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Mae Moore|Dragonfly

Dragonfly

Mae Moore

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After the fascinating blend of crisp-and-clear cool and low-key energy that defined Bohemia, on Dragonfly Moore lets the energy bubble up more to the fore. It makes the album just a touch less special than Bohemia and a little more readily earthy -- the type of thing that mid-'90s programmers looking for the next Sheryl Crow or Sarah McLachlan were probably hunting for. But by no means is Dragonfly a bad experience, and with Gavin McKillop handling the production this time around (having assisted on Bohemia), Moore's backing matches her gentle passion quite well. Indeed, sometimes she really steps up excellently; "Pleasure Grounds" features some of her most direct, strongest singing yet, while the backing music makes for a miniature epic touched with a hint of shoegaze power. Her ear for the occasional calm MC break in her songs remains untouched, thus her concluding words on "Genuine," while the restrained funk breaks on "Love Won't Find Us Here" or the just-off-center rhythm of "Hollow As Bone" give some kicky changes to the album's general flow. The woozy guitar chime on "Here" and subtle beauty of "Kiss of Life" have much of Bohemia's wistful power; if the mix is a touch more radio-friendly, the results can't be argued with. Other efforts can be a touch too ham-handed -- usually through no fault of Moore's per se, whose singing never sounds less than excellent. But the parping Hammond organ start of "Watermark" grates a bit, where other appearances aren't so bad, while many of the songs show relatively little difference from each other in the end. Often Dragonfly succeeds best in a matter of details: consider the stripped-down start of "Evolution (The Same Way)," which steers away from the full, flush flow of much of the album to let only a guitar, bass, and Moore do the talking.

© Ned Raggett /TiVo

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Dragonfly

Mae Moore

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1
Genuine (Album Version)
00:05:27

Daniel Lapp, Trumpet - Gavin MacKillop, Mixing Engineer - Gavin MacKillop, Producer - Gavin MacKillop, Recording Engineer - Greg Reely, Drums - Mae Moore, Acoustic Baritone Guitar - Mae Moore, Composer - Mae Moore, Lyricist - Mae Moore, Performer - Mae Moore, Vocal - Neil Clarke, Electric Guitar - Peter Letros, Mastering Engineer - Rick May, Bass - Stephen Marcussen, Mastering Engineer - Stephen Nikleva, Electric Guitar

(P) 1995 Sony Music Entertainment (Canada) Inc.

2
Love Won't Find Us Here (Album Version)
00:03:49

Gavin MacKillop, Mixing Engineer - Gavin MacKillop, Producer - Gavin MacKillop, Recording Engineer - Mae Moore, Acoustic Baritone Guitar - Mae Moore, Composer - Mae Moore, Lyricist - Mae Moore, Performer - Mae Moore, Vocal - Neil Clarke, Electric Guitar - Paul Brennan, Drums - Peter Letros, Mastering Engineer - Rick May, Bass - Scott Harding, Drums - Stephen Marcussen, Mastering Engineer

(P) 1995 Sony Music Entertainment (Canada) Inc.

3
All I Can't Explain (Album Version)
00:04:31

Gavin MacKillop, Mixing Engineer - Gavin MacKillop, Producer - Greg Reely, Drum Programmer - Mae Moore, Acoustic Baritone Guitar - Mae Moore, Composer - Mae Moore, Electric Guitar - Mae Moore, Lyricist - Mae Moore, Performer - Mae Moore, Vocal - Neil Clarke, Electric Guitar - Paul Brennan, Drums - Rick May, Bass - Stephen Marcussen, Mastering Engineer - Stephen Nikleva, Electric Guitar

(P) 1995 Sony Music Entertainment Canada Inc.

4
Evolution (The Same Way) (Album Version)
00:04:50

Gavin MacKillop, Mixing Engineer - Gavin MacKillop, Producer - Greg Reely, Drum Programmer - Mae Moore, Acoustic Baritone Guitar - Mae Moore, Composer - Mae Moore, Electric Guitar - Mae Moore, Lyricist - Mae Moore, Performer - Mae Moore, Vocal - Neil Clarke, Electric Guitar - Paul Brennan, Cymbals - Stephen Marcussen, Mastering Engineer - Vincent Jones, Piano

(P) 1995 Sony Music Entertainment Canada Inc.

5
Here (Album Version)
00:03:43

Daniel Lapp, Flugelhorn - Gavin MacKillop, Mixing Engineer - Gavin MacKillop, Producer - Mae Moore, Acoustic Baritone Guitar - Mae Moore, Composer - Mae Moore, Lyricist - Mae Moore, Performer - Mae Moore, Vocal - Neil Clarke, Electric Guitar - Paul Brennan, Drums - Rick May, Bass - Stephen Marcussen, Mastering Engineer - Stephen Nikleva, Electric Guitar

(P) 1995 Sony Music Entertainment Canada Inc.

6
Watermark (Album Version)
00:03:40

Gavin MacKillop, Background Vocal - Gavin MacKillop, Mixing Engineer - Gavin MacKillop, Producer - Gavin MacKillop, Recording Engineer - John Mann, Background Vocal - Mae Moore, Acoustic Baritone Guitar - Mae Moore, Composer - Mae Moore, Lyricist - Mae Moore, Performer - Mae Moore, Vocal - Neil Clarke, Electric Guitar - Peter Letros, Mastering Engineer - Rick May, Bass - Scott Harding, Drums - Scott Harding, Percussion - Stephen Marcussen, Mastering Engineer - Stephen Nikleva, Mandolin

(P) 1995 Sony Music Entertainment Canada Inc.

7
Pleasure Grounds (Album Version)
00:04:09

Gavin MacKillop, Mixing Engineer - Gavin MacKillop, Producer - Mae Moore, Acoustic Baritone Guitar - Mae Moore, Composer - Mae Moore, Lyricist - Mae Moore, Performer - Mae Moore, Vocal - Neil Clarke, Electric Guitar - Paul Brennan, Drums - Paul Brennan, Percussion - Rick May, Bass - Stephen Marcussen, Mastering Engineer - Vincent Jones, Piano

(P) 1995 Sony Music Entertainment Canada Inc.

8
Hollow As Bone (Album Version)
00:04:06

Daniel Lapp, Trumpet - Gavin MacKillop, Mixing Engineer - Gavin MacKillop, Producer - Greg Reely, Drum Programmer - Mae Moore, Acoustic Baritone Guitar - Mae Moore, Composer - Mae Moore, Electric Guitar - Mae Moore, Lyricist - Mae Moore, Performer - Mae Moore, Vocal - Neil Clarke, Electric Guitar - Rick May, Bass - Stephen Marcussen, Mastering Engineer - Stephen Nikleva, Electric Guitar

(P) 1995 Sony Music Entertainment Canada Inc.

9
Kiss Of Life (Album Version)
00:04:18

Gavin MacKillop, Mixing Engineer - Gavin MacKillop, Producer - Gavin MacKillop, Recording Engineer - Mae Moore, Composer - Mae Moore, Electric Guitar - Mae Moore, Lyricist - Mae Moore, Performer - Mae Moore, Vocal - Neil Clarke, Electric Guitar - Peter Letros, Mastering Engineer - Rick May, Bass - Scott Harding, Drums - Scott Harding, Percussion - Stephen Marcussen, Mastering Engineer - Stephen Nikleva, Electric Guitar - Vincent Jones, Piano

(P) 1995 Sony Music Entertainment Canada Inc.

10
Faithless (Album Version)
00:04:40

Gavin MacKillop, Background Vocal - Gavin MacKillop, Mixing Engineer - Gavin MacKillop, Producer - Greg Reely, Percussion - Mae Moore, Composer - Mae Moore, Electric Guitar - Mae Moore, Lyricist - Mae Moore, Performer - Mae Moore, Vocal - Paul Brennan, Percussion - Rick May, Bass - Scott Harding, Drum Programmer - Stephen Marcussen, Mastering Engineer - Stephen Nikleva, Electric Guitar - Vincent Jones, Harmonium

(P) 1995 Sony Music Entertainment Canada Inc.

11
Fine (Album Version)
00:04:36

Gavin MacKillop, Mixing Engineer - Gavin MacKillop, Producer - Gavin MacKillop, Recording Engineer - Mae Moore, Composer - Mae Moore, Electric Guitar - Mae Moore, Lyricist - Mae Moore, Performer - Mae Moore, Vocal - Paul Brennan, Drums - Paul Brennan, Percussion - Peter Letros, Mastering Engineer - Rick May, Bass - Stephen Marcussen, Mastering Engineer - Stephen Nikleva, Electric Guitar

(P) 1995 Sony Music Entertainment Canada Inc.

Album review

After the fascinating blend of crisp-and-clear cool and low-key energy that defined Bohemia, on Dragonfly Moore lets the energy bubble up more to the fore. It makes the album just a touch less special than Bohemia and a little more readily earthy -- the type of thing that mid-'90s programmers looking for the next Sheryl Crow or Sarah McLachlan were probably hunting for. But by no means is Dragonfly a bad experience, and with Gavin McKillop handling the production this time around (having assisted on Bohemia), Moore's backing matches her gentle passion quite well. Indeed, sometimes she really steps up excellently; "Pleasure Grounds" features some of her most direct, strongest singing yet, while the backing music makes for a miniature epic touched with a hint of shoegaze power. Her ear for the occasional calm MC break in her songs remains untouched, thus her concluding words on "Genuine," while the restrained funk breaks on "Love Won't Find Us Here" or the just-off-center rhythm of "Hollow As Bone" give some kicky changes to the album's general flow. The woozy guitar chime on "Here" and subtle beauty of "Kiss of Life" have much of Bohemia's wistful power; if the mix is a touch more radio-friendly, the results can't be argued with. Other efforts can be a touch too ham-handed -- usually through no fault of Moore's per se, whose singing never sounds less than excellent. But the parping Hammond organ start of "Watermark" grates a bit, where other appearances aren't so bad, while many of the songs show relatively little difference from each other in the end. Often Dragonfly succeeds best in a matter of details: consider the stripped-down start of "Evolution (The Same Way)," which steers away from the full, flush flow of much of the album to let only a guitar, bass, and Moore do the talking.

© Ned Raggett /TiVo

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