Qobuz Store wallpaper
Categories:
Cart 0

Your cart is empty

Jim White|Drill a Hole in that Substrate and Tell Me What You See

Drill a Hole in that Substrate and Tell Me What You See

Jim White

Available in
16-Bit/44.1 kHz Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

Jim White writes like a Southern gentlemen. When he released his cryptic debut, Wrong-Eyed Jesus, in 1997, he was approaching 40, and with each record his civil invective and genuine yearning for redemption have become more focused, culminating in an eccentric -- yet fully realized -- body of work that requires no aging to prove itself worthy. Drill a Hole in That Substrate and Tell Me What You See preens like an alley cat with a bellyful of chicken scraps. The thick veil of gloss that co-producers Joe Henry and Tucker Martine use to coat each of the 11 hypnotic tracks is entirely transparent, resulting in a glass-bottom boat ride that's both cathartic and uncomfortably voyeuristic. White's characters are always teetering on the edge of a bridge, faces cast skyward, wondering if whatever it is that's left them might swoop down just seconds before the first shoe drops. He meets his subjects on level ground, allowing them to speak through him as well as serve as their master's mouthpiece. On the spooky Tom Waits-style dirge "Borrowed Wings," the ghosts of doomed Bonnie and Clyde-cursed lovers weep "For in the fallow field where what's reaped is what's sown/There lies a road to ruin and it's paved with our tombstones." It's not all hellfire and brimstone, though, as evidenced by the goofy Barenaked Ladies collaboration "Alabama Chrome" and the bright -- almost hopeful -- hidden track, "Land Called Home." There's a deep Southern gothic vibe at work here that brings to mind the Spanish moss meanderings of Daniel Lanois' For the Beauty of Wynona, but it's the shadow of Waits that always gets the last word; "If Jesus Drove a Motor Home" sounds like a cross between something off of The Black Rider and the theme to The Sopranos, but it's interesting that despite all of the celebrity guests (Aimee Mann, Bill Frisell, M. Ward), it's White's self-produced tracks that mirror their creator's sewn up -- but still bleeding a little -- heart.

© James Christopher Monger /TiVo

More info

Drill a Hole in that Substrate and Tell Me What You See

Jim White

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

You are currently listening to samples.

Listen to over 100 million songs with an unlimited streaming plan.

Listen to this playlist and more than 100 million songs with our unlimited streaming plans.

From $17.49/month

1
Static on the Radio
00:06:31

Aimee Mann, FeaturedArtist, AssociatedPerformer - Copyright Control, MusicPublisher - Jim White, Composer, Lyricist, Producer, MainArtist

2006 Luaka Bop Records 2006 Luaka Bop Records

2
Bluebird
00:05:29

Copyright Control, MusicPublisher - M. Ward, FeaturedArtist, AssociatedPerformer - Jim White, Composer, Lyricist, Producer, MainArtist

2006 Luaka Bop Records 2006 Luaka Bop Records

3
Combing My Hair In a Brand New Style
00:06:24

Copyright Control, MusicPublisher - Jim White, Composer, Lyricist, Producer, MainArtist

2006 Luaka Bop Records 2006 Luaka Bop Records

4
That Girl From Brownsville Texas
00:06:22

Copyright Control, MusicPublisher - Jim White, Composer, Lyricist, Producer, MainArtist

2006 Luaka Bop Records 2006 Luaka Bop Records

5
Borrowed Wings
00:04:34

Copyright Control, MusicPublisher - Jim White, Composer, Lyricist, Producer, MainArtist - Suzie Ungerleider, FeaturedArtist - Oh Susanna (Susie Ungerleider), AssociatedPerformer

2006 Luaka Bop Records 2006 Luaka Bop Records

6
If Jesus Drove a Motor Home
00:04:36

Copyright Control, MusicPublisher - Jim White, Composer, Lyricist, Producer, MainArtist

2006 Luaka Bop Records 2006 Luaka Bop Records

7
Objects In Motion
00:05:58

Copyright Control, MusicPublisher - Bill Frisell, FeaturedArtist, AssociatedPerformer - Jim White, Composer, Lyricist, Producer, MainArtist

2006 Luaka Bop Records 2006 Luaka Bop Records

8
Buzzards of Love
00:07:00

Copyright Control, MusicPublisher - Jim White, Composer, Lyricist, Producer, MainArtist

2006 Luaka Bop Records 2006 Luaka Bop Records

9
Alabama Chrome
00:04:25

Barenaked Ladies, FeaturedArtist, AssociatedPerformer - Copyright Control, MusicPublisher - Jim White, Composer, Lyricist, Producer, MainArtist

2006 Luaka Bop Records 2006 Luaka Bop Records

10
Phone Booth In Heaven
00:07:09

Copyright Control, MusicPublisher - M. Ward, FeaturedArtist, AssociatedPerformer - Mary Gauthier, AssociatedPerformer - Jim White, Composer, Lyricist, Producer, MainArtist

2006 Luaka Bop Records 2006 Luaka Bop Records

11
Land Called Home
00:04:11

Copyright Control, MusicPublisher - Jim White, Composer, Lyricist, Producer, MainArtist

2006 Luaka Bop Records 2006 Luaka Bop Records

Album review

Jim White writes like a Southern gentlemen. When he released his cryptic debut, Wrong-Eyed Jesus, in 1997, he was approaching 40, and with each record his civil invective and genuine yearning for redemption have become more focused, culminating in an eccentric -- yet fully realized -- body of work that requires no aging to prove itself worthy. Drill a Hole in That Substrate and Tell Me What You See preens like an alley cat with a bellyful of chicken scraps. The thick veil of gloss that co-producers Joe Henry and Tucker Martine use to coat each of the 11 hypnotic tracks is entirely transparent, resulting in a glass-bottom boat ride that's both cathartic and uncomfortably voyeuristic. White's characters are always teetering on the edge of a bridge, faces cast skyward, wondering if whatever it is that's left them might swoop down just seconds before the first shoe drops. He meets his subjects on level ground, allowing them to speak through him as well as serve as their master's mouthpiece. On the spooky Tom Waits-style dirge "Borrowed Wings," the ghosts of doomed Bonnie and Clyde-cursed lovers weep "For in the fallow field where what's reaped is what's sown/There lies a road to ruin and it's paved with our tombstones." It's not all hellfire and brimstone, though, as evidenced by the goofy Barenaked Ladies collaboration "Alabama Chrome" and the bright -- almost hopeful -- hidden track, "Land Called Home." There's a deep Southern gothic vibe at work here that brings to mind the Spanish moss meanderings of Daniel Lanois' For the Beauty of Wynona, but it's the shadow of Waits that always gets the last word; "If Jesus Drove a Motor Home" sounds like a cross between something off of The Black Rider and the theme to The Sopranos, but it's interesting that despite all of the celebrity guests (Aimee Mann, Bill Frisell, M. Ward), it's White's self-produced tracks that mirror their creator's sewn up -- but still bleeding a little -- heart.

© James Christopher Monger /TiVo

About the album

Improve album information

Qobuz logo Why buy on Qobuz...

On sale now...

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

The Studio Albums 2009 – 2018

Mark Knopfler

Brothers In Arms

Dire Straits

Brothers In Arms Dire Straits

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
More on Qobuz
By Jim White

Mama Lucky

Jim White

Mama Lucky Jim White

Drill a Hole in that Substrate and Tell Me What You See (Deluxe Version)

Jim White

Wrong-Eyed Jesus!

Jim White

Wrong-Eyed Jesus! Jim White

All Hits: Memories

Jim White

All Hits: Memories Jim White

Marketplace

Jim White

Marketplace Jim White
You may also like...

Wall Of Eyes

The Smile

Wall Of Eyes The Smile

All Born Screaming

St. Vincent

All Born Screaming St. Vincent

Born To Die

Lana Del Rey

Born To Die Lana Del Rey

In Times New Roman...

Queens Of The Stone Age

In Times New Roman... Queens Of The Stone Age

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Billie Eilish