BIS

10
No. 2, Feeding
Gareth Hulse
00:01:33

Simon Fox-Gál, Producer, SoundEngineer - Gareth Hulse, MainArtist, AssociatedPerformer - John Pickard, Composer

2020 BIS 2020 (P) BIS

11
No. 3, Fighting
Gareth Hulse
00:01:20

Simon Fox-Gál, Producer, SoundEngineer - Gareth Hulse, MainArtist, AssociatedPerformer - John Pickard, Composer

2020 BIS 2020 (P) BIS

12
The Phagotus of Afranio
Ursula Leveaux
00:10:34

Simon Fox-Gál, Producer, SoundEngineer - Ian Brown, MainArtist, AssociatedPerformer - John Pickard, Composer - Ursula Leveaux, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

13
Ghost-Train
Nash Ensemble
00:13:11

Nash Ensemble, Ensemble, MainArtist - Simon Fox-Gál, Producer, SoundEngineer - Martyn Brabbins, Conductor, MainArtist - John Pickard, Composer

2020 BIS 2020 (P) BIS

Album review

Four previous releases on BIS Records have all featured John Pickard’s music for large orchestra – or, in the case of the Gaia Symphony, large brass band. This new album, on the other hand, presents scorings ranging from a solo oboe to a chamber ensemble of eight players. The seven works cover just over 30 years; the earliest one, Serenata Concertata, was Pickard’s first paid commission written at the age of twenty. In his liner notes, Pickard notes that he has an aversion to repeating himself: ‘so each new work tends to be a reaction against the character, structure and technique of the previous one… The result has been a body of work with a wide expressive range and this disc gives some indication of that. The pieces on it are grouped in a broad progression from the serious to the more lighthearted’.

The two opening works are indeed inspired by serious matters – the background to The Gardener of Aleppo is the war in Syria, while Daughters of Zion, the only vocal work on this recording, sets a text that reflects on anti-Jewish aspects of certain Early Christian celebrations.

In the latter work, Susan Bickley joins the players of the celebrated Nash Ensemble, who go on to lighter fare in Three Chicken Studies (Pickard himself has kept chickens as pets) and Ghost Train, a perpetuum mobile built on a cantus firmus derived from the "Dies iræ" theme. For this and the other chamber ensemble pieces the conductor Martyn Brabbins, a longtime collaborator of Pickard’s, wields his baton. © BIS Records

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