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The Spinners|Dancin' and Lovin'

Dancin' and Lovin'

The Spinners

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While soul purists recoiled in horror, the Spinners climbed off the ropes and soared back into the spotlight by recasting themselves as a modified dance/crossover band with soul/R&B influences. It worked in the short run, as their remake of the Four Seasons' "Working My Way Back to You," mixed with their own wailer, "Forgive Me Girl," made a nice sandwich at number two pop and number six R&B. It took nearly a year, but they were revived. While they wore the formula out with a similar follow-up, it gave them a fresh start and the necessary credibility to eventually return to their customary sophisticated soul.

© Ron Wynn /TiVo

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Dancin' and Lovin'

The Spinners

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1
Disco Ride (Single Version)
00:06:24

Billy Henderson, Vocals - Gloria Agostini, Harp - Alan Raph, Bass Trombone - John Edwards, Vocals - ROB MOUNSEY, Keyboards - MICHAEL BARBIERO, MixingEngineer - Jason Corsaro, AssistantEngineer - George Marge, Alto Saxophone - Bobby Smith, Vocals - Rubens Bassini, Percussion - Francisco Centeno, Bass Guitar - Warren Covington, Trombone - The Spinners, MainArtist - Michael Zager, Conductor, Producer, Arranger, Writer - Henry Fambrough, Vocals - Pervis Jackson, Vocals - Danny Cahn, Trumpet - Gerald Chamberlain, Trombone - Jerry Love, ExecutiveProducer - John Gatchell, Trumpet - Lenny Hambro, Tenor Saxophone - Robert Millikan, Trumpet - Steve Love, Guitar - Greg Mann, Assistant Mixing Engineer - Rick Rowe, Engineer - Jolyon Ward Skinner, Writer - Ed Sullivan, AssistantEngineer - Ted Brosnan, AssistantEngineer - Michael Barry, AssistantEngineer - Jeff Mirinov, Guitar - Eltesa Weathersby, Writer - Ken Robertson, AssistantEngineer - Bob Carbone, MasteringEngineer - Allen Schwartzberg, Drums - Craig Winterson, Assistant Mixing Engineer - Deirdre O'Hara, ProductionCoordinator - The Alfred V. Brown String Section, Strings - Darroll Gustmachio, Engineer - Tim Geeland, Engineer

© 1979 Atlantic Recording Corporation ℗ 1980 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States

2
Body Language
00:06:26

Billy Henderson, Contributor, Vocals - Alan Roy Scott, Writer - Alan Raph, Bass Trombone - John Edwards, Contributor, Vocals - MICHAEL BARBIERO, MixingEngineer - Pat Rebillot, Keyboards - Bobby Smith, Vocals - Rubens Bassini, Percussion - Francisco Centeno, Bass Guitar - Warren Covington, Trombone - The Spinners, MainArtist - Michael Zager, Conductor, Producer, Arranger, Contributor - Bobbie Smith, Contributor - Henry Fambrough, Contributor, Vocals - Pervis Jackson, Contributor, Vocals - Cliff Morris, Guitar - Danny Cahn, Trumpet - Gerald Chamberlain, Trombone - Jerry Love, ExecutiveProducer - John Gatchell, Trumpet - Lenny Hambro, Tenor Saxophone - Robert Millikan, Trumpet - Steve Love, Guitar - Greg Mann, Assistant Mixing Engineer - Frank Fuchs, Writer - Will Hatcher, Contributor - Ed Fox, Writer - Bob Carbone, MasteringEngineer - Allen Schwartzberg, Drums - Eddie Korvin, Engineer - Michael Ewasko, AssistantEngineer - Gerry Neiwood, Alto Saxophone - Craig Winterson, Assistant Mixing Engineer - Deirdre O'Hara, ProductionCoordinator - The Alfred V. Brown String Section, Strings

© 1979 Atlantic Recording Corporation ℗ 1980 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States

3
Let's Boogie, Let's Dance
00:05:56

Doug James, Writer - Billy Henderson, Vocals - Doug Frank, Writer - Gloria Agostini, Harp - Alan Raph, Bass Trombone - John Edwards, Vocals - ROB MOUNSEY, Keyboards - MICHAEL BARBIERO, MixingEngineer - Jason Corsaro, AssistantEngineer - George Marge, Alto Saxophone - Bobby Smith, Vocals - Rubens Bassini, Percussion - Francisco Centeno, Bass Guitar - Warren Covington, Trombone - The Spinners, MainArtist - Michael Zager, Conductor, Producer, Arranger - Henry Fambrough, Vocals - Pervis Jackson, Vocals - Danny Cahn, Trumpet - Gerald Chamberlain, Trombone - Jerry Love, ExecutiveProducer - John Gatchell, Trumpet - Lenny Hambro, Tenor Saxophone - Robert Millikan, Trumpet - Steve Love, Guitar - Greg Mann, Assistant Mixing Engineer - Rick Rowe, Engineer - Ed Fox, Writer - Ed Sullivan, AssistantEngineer - Ted Brosnan, AssistantEngineer - Michael Barry, AssistantEngineer - Jeff Mirinov, Guitar - Ken Robertson, AssistantEngineer - Bob Carbone, MasteringEngineer - Allen Schwartzberg, Drums - Craig Winterson, Assistant Mixing Engineer - Deirdre O'Hara, ProductionCoordinator - The Alfred V. Brown String Section, Strings - Darroll Gustmachio, Engineer - Tim Geeland, Engineer

© 1979 Atlantic Recording Corporation ℗ 1980 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States

4
Medley: Working My Way Back to You / Forgive Me, Girl
00:06:04

Sandy Linzer, Writer - Billy Henderson, Vocals - Denny Randell, Writer - Alan Raph, Bass Trombone - John Edwards, Vocals - MICHAEL BARBIERO, MixingEngineer - Pat Rebillot, Keyboards - Bobby Smith, Vocals - Rubens Bassini, Percussion - Francisco Centeno, Bass Guitar - Warren Covington, Trombone - The Spinners, MainArtist - Michael Zager, Conductor, Producer, Arranger, Writer - Henry Fambrough, Vocals - Pervis Jackson, Vocals - Cliff Morris, Guitar - Danny Cahn, Trumpet - Gerald Chamberlain, Trombone - Jerry Love, ExecutiveProducer - John Gatchell, Trumpet - Lenny Hambro, Tenor Saxophone - Robert Millikan, Trumpet - Steve Love, Guitar - Greg Mann, Assistant Mixing Engineer - Bob Carbone, MasteringEngineer - Allen Schwartzberg, Drums - Eddie Korvin, Engineer - Michael Ewasko, AssistantEngineer - Gerry Neiwood, Alto Saxophone - Craig Winterson, Assistant Mixing Engineer - Deirdre O'Hara, ProductionCoordinator - The Alfred V. Brown String Section, Strings

© 1979 Atlantic Recording Corporation ℗ 1980 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States

5
With My Eyes
00:06:43

Doug James, Writer - Billy Henderson, Vocals - Alan Raph, Bass Trombone - John Edwards, Vocals - MICHAEL BARBIERO, MixingEngineer - Pat Rebillot, Keyboards - Bobby Smith, Vocals - Rubens Bassini, Percussion - Francisco Centeno, Bass Guitar - Warren Covington, Trombone - The Spinners, MainArtist - Michael Zager, Conductor, Producer, Arranger - Henry Fambrough, Vocals - Pervis Jackson, Vocals - Cliff Morris, Guitar - Danny Cahn, Trumpet - Gerald Chamberlain, Trombone - Jerry Love, ExecutiveProducer - John Gatchell, Trumpet - Lenny Hambro, Tenor Saxophone - Robert Millikan, Trumpet - Steve Love, Guitar - Greg Mann, Assistant Mixing Engineer - Tray Christopher, Writer - Bob Carbone, MasteringEngineer - Allen Schwartzberg, Drums - Eddie Korvin, Engineer - Michael Ewasko, AssistantEngineer - Gerry Neiwood, Alto Saxophone - Craig Winterson, Assistant Mixing Engineer - Deirdre O'Hara, ProductionCoordinator - The Alfred V. Brown String Section, Strings

© 1979 Atlantic Recording Corporation ℗ 1980 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States

6
One, One, Two, Two, Boggie Woogie Avenue
00:05:05

Billy Henderson, Vocals, CoProducer - John Edwards, Vocals, CoProducer - Jerry Jones, Drums - Bobby Smith, Vocals, CoProducer - Lorenzo Brown, Percussion - Greg Reilly, Engineer - The Spinners, MainArtist - Henry Fambrough, Vocals, CoProducer - Pervis Jackson, Vocals, CoProducer - Danny Omar, Guitar - Rickie Ross, Piano, Writer, Rhythm Arranger - Will Hatcher, Producer, Rhythm Arranger - Willie Calvin Hatcher, Writer - Bob Carbone, MasteringEngineer - Tony Robertson, Drums - Ronnie Nelson, Drums - Deirdre O'Hara, ProductionCoordinator - Guy Hutson, Bass Guitar - Jeni Taylor, AssistantEngineer - Rodrick "P-Nut" Chandler, Bass Guitar - Suniatta, Percussion, Electronic Drums - Tyrone Hornaday, Synthesizer

© 1979 Atlantic Recording Corporation ℗ 1980 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States

Album review

While soul purists recoiled in horror, the Spinners climbed off the ropes and soared back into the spotlight by recasting themselves as a modified dance/crossover band with soul/R&B influences. It worked in the short run, as their remake of the Four Seasons' "Working My Way Back to You," mixed with their own wailer, "Forgive Me Girl," made a nice sandwich at number two pop and number six R&B. It took nearly a year, but they were revived. While they wore the formula out with a similar follow-up, it gave them a fresh start and the necessary credibility to eventually return to their customary sophisticated soul.

© Ron Wynn /TiVo

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