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The Marian Consort|Gesualdo: Sacrae Cantiones

Gesualdo: Sacrae Cantiones

The Marian Consort & Rory McCleery

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Carlo Gesualdo's five-voice motets, published in 1603 under the title Sacrae Cantiones, have suffered in recording catalogs in comparison with his tortured madrigals and exquisitely gloomy Tenebrae responsories. This is a shame, for revealed here are serious sacred compositions that make use of many madrigalian devices, but are not simply madrigals with sacred texts. They come out especially madrigalian in this one-voice-per-part recording by the young Marian Consort: not always an ideal solution, but easy enough to imagine for Gesualdo, writing in splendid isolation in his castle after the violent events of his life, with a small troupe of virtuoso musicians on the payroll. Gesualdo uses his chromatic and extreme madrigal language as just one possibility among several; typically chromaticism will illustrate a moment of suffering, but then the polyphony will retreat to the block proto-chords of the later 16th century's motet composers or even to smooth Palestrina-like polyphony, as the text demands. The result is an exceptionally sensitive handling of text, serious but never overwrought. Sample a piece like Hei mihi, Domine for the overall effect. A recommended way into some little-known late Renaissance masterworks.

© TiVo

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Gesualdo: Sacrae Cantiones

The Marian Consort

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1
Ave Regina caelorum
00:03:27

Carlo Gesualdo, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Delphian Records, MusicPublisher

(C) 2016 Delphian Records LTD (P) 2016 Delphian Records LTD

2
Venit lumen tuum
00:02:46

Carlo Gesualdo, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Delphian Records, MusicPublisher

(C) 2016 Delphian Records LTD (P) 2016 Delphian Records LTD

3
Ave dulcissima Maria
00:04:17

Carlo Gesualdo, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Delphian Records, MusicPublisher

(C) 2016 Delphian Records LTD (P) 2016 Delphian Records LTD

4
Reminiscere miserationum tuarum
00:03:36

Carlo Gesualdo, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Delphian Records, MusicPublisher

(C) 2016 Delphian Records LTD (P) 2016 Delphian Records LTD

5
Dignare me laudare te
00:02:19

Carlo Gesualdo, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Delphian Records, MusicPublisher

(C) 2016 Delphian Records LTD (P) 2016 Delphian Records LTD

6
Sancti Spiritus, Domine
00:02:03

Carlo Gesualdo, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Delphian Records, MusicPublisher

(C) 2016 Delphian Records LTD (P) 2016 Delphian Records LTD

7
Domine, ne despicias deprecationem meam
00:02:42

Carlo Gesualdo, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Delphian Records, MusicPublisher

(C) 2016 Delphian Records LTD (P) 2016 Delphian Records LTD

8
Hei mihi, Domine
00:03:12

Carlo Gesualdo, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Delphian Records, MusicPublisher

(C) 2016 Delphian Records LTD (P) 2016 Delphian Records LTD

9
Laboravi in gemitu meo
00:03:36

Carlo Gesualdo, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Delphian Records, MusicPublisher

(C) 2016 Delphian Records LTD (P) 2016 Delphian Records LTD

10
Peccantem me quotidie
00:04:26

Carlo Gesualdo, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Delphian Records, MusicPublisher

(C) 2016 Delphian Records LTD (P) 2016 Delphian Records LTD

11
O vos omnes
00:02:57

Carlo Gesualdo, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Delphian Records, MusicPublisher

(C) 2016 Delphian Records LTD (P) 2016 Delphian Records LTD

12
Exaudi, Deus, deprecationem meam
00:03:01

Carlo Gesualdo, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Delphian Records, MusicPublisher

(C) 2016 Delphian Records LTD (P) 2016 Delphian Records LTD

13
Precibus et meritis
00:02:36

Carlo Gesualdo, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Delphian Records, MusicPublisher

(C) 2016 Delphian Records LTD (P) 2016 Delphian Records LTD

14
O Crux benedicta
00:03:10

Carlo Gesualdo, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Delphian Records, MusicPublisher

(C) 2016 Delphian Records LTD (P) 2016 Delphian Records LTD

15
Tribularer si nescirem
00:03:18

Carlo Gesualdo, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Delphian Records, MusicPublisher

(C) 2016 Delphian Records LTD (P) 2016 Delphian Records LTD

16
Deus, refugium et virtus
00:03:07

Carlo Gesualdo, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Delphian Records, MusicPublisher

(C) 2016 Delphian Records LTD (P) 2016 Delphian Records LTD

17
Tribulationem et dolorem
00:03:40

Carlo Gesualdo, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Delphian Records, MusicPublisher

(C) 2016 Delphian Records LTD (P) 2016 Delphian Records LTD

18
Illumina faciem tuam
00:03:10

Carlo Gesualdo, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Delphian Records, MusicPublisher

(C) 2016 Delphian Records LTD (P) 2016 Delphian Records LTD

19
Maria mater gratiae
00:03:22

Carlo Gesualdo, Composer - The Marian Consort, MainArtist - Rory McCleery, MainArtist - Delphian Records, MusicPublisher

(C) 2016 Delphian Records LTD (P) 2016 Delphian Records LTD

Album review

Carlo Gesualdo's five-voice motets, published in 1603 under the title Sacrae Cantiones, have suffered in recording catalogs in comparison with his tortured madrigals and exquisitely gloomy Tenebrae responsories. This is a shame, for revealed here are serious sacred compositions that make use of many madrigalian devices, but are not simply madrigals with sacred texts. They come out especially madrigalian in this one-voice-per-part recording by the young Marian Consort: not always an ideal solution, but easy enough to imagine for Gesualdo, writing in splendid isolation in his castle after the violent events of his life, with a small troupe of virtuoso musicians on the payroll. Gesualdo uses his chromatic and extreme madrigal language as just one possibility among several; typically chromaticism will illustrate a moment of suffering, but then the polyphony will retreat to the block proto-chords of the later 16th century's motet composers or even to smooth Palestrina-like polyphony, as the text demands. The result is an exceptionally sensitive handling of text, serious but never overwrought. Sample a piece like Hei mihi, Domine for the overall effect. A recommended way into some little-known late Renaissance masterworks.

© TiVo

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