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Just as Blondie's second album, Plastic Letters, was a pale imitation of their self-titled debut, Eat to the Beat, their fourth album, was a secondhand version of their breakthrough third album, Parallel Lines. There was an attempt, on such songs as "The Hardest Part" and "Atomic," to recreate the rock/disco fusion of the group's one major U.S. hit, "Heart of Glass," without similar success, and, elsewhere, the band just tried to cover too many stylistic bases. "Die Young Stay Pretty," for example, dipped into an island sound complete with modified reggae beat (a foreshadowing of the upcoming hit "The Tide Is High"), and "Sound-a-Sleep" was a lullaby that dragged too much to be a good change of pace. The British, who had long since been converted, made Eat to the Beat another chart-topper, with three major hits, including a number one ranking for "Atomic" and almost the same success for "Dreaming," but in the U.S. the album was greeted for what it was -- slick corporate rock without the tangy flavor that had made Parallel Lines such ear candy.
© William Ruhlmann /TiVo
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Richard Gottehrer, Producer - Michael Chapman, Producer - Mike Chapman, Producer - Ellie Greenwich, Background Vocalist, AssociatedPerformer - Steve Hall, Mastering Engineer, StudioPersonnel - Kevin Bartley, Mastering Engineer, StudioPersonnel - Blondie, MainArtist - Deborah Harry, ComposerLyricist - Christopher Stein, ComposerLyricist
(C) 2001 Capitol Records, Inc. ℗ 2001 Blondie Music, Inc.
Michael Chapman, Producer - Steve Hall, Mastering Engineer, StudioPersonnel - Kevin Bartley, Mastering Engineer, StudioPersonnel - Blondie, MainArtist - Chris Stein, ComposerLyricist - Debbie Harry, ComposerLyricist
(C) 2001 Capitol Records, Inc. ℗ 2001 Blondie Music, Inc.
Michael Chapman, Producer - Steve Hall, Mastering Engineer, StudioPersonnel - Blondie, MainArtist - Debbie Harry, ComposerLyricist - Nigel Harrison, ComposerLyricist
(C) 2001 Capitol Records, Inc. ℗ 2001 Blondie Music, Inc.
Michael Chapman, Producer - Steve Hall, Mastering Engineer, StudioPersonnel - Kevin Bartley, Mastering Engineer, StudioPersonnel - Blondie, MainArtist - Chris Stein, ComposerLyricist
(C) 2001 Capitol Records, Inc. ℗ 2001 Blondie Music, Inc.
Michael Chapman, Producer - Steve Hall, Mastering Engineer, StudioPersonnel - Kevin Bartley, Mastering Engineer, StudioPersonnel - Blondie, MainArtist - Debbie Harry, ComposerLyricist - Nigel Harrison, ComposerLyricist - Randy Hennes, Harmonica, AssociatedPerformer
(C) 2001 Capitol Records, Inc. ℗ 2001 Blondie Music, Inc.
Michael Chapman, Producer - Steve Hall, Mastering Engineer, StudioPersonnel - Kevin Bartley, Mastering Engineer, StudioPersonnel - Blondie, MainArtist - Jimmy Destri, ComposerLyricist - Lorna Luft, Background Vocalist, AssociatedPerformer
(C) 2001 Capitol Records, Inc. ℗ 2001 Blondie Music, Inc.
Michael Chapman, Producer - Mike Chapman, Producer - Steve Hall, Mastering Engineer, StudioPersonnel - Kevin Bartley, Mastering Engineer, StudioPersonnel - Blondie, MainArtist - Chris Stein, ComposerLyricist - Debbie Harry, ComposerLyricist
(C) 2001 Capitol Records, Inc. ℗ 2001 Blondie Music, Inc.
Michael Chapman, Producer - Steve Hall, Mastering Engineer, StudioPersonnel - Kevin Bartley, Mastering Engineer, StudioPersonnel - Blondie, MainArtist - Jimmy Destri, ComposerLyricist - Lorna Luft, Background Vocalist, AssociatedPerformer - Laura Davis, ComposerLyricist
(C) 2001 Capitol Records, Inc. ℗ 2001 Blondie Music, Inc.
Michael Chapman, Producer - Giorgio Moroder, Producer - Ellie Greenwich, Background Vocalist, AssociatedPerformer - Steve Hall, Mastering Engineer, StudioPersonnel - Kevin Bartley, Mastering Engineer, StudioPersonnel - Blondie, MainArtist - Deborah Harry, Vocals, AssociatedPerformer, ComposerLyricist - Chris Stein, Guitar, AssociatedPerformer - Jimmy Destri, Keyboards, AssociatedPerformer, ComposerLyricist - Clem Burke, Drums, AssociatedPerformer - Nigel Harrison, Bass Guitar, AssociatedPerformer - Frank Infante, Guitar, AssociatedPerformer
(C) 2001 Capitol Records, Inc. ℗ 2001 Blondie Music, Inc.
Michael Chapman, Producer - Mike Chapman, Producer - Steve Hall, Mastering Engineer, StudioPersonnel - Kevin Bartley, Mastering Engineer, StudioPersonnel - Blondie, MainArtist - Chris Stein, ComposerLyricist - Debbie Harry, ComposerLyricist
(C) 2001 Capitol Records, Inc. ℗ 2001 Blondie Music, Inc.
Michael Chapman, Producer - Steve Hall, Mastering Engineer, StudioPersonnel - Kevin Bartley, Mastering Engineer, StudioPersonnel - Blondie, MainArtist - Debbie Harry, ComposerLyricist - Frank Infante, ComposerLyricist - The Jah Trio, Background Vocalist, AssociatedPerformer
(C) 2001 Capitol Records, Inc. ℗ 2001 Blondie Music, Inc.
Michael Chapman, Producer - Mike Chapman, Producer - Steve Hall, Mastering Engineer, StudioPersonnel - Kevin Bartley, Mastering Engineer, StudioPersonnel - Blondie, MainArtist - Jimmy Destri, ComposerLyricist - Donna Destri, Background Vocalist, AssociatedPerformer
(C) 2001 Capitol Records, Inc. ℗ 2001 Blondie Music, Inc.
Jeff Griffin, Producer - Kevin Bartley, Mastering Engineer, StudioPersonnel - Blondie, MainArtist - Chris Stein, ComposerLyricist - Debbie Harry, ComposerLyricist
(C) 2001 Capitol Records, Inc. ℗ 2001 Blondie Music, Inc.
Jeff Griffin, Producer - Lamont Dozier, ComposerLyricist - Eddie Holland, ComposerLyricist - Brian Holland, ComposerLyricist - Kevin Bartley, Mastering Engineer, StudioPersonnel - Blondie, MainArtist
(C) 2001 Capitol Records, Inc. ℗ 2001 Blondie Music, Inc.
Robert Fripp, Guitar, AssociatedPerformer, ComposerLyricist - Kevin Bartley, Mastering Engineer, StudioPersonnel - Blondie, MainArtist - David Bowie, ComposerLyricist - David Byrne, ComposerLyricist - Harold Budd, ComposerLyricist
(C) 2001 Capitol Records, Inc. ℗ 2001 Blondie Music, Inc.
June Carter, ComposerLyricist - MERLE KILGORE, ComposerLyricist - Blondie, MainArtist
(C) 2001 Capitol Records, Inc. ℗ 2001 Blondie Music, Inc.
Album review
Just as Blondie's second album, Plastic Letters, was a pale imitation of their self-titled debut, Eat to the Beat, their fourth album, was a secondhand version of their breakthrough third album, Parallel Lines. There was an attempt, on such songs as "The Hardest Part" and "Atomic," to recreate the rock/disco fusion of the group's one major U.S. hit, "Heart of Glass," without similar success, and, elsewhere, the band just tried to cover too many stylistic bases. "Die Young Stay Pretty," for example, dipped into an island sound complete with modified reggae beat (a foreshadowing of the upcoming hit "The Tide Is High"), and "Sound-a-Sleep" was a lullaby that dragged too much to be a good change of pace. The British, who had long since been converted, made Eat to the Beat another chart-topper, with three major hits, including a number one ranking for "Atomic" and almost the same success for "Dreaming," but in the U.S. the album was greeted for what it was -- slick corporate rock without the tangy flavor that had made Parallel Lines such ear candy.
© William Ruhlmann /TiVo
About the album
- 1 disc(s) - 16 track(s)
- Total length: 00:59:06
- Main artists: Blondie
- Composer: Various Composers
- Label: Chrysalis\EMI Records (USA)
- Genre: Pop/Rock Rock
© 2001 Capitol Records Inc. ℗ 2001 Capitol Records Inc.
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