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Margaret Leng Tan|Cage: The Works for Piano, Vol. 7

Cage: The Works for Piano, Vol. 7

Margaret Leng Tan

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The seventh volume of John Cage's piano works -- or Volume 34 of the Complete John Cage Edition, if you prefer -- features a transcendent performance of the Sonatas and Interludes for Prepared Piano (1948) meticulously rendered by avant-garde keyboardist extraordinaire, Margaret Leng Tan. Yet Volume 2 in this series features a 1994 recording of the same work, played by Philipp Vandre. For those aiming to collect the full series, this may be an annoyance, but others catching these CDs as they are released will surely appreciate having Tan's superb interpretation of the Sonatas and Interludes, with premiere recordings of Cage's long-lost Chess Pieces for piano (1944) and Vittorio Rieti's Chess Serenade (1944) as bonuses, rather than search for the older disc of the single work. But despite seeming redundant, this CD is clearly one to get: Tan is simply remarkable in the Sonatas and Interludes, giving a realization that is scrupulous in execution, deep in sonic dimensions, and luminous in color. The differences in sonorities between this album and others are immediately noticeable, especially in this recording's superior resonance and crystalline details; anyone who already knows this work will recognize that Tan's interpretation is truly Cagean in its poetic nuances and hypnotic power. So without disparaging other recordings for being less authoritative -- certainly, Tan holds a considerable advantage for having worked closely with Cage in his final years -- it is safe to say that fans of his most popular piano work will give this album full marks. Mode's sound quality is ideal, too, so this CD receives the highest recommendation.

© TiVo

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Cage: The Works for Piano, Vol. 7

Margaret Leng Tan

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Chess Pieces (John Cage)

1
Chess Pieces
00:07:48

John Cage, Composer - Margaret Leng Tan, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

Sonatas & Interludes for Prepared Piano (John Cage)

2
Sonata No. 1
00:02:43

John Cage, Composer - Margaret Leng Tan, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

3
Sonata No. 2
00:01:57

John Cage, Composer - Margaret Leng Tan, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

4
Sonata No. 3
00:02:30

John Cage, Composer - Margaret Leng Tan, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

5
Sonata No. 4
00:02:29

John Cage, Composer - Margaret Leng Tan, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

6
Interlude No. 1
00:03:28

John Cage, Composer - Margaret Leng Tan, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

7
Sonata No. 5
00:01:35

John Cage, Composer - Margaret Leng Tan, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

8
Sonata No. 6
00:02:05

John Cage, Composer - Margaret Leng Tan, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

9
Sonata No. 7
00:02:02

John Cage, Composer - Margaret Leng Tan, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

10
Sonata No. 8
00:03:06

John Cage, Composer - Margaret Leng Tan, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

11
Interlude No. 2
00:04:08

John Cage, Composer - Margaret Leng Tan, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

12
Interlude No. 3
00:02:38

John Cage, Composer - Margaret Leng Tan, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

13
Sonata No. 9
00:04:05

John Cage, Composer - Margaret Leng Tan, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

14
Sonata No. 10
00:03:10

John Cage, Composer - Margaret Leng Tan, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

15
Sonata No. 11
00:03:20

John Cage, Composer - Margaret Leng Tan, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

16
Sonata No. 12
00:02:57

John Cage, Composer - Margaret Leng Tan, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

17
Interlude No. 4
00:02:43

John Cage, Composer - Margaret Leng Tan, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

18
Sonata No. 13
00:04:07

John Cage, Composer - Margaret Leng Tan, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

19
Sonatas No. 14 and No. 15, "Gemini" (after the work by Richard Lippold)
00:05:59

John Cage, Composer - Margaret Leng Tan, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

20
Sonata No. 16
00:04:56

John Cage, Composer - Margaret Leng Tan, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

Chess Serenade (arr. for solo piano) (Anonyme)

21
Chess Serenade (arr. for solo piano)
00:01:28

Anonymous, Composer - Vittorio Rieti, Composer - Margaret Leng Tan, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

Album review

The seventh volume of John Cage's piano works -- or Volume 34 of the Complete John Cage Edition, if you prefer -- features a transcendent performance of the Sonatas and Interludes for Prepared Piano (1948) meticulously rendered by avant-garde keyboardist extraordinaire, Margaret Leng Tan. Yet Volume 2 in this series features a 1994 recording of the same work, played by Philipp Vandre. For those aiming to collect the full series, this may be an annoyance, but others catching these CDs as they are released will surely appreciate having Tan's superb interpretation of the Sonatas and Interludes, with premiere recordings of Cage's long-lost Chess Pieces for piano (1944) and Vittorio Rieti's Chess Serenade (1944) as bonuses, rather than search for the older disc of the single work. But despite seeming redundant, this CD is clearly one to get: Tan is simply remarkable in the Sonatas and Interludes, giving a realization that is scrupulous in execution, deep in sonic dimensions, and luminous in color. The differences in sonorities between this album and others are immediately noticeable, especially in this recording's superior resonance and crystalline details; anyone who already knows this work will recognize that Tan's interpretation is truly Cagean in its poetic nuances and hypnotic power. So without disparaging other recordings for being less authoritative -- certainly, Tan holds a considerable advantage for having worked closely with Cage in his final years -- it is safe to say that fans of his most popular piano work will give this album full marks. Mode's sound quality is ideal, too, so this CD receives the highest recommendation.

© TiVo

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