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Stephen Clarke|Giacinto Scelsi: The Works for Piano, Vol. 4

Giacinto Scelsi: The Works for Piano, Vol. 4

Stephen Clarke

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Of all his adventurous compositions, Giacinto Scelsi's keyboard works may be the easiest to grasp because of their strong connections with piano music of the past. In such works as Hispania (1939), the Suite No. 5 (1935), and the Suite No. 6 (1939), Scelsi explores repetitive patterns, tremolos, clusters, and complex rhythms, all characteristic of his later works, so his experiments with textures and techniques are already evident even at this early stage. Yet the influences of Debussy and Ravel are fairly obvious, particularly when the music follows more or less conventional meters and has a diatonic orientation. When Scelsi's music is more chromatic and dissonant, with angular melodic shapes and jagged rhythms, it still evokes the past, whether it is by association with the mysterious, blurred sonorities of Scriabin or the expressionistic gestures of Schoenberg. Pianist Stephen Clarke performs Scelsi's works with energy and impressive physical stamina, and his expressive abilities are much more on display in this 2010 release than they seemed on the second volume of Scelsi's piano works, which was released in 2005. Here the music allows more virtuosic playfulness and effective mood painting, whereas the previous disc contained music that emphasized novel techniques over emotion or atmosphere and seemingly constrained Clarke. Mode's sound is clear and clean, though the piano lacks immediacy.
© TiVo

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Giacinto Scelsi: The Works for Piano, Vol. 4

Stephen Clarke

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Hispania (Giacinto Scelsi)

1
I. Mosso, con spirito
00:07:11

Giacinto Scelsi, Composer - Stephen Clarke, Artist, MainArtist

(C) 2010 Mode Records (P) 2010 Mode Records

2
II. Moderato
00:10:33

Giacinto Scelsi, Composer - Stephen Clarke, Artist, MainArtist

(C) 2010 Mode Records (P) 2010 Mode Records

3
III. Mosso
00:06:17

Giacinto Scelsi, Composer - Stephen Clarke, Artist, MainArtist

(C) 2010 Mode Records (P) 2010 Mode Records

Piano Suite No. 5 "Il circo" (Giacinto Scelsi)

4
I. Deciso
00:02:10

Giacinto Scelsi, Composer - Stephen Clarke, Artist, MainArtist

(C) 2010 Mode Records (P) 2010 Mode Records

5
II. —
00:01:40

Giacinto Scelsi, Composer - Stephen Clarke, Artist, MainArtist

(C) 2010 Mode Records (P) 2010 Mode Records

6
III. Grazioso
00:01:48

Giacinto Scelsi, Composer - Stephen Clarke, Artist, MainArtist

(C) 2010 Mode Records (P) 2010 Mode Records

7
IV. —
00:01:39

Giacinto Scelsi, Composer - Stephen Clarke, Artist, MainArtist

(C) 2010 Mode Records (P) 2010 Mode Records

8
V. Spigliato
00:01:22

Giacinto Scelsi, Composer - Stephen Clarke, Artist, MainArtist

(C) 2010 Mode Records (P) 2010 Mode Records

9
VI. —
00:02:20

Giacinto Scelsi, Composer - Stephen Clarke, Artist, MainArtist

(C) 2010 Mode Records (P) 2010 Mode Records

10
VII. Iniziando a "dotted quarter note"
00:02:03

Giacinto Scelsi, Composer - Stephen Clarke, Artist, MainArtist

(C) 2010 Mode Records (P) 2010 Mode Records

11
VIII. Con grazia
00:02:38

Giacinto Scelsi, Composer - Stephen Clarke, Artist, MainArtist

(C) 2010 Mode Records (P) 2010 Mode Records

12
IX. Giocoso
00:01:52

Giacinto Scelsi, Composer - Stephen Clarke, Artist, MainArtist

(C) 2010 Mode Records (P) 2010 Mode Records

13
X. Molto ritmato
00:02:08

Giacinto Scelsi, Composer - Stephen Clarke, Artist, MainArtist

(C) 2010 Mode Records (P) 2010 Mode Records

Piano Suite No. 6 "I capricci di Ty" (Giacinto Scelsi)

14
I. —
00:01:44

Giacinto Scelsi, Composer - Stephen Clarke, Artist, MainArtist

(C) 2010 Mode Records (P) 2010 Mode Records

15
II. —
00:01:30

Giacinto Scelsi, Composer - Stephen Clarke, Artist, MainArtist

(C) 2010 Mode Records (P) 2010 Mode Records

16
III. —
00:02:08

Giacinto Scelsi, Composer - Stephen Clarke, Artist, MainArtist

(C) 2010 Mode Records (P) 2010 Mode Records

17
IV. —
00:02:49

Giacinto Scelsi, Composer - Stephen Clarke, Artist, MainArtist

(C) 2010 Mode Records (P) 2010 Mode Records

18
V. —
00:01:41

Giacinto Scelsi, Composer - Stephen Clarke, Artist, MainArtist

(C) 2010 Mode Records (P) 2010 Mode Records

19
VI. —
00:00:59

Giacinto Scelsi, Composer - Stephen Clarke, Artist, MainArtist

(C) 2010 Mode Records (P) 2010 Mode Records

20
VII. —
00:02:52

Giacinto Scelsi, Composer - Stephen Clarke, Artist, MainArtist

(C) 2010 Mode Records (P) 2010 Mode Records

21
VIII. —
00:01:49

Giacinto Scelsi, Composer - Stephen Clarke, Artist, MainArtist

(C) 2010 Mode Records (P) 2010 Mode Records

22
IX. —
00:01:12

Giacinto Scelsi, Composer - Stephen Clarke, Artist, MainArtist

(C) 2010 Mode Records (P) 2010 Mode Records

23
X. —
00:01:00

Giacinto Scelsi, Composer - Stephen Clarke, Artist, MainArtist

(C) 2010 Mode Records (P) 2010 Mode Records

24
XI. —
00:01:39

Giacinto Scelsi, Composer - Stephen Clarke, Artist, MainArtist

(C) 2010 Mode Records (P) 2010 Mode Records

25
XII. —
00:01:37

Giacinto Scelsi, Composer - Stephen Clarke, Artist, MainArtist

(C) 2010 Mode Records (P) 2010 Mode Records

26
XIII. —
00:00:56

Giacinto Scelsi, Composer - Stephen Clarke, Artist, MainArtist

(C) 2010 Mode Records (P) 2010 Mode Records

27
XIV. —
00:00:45

Giacinto Scelsi, Composer - Stephen Clarke, Artist, MainArtist

(C) 2010 Mode Records (P) 2010 Mode Records

28
XV. —
00:03:13

Giacinto Scelsi, Composer - Stephen Clarke, Artist, MainArtist

(C) 2010 Mode Records (P) 2010 Mode Records

Album review

Of all his adventurous compositions, Giacinto Scelsi's keyboard works may be the easiest to grasp because of their strong connections with piano music of the past. In such works as Hispania (1939), the Suite No. 5 (1935), and the Suite No. 6 (1939), Scelsi explores repetitive patterns, tremolos, clusters, and complex rhythms, all characteristic of his later works, so his experiments with textures and techniques are already evident even at this early stage. Yet the influences of Debussy and Ravel are fairly obvious, particularly when the music follows more or less conventional meters and has a diatonic orientation. When Scelsi's music is more chromatic and dissonant, with angular melodic shapes and jagged rhythms, it still evokes the past, whether it is by association with the mysterious, blurred sonorities of Scriabin or the expressionistic gestures of Schoenberg. Pianist Stephen Clarke performs Scelsi's works with energy and impressive physical stamina, and his expressive abilities are much more on display in this 2010 release than they seemed on the second volume of Scelsi's piano works, which was released in 2005. Here the music allows more virtuosic playfulness and effective mood painting, whereas the previous disc contained music that emphasized novel techniques over emotion or atmosphere and seemingly constrained Clarke. Mode's sound is clear and clean, though the piano lacks immediacy.
© TiVo

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