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Hugues Aufray|Horizon

Horizon

Hugues Aufray

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To the few people who are aware of him outside of France, Hugues Aufray has something of a left-of-center reputation for having released an entire album of Bob Dylan covers (in French) in 1965. Released only a year or two later, however, Horizon sounds pretty much like typical French pop, albeit with some leanings toward sentimental folk-pop. Aufray sounds like he was trying to cover a bunch of bases here, whether the bouncy singalong "Le Lion et la Gazelle," the slightly mod-psychedelic-influenced arrangement on the ballad "La Blanche Caravelle," the "Mack the Knife"-ish "La Soupe a Ma Grand'Mere," "Le Serpent" (the only track here that approaches anything like a mid-'60s Dylan mood), what sounds like a French pub singalong tune ("Y'Avait Fanny Qui Chantait"), some orchestrated melancholia, or the spare and emotional "San Miguel" (perhaps the record's highlight). It's a versatile record, undoubtedly, but not very original or moving, seeming a bit like the effort of a folksinger trying to establish himself as an all-around entertainer.

© Richie Unterberger /TiVo

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Horizon

Hugues Aufray

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1
La blanche caravelle (Album Version)
00:03:29

Hugues Aufray, Author, MainArtist - PIERRE DELANOE, Author - Roger Davy, Composer

℗ 1966 Fontana

2
Le Serpent
00:02:28

Hugues Aufray, Interprète Vocal, MainArtist, AssociatedPerformer, ComposerLyricist - PIERRE DELANOE, Author

℗ 1966 Fontana

3
Il faut ranger ta poupée (Album Version)
00:03:08

Guy Magenta, Composer - Christian Chevallier, Recording Arranger, Music Director & Conductor, AssociatedPerformer - Hugues Aufray, Author, MainArtist - PIERRE DELANOE, Author

℗ 1966 Fontana

4
Le lion et la gazelle (Album Version)
00:03:11

Hugues Aufray, Translator, MainArtist - PIERRE DELANOE, Translator - Bert Kaempfert, ComposerLyricist

℗ 1966 Fontana

5
Pauvre Rutebeuf (Album Version)
00:02:55

Hugues Aufray, MainArtist - Leo Ferre, Translator, Recording Arranger, AssociatedPerformer - Rutebeuf, ComposerLyricist

℗ 1966 Fontana

6
Céline (Album Version)
00:03:06

Christian Chevallier, Recording Arranger, Music Director & Conductor, AssociatedPerformer - Hugues Aufray, Author, MainArtist - Mort Shuman, Composer - Michel Bernholc, Arranger, Work Arranger - Vline Buggy, Author

℗ 1966 Fontana

7
Dam Di Dam (Album Version)
00:02:07

Hugues Aufray, Author, MainArtist - PIERRE DELANOE, Author - Michel Fugain, Composer

℗ 1966 Fontana

8
La Soupe A Ma Grand-Mère (Album Version)
00:02:57

Hugues Aufray, MainArtist, ComposerLyricist - PIERRE DELANOE, Author

℗ 1966 Fontana

9
La Princesse Et Le Troubadour (Album Version)
00:02:53

Hugues Aufray, Author, MainArtist - PIERRE DELANOE, Author - Michel Fugain, Composer

℗ 1966 Fontana

10
Le bon Dieu s'énervait (Album Version)
00:02:26

Christian Chevallier, Recording Arranger, Music Director & Conductor, AssociatedPerformer - Hugues Aufray, MainArtist, ComposerLyricist - PIERRE DELANOE, ComposerLyricist - Jacques Revaux, ComposerLyricist

℗ 1966 Fontana

11
San Miguel (Version 1966)
00:02:56

Christian Chevallier, Conductor, Recording Arranger, AssociatedPerformer - Hugues Aufray, Interprète Vocal, MainArtist, AssociatedPerformer - Jane G.R. Bowers, Composer, Author - Michel Jacques Pierre Vaucaire, Translator

℗ 1966 Fontana

12
Y'Avait Fanny Qui Chantait (Version 1966)
00:03:06

Hugues Aufray, MainArtist - Jean Bouchety, Music Director & Conductor, AssociatedPerformer - Claude Edith Delecluse, Composer, Author - Michelle Fricault, Author

℗ 1966 Fontana

Album review

To the few people who are aware of him outside of France, Hugues Aufray has something of a left-of-center reputation for having released an entire album of Bob Dylan covers (in French) in 1965. Released only a year or two later, however, Horizon sounds pretty much like typical French pop, albeit with some leanings toward sentimental folk-pop. Aufray sounds like he was trying to cover a bunch of bases here, whether the bouncy singalong "Le Lion et la Gazelle," the slightly mod-psychedelic-influenced arrangement on the ballad "La Blanche Caravelle," the "Mack the Knife"-ish "La Soupe a Ma Grand'Mere," "Le Serpent" (the only track here that approaches anything like a mid-'60s Dylan mood), what sounds like a French pub singalong tune ("Y'Avait Fanny Qui Chantait"), some orchestrated melancholia, or the spare and emotional "San Miguel" (perhaps the record's highlight). It's a versatile record, undoubtedly, but not very original or moving, seeming a bit like the effort of a folksinger trying to establish himself as an all-around entertainer.

© Richie Unterberger /TiVo

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