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Jean-Efflam Bavouzet|Haydn: Piano Sonatas, Vol. 8

Haydn: Piano Sonatas, Vol. 8

Jean-Efflam Bavouzet

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After leaving the boys’ choir of St Stephens Cathedral in Vienna, one of the ways the young Haydn found to support himself was as a harpsichord teacher. The three early sonatas featured on this recording were almost certainly intended for his students: short, light pieces with few technical demands. The two larger sonatas, both in the key of E-flat major, were written some twenty years later and are far more extensive. Both require significantly greater prowess from the performer, and represent Haydn’s ingenuity and skill to the full.
The two additional works included here, whilst single-movement compositions, are substantial pieces. The Adagio ma non troppo would become the slow movement of Piano Trio No. 36, whilst the Variations on ‘Gott erhalte’ is based on the second movement of the ‘Emperor’ Quartet (Op. 76 No. 3), which is itself a set of variations on an anthem composed by Haydn at the request of an Austrian politician for the 29th birthday of the Emperor, and intended as a patriotic hymn comparable to ‘God Save the King’ in England – and a response against the "Marseillaise". © Chandos

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Haydn: Piano Sonatas, Vol. 8

Jean-Efflam Bavouzet

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Sonata No. 5, Hob. XVI:11 (Joseph Haydn)

1
I. Presto
00:01:28

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2019 Chandos Records 2019 Chandos Records

2
II. Andante
00:04:17

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2019 Chandos Records 2019 Chandos Records

3
III. Menuet
00:02:26

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2019 Chandos Records 2019 Chandos Records

Sonata No. 51, Hob. XVI:38 (Joseph Haydn)

4
I. Allegro moderato
00:07:52

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2019 Chandos Records 2019 Chandos Records

5
II. Adagio
00:03:53

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2019 Chandos Records 2019 Chandos Records

6
III. Finale. Allegro
00:02:44

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2019 Chandos Records 2019 Chandos Records

7
Adagio ma non troppo
00:04:50

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2019 Chandos Records 2019 Chandos Records

Sonata No. 6, Hob. XVI:10 (Joseph Haydn)

8
I. Moderato
00:03:14

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2019 Chandos Records 2019 Chandos Records

9
II. Menuet
00:02:40

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2019 Chandos Records 2019 Chandos Records

10
III. Finale. Presto
00:02:52

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2019 Chandos Records 2019 Chandos Records

Sonata No. 7, Hob. XVII:D1 (Joseph Haydn)

11
I. Tema. Moderato
00:03:57

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2019 Chandos Records 2019 Chandos Records

12
II. Menuet
00:00:50

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2019 Chandos Records 2019 Chandos Records

13
III. Finale. Allegro
00:01:55

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2019 Chandos Records 2019 Chandos Records

14
Variations on "Gott erhalte"
00:05:44

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2019 Chandos Records 2019 Chandos Records

Sonata No. 59, Hob. XVI:49 (Joseph Haydn)

15
I. Allegro non troppo
00:09:33

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2019 Chandos Records 2019 Chandos Records

16
II. Adagio cantabile
00:07:28

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2019 Chandos Records 2019 Chandos Records

17
III. Finale. Tempo di Minuet
00:04:18

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2019 Chandos Records 2019 Chandos Records

Album review

After leaving the boys’ choir of St Stephens Cathedral in Vienna, one of the ways the young Haydn found to support himself was as a harpsichord teacher. The three early sonatas featured on this recording were almost certainly intended for his students: short, light pieces with few technical demands. The two larger sonatas, both in the key of E-flat major, were written some twenty years later and are far more extensive. Both require significantly greater prowess from the performer, and represent Haydn’s ingenuity and skill to the full.
The two additional works included here, whilst single-movement compositions, are substantial pieces. The Adagio ma non troppo would become the slow movement of Piano Trio No. 36, whilst the Variations on ‘Gott erhalte’ is based on the second movement of the ‘Emperor’ Quartet (Op. 76 No. 3), which is itself a set of variations on an anthem composed by Haydn at the request of an Austrian politician for the 29th birthday of the Emperor, and intended as a patriotic hymn comparable to ‘God Save the King’ in England – and a response against the "Marseillaise". © Chandos

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