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Jack White|Boarding House Reach

Boarding House Reach

Jack White

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If someone had said it to him ten years ago, Jack would have laughed. A forced laugh too, no doubt. The lonesome boy of blues, confined to analog, converts to a synthetic album for the first time in his career. Foreseeing the last few years with his collaborations, this flurry in the middle of his solo breakthrough remains surprising. Next to the blues riffs, White, at the age of 42, creates his first melange of music on this new crusade. And this composition, put together at the beginning of 2018, is living proof of this new path blazed by White. Splashes of rock (Respect Commander), turbulent jam sessions (Ice Station Zebra), congas and percussion for broken Afro-Cuban rhythms on digital projections (Over and Over and Over, Everything's you've ever Learned), soaring gospel on organs with the McCrary Sisters of Nashville (Connected by Love), country caressed on the piano (What's done is done), interlude chamber music with CW Stoneking (Abulia and Akrusia), vocoders for miniature funk (Get In The Mind Shaft), Al Capone’s words written during his time at Alcatraz on Dvořák’s Humoresque in a jazz style, everything goes.


For this leap into the unknown, the former member of The Stripes made sure to let loose. Not giving a damn. Taking a lot of risks along the way. First he isolated himself for several months in a studio rented in Nashville, outside the well-built walls of Third Man Records, to first write without any backing instruments, in order to feel the keys of his synths, all while recording on tape. Then, he locked himself up in New York and Los Angeles with Carla Azar from Autolux, Louis Cato, Justin Poree and Bobby Allende as well as some of the musicians who play for Kendrick Lamar and who make some of the best hip-hop around. All musicians who he had never worked with before. Speaking on the experience, White said; "Some of those songs could take up an entire side of an album, like a Miles Davis record or a Funkadelic record. Then someone would do something and another mood would change the room." Always playing outside his comfort zone, White, who likes to capture the rawness of a live sound, dirty and still throbbing, born in sweat, chose LA to rework the recordings after letting them cool off for some time. He finally arrived at these thirteen tracks on Boarding House Reach which make up this frantic album, eccentric and heated. Truly Excellent! © Charlotte Saintoin/Qobuz

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Boarding House Reach

Jack White

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1
Connected By Love
00:04:37

Neal Evans, Organ, Synthesizer - Bob Ludwig, Mastering Engineer - Jack White, Composer, Lyricist, Acoustic Guitar, Synthesizer, MainArtist, AssociatedPerformer, Vocal - Bill Skibbe, Mixing Engineer, Recording Engineer - Jack White III, Producer, Engineer, Mixing Engineer - Joshua V. Smith, Assistant Engineer, Mixing Engineer - Bobby Allende, Percussion - Ben Schmitz, Assistant Engineer - Charlotte Kemp Muhl, Bass - Louis Cato, Drums - Grant Valentine, Assistant Engineer - DJ Harrison, Synthesizer - Ann & Regina McCrary of The McCrary Sisters, Background Vocal

(P) 2018 Third Man Records under exclusive license to Columbia Records, a division of Sony Music Entertainment

2
Why Walk a Dog?
00:02:29

Neal Evans, Synthesizer - Bob Ludwig, Mastering Engineer - Jack White, Composer, Lyricist, Electric Guitar, MainArtist, AssociatedPerformer, Vocal - Bill Skibbe, Mixing Engineer, Recording Engineer - Jack White III, Producer, Mixing Engineer - Joshua V. Smith, Assistant Engineer, Mixing Engineer - Bobby Allende, Percussion - Ben Schmitz, Assistant Engineer - Charlotte Kemp Muhl, Bass Guitar, Bass - Louis Cato, Drums - Grant Valentine, Assistant Engineer - DJ Harrison, Synthesizer

(P) 2018 Third Man Records under exclusive license to Columbia Records, a division of Sony Music Entertainment

3
Corporation
00:05:39

Neal Evans, AssociatedPerformer - Bob Ludwig, Mastering Engineer - Todd Monfalcone, Engineer - Jack White, Composer, Lyricist, Drums, Electric Guitar, Synthesizer, MainArtist, AssociatedPerformer, Vocal - Bill Skibbe, Mixing Engineer, Recording Engineer - Jack White III, Producer, Mixing Engineer - Joshua V. Smith, Mixing Engineer, Recording Engineer - Bobby Allende, Congas - Ben Schmitz, Assistant Engineer - Charlotte Kemp Muhl, Bass - Louis Cato, Drums - Grant Valentine, Assistant Engineer - DJ Harrison, AssociatedPerformer - Ann & Regina McCrary of The McCrary Sisters, Background Vocal - Ian Montone, Piano - Gianluca Braccio Montone, Piano

(P) 2018 Third Man Records under exclusive license to Columbia Records, a division of Sony Music Entertainment

4
Abulia and Akrasia
00:01:28

Bob Ludwig, Mastering Engineer - Jack White, Composer, Lyricist, MainArtist, AssociatedPerformer - Vance Powell, Recording Engineer - Bill Skibbe, Mixing Engineer, Recording Engineer - Jack White III, Producer, Mixing Engineer - Joshua V. Smith, Assistant Engineer, Mixing Engineer - Keith Smith, Trumpet - Ben Schmitz, Assistant Engineer - Brooke Waggoner, Piano - Fats Kaplin, Fiddle - Daru Jones, Drums - Charlotte Kemp Muhl, Bass - C.W. Stoneking, Speaker - Grant Valentine, Assistant Engineer - Dominic Davis, Bass - Justin Carpenter, Trombone - Neil Konouchi, Tuba - Joshua Gillis, Acoustic Guitar

(P) 2018 Third Man Records under exclusive license to Columbia Records, a division of Sony Music Entertainment

5
Hypermisophoniac
00:03:34

Bob Ludwig, Mastering Engineer - Jack White, Composer, Lyricist, Electric Guitar, MainArtist, AssociatedPerformer, Vocal - Bill Skibbe, Mixing Engineer, Recording Engineer - Jack White III, Producer, Mixing Engineer - Joshua V. Smith, Mixing Engineer, Recording Engineer - Carla Azar, Drums - Justin Poree, Percussion - Chandler Harrod, Assistant Engineer - Quincy McCrary, Piano - NeonPhoenix, Bass - Anthony "Brew" Brewster, Synthesizer

(P) 2018 Third Man Records under exclusive license to Columbia Records, a division of Sony Music Entertainment

6
Ice Station Zebra
00:03:59

Bob Ludwig, Mastering Engineer - Jack White, Composer, Lyricist, Drums, Electric Guitar, Piano, Bass, MainArtist, AssociatedPerformer, Vocal - Bill Skibbe, Mixing Engineer, Recording Engineer - Jack White III, Producer, Mixing Engineer - Joshua V. Smith, Mixing Engineer, Recording Engineer - Carla Azar, Drums - Justin Poree, Congas, AssociatedPerformer - Chandler Harrod, Assistant Engineer - Quincy McCrary, Piano - NeonPhoenix, Bass - Anthony "Brew" Brewster, Synthesizer

(P) 2018 Third Man Records under exclusive license to Columbia Records, a division of Sony Music Entertainment

7
Over and Over and Over
00:03:36

Neal Evans, Synthesizer - Bob Ludwig, Mastering Engineer - Jack White, Composer, Lyricist, Electric Guitar, Tambourine, MainArtist, AssociatedPerformer, Vocal - Bill Skibbe, Mixing Engineer, Recording Engineer - Jack White III, Producer, Mixing Engineer - Joshua V. Smith, Mixing Engineer, Recording Engineer - Bobby Allende, Congas - Ben Schmitz, Assistant Engineer - Daru Jones, Drums - Charlotte Kemp Muhl, Bass - Louis Cato, Drums - Grant Valentine, Assistant Engineer - DJ Harrison, Synthesizer

(P) 2018 Third Man Records under exclusive license to Columbia Records, a division of Sony Music Entertainment

8
Everything You've Ever Learned
00:02:13

Neal Evans, Synthesizer - Bob Ludwig, Mastering Engineer - Jack White, Composer, Lyricist, Drums, MainArtist, AssociatedPerformer, Vocal - Bill Skibbe, Mixing Engineer, Recording Engineer - Jack White III, Producer, Mixing Engineer, Recording Engineer - Joshua V. Smith, Mixing Engineer, Recording Engineer - Bobby Allende, Drums, Congas - Ben Schmitz, Assistant Engineer - Charlotte Kemp Muhl, Bass - Grant Valentine, Assistant Engineer - DJ Harrison, Synthesizer

(P) 2018 Third Man Records under exclusive license to Columbia Records, a division of Sony Music Entertainment

9
Respect Commander
00:04:33

Neal Evans, Synthesizer - Bob Ludwig, Mastering Engineer - Jack White, Composer, Lyricist, Drums, Electric Guitar, MainArtist, AssociatedPerformer, Vocal - Vance Powell, Recording Engineer - Bill Skibbe, Mixing Engineer, Recording Engineer - Jack White III, Producer, Mixing Engineer - Joshua V. Smith, Mixing Engineer, Recording Engineer - Bobby Allende, Tambourine, Congas - Carla Azar, Drums - Justin Poree, Congas, AssociatedPerformer - Chandler Harrod, Assistant Engineer - Charlotte Kemp Muhl, Bass - Quincy McCrary, Synthesizer - Louis Cato, Drums - NeonPhoenix, Bass - Anthony "Brew" Brewster, Synthesizer

(P) 2018 Third Man Records under exclusive license to Columbia Records, a division of Sony Music Entertainment

10
Ezmerelda Steals the Show
00:01:42

Bob Ludwig, Mastering Engineer - Jack White, Composer, Lyricist, Acoustic Guitar, Organ, MainArtist, AssociatedPerformer, Vocal - Bill Skibbe, Mixing Engineer - Jack White III, Producer, Mixing Engineer, Recording Engineer - Joshua V. Smith, Mixing Engineer

(P) 2018 Third Man Records under exclusive license to Columbia Records, a division of Sony Music Entertainment

11
Get In the Mind Shaft
00:04:13

Bob Ludwig, Mastering Engineer - Jack White, Composer, Lyricist, Electric Guitar, MainArtist, AssociatedPerformer, Vocal - Bill Skibbe, Mixing Engineer, Recording Engineer - Jack White III, Producer, Mixing Engineer, Recording Engineer - Joshua V. Smith, Mixing Engineer, Recording Engineer - Carla Azar, Drums - Ben Schmitz, Assistant Engineer - Justin Poree, AssociatedPerformer - Chandler Harrod, Assistant Engineer - Quincy McCrary, Synthesizer - Ann & Regina McCrary of The McCrary Sisters, Background Vocal - NeonPhoenix, Bass - Anthony "Brew" Brewster, Strings, Synthesizer - Esther Rose, Background Vocal

(P) 2018 Third Man Records under exclusive license to Columbia Records, a division of Sony Music Entertainment

12
What's Done is Done
00:02:54

Bob Ludwig, Mastering Engineer - Jack White, Composer, Lyricist, Acoustic Guitar, Electric Guitar, MainArtist, AssociatedPerformer, Vocal - Bill Skibbe, Mixing Engineer, Recording Engineer - Jack White III, Producer, Mixing Engineer - Joshua V. Smith, Assistant Engineer, Mixing Engineer - Carla Azar, Drums - Justin Poree, Shaker - Chandler Harrod, Assistant Engineer - Quincy McCrary, Piano - NeonPhoenix, Bass - Anthony "Brew" Brewster, Synthesizer, AssociatedPerformer - Esther Rose, Background Vocal

(P) 2018 Third Man Records under exclusive license to Columbia Records, a division of Sony Music Entertainment

13
Humoresque
00:03:10

Neal Evans, Piano, AssociatedPerformer - Bob Ludwig, Mastering Engineer - Antonín Dvorák, Composer - Jack White, MainArtist, AssociatedPerformer, Vocal - Bill Skibbe, Mixing Engineer, Recording Engineer - Jack White III, Producer, Mixing Engineer, AssociatedPerformer - Joshua V. Smith, Mixing Engineer, Recording Engineer - Howard Johnson, Lyricist - Ben Schmitz, Assistant Engineer - Louis Cato, Drums, Acoustic Guitar, Bass, AssociatedPerformer - Grant Valentine, Assistant Engineer

(P) 2018 Third Man Records under exclusive license to Columbia Records, a division of Sony Music Entertainment

Album review

If someone had said it to him ten years ago, Jack would have laughed. A forced laugh too, no doubt. The lonesome boy of blues, confined to analog, converts to a synthetic album for the first time in his career. Foreseeing the last few years with his collaborations, this flurry in the middle of his solo breakthrough remains surprising. Next to the blues riffs, White, at the age of 42, creates his first melange of music on this new crusade. And this composition, put together at the beginning of 2018, is living proof of this new path blazed by White. Splashes of rock (Respect Commander), turbulent jam sessions (Ice Station Zebra), congas and percussion for broken Afro-Cuban rhythms on digital projections (Over and Over and Over, Everything's you've ever Learned), soaring gospel on organs with the McCrary Sisters of Nashville (Connected by Love), country caressed on the piano (What's done is done), interlude chamber music with CW Stoneking (Abulia and Akrusia), vocoders for miniature funk (Get In The Mind Shaft), Al Capone’s words written during his time at Alcatraz on Dvořák’s Humoresque in a jazz style, everything goes.


For this leap into the unknown, the former member of The Stripes made sure to let loose. Not giving a damn. Taking a lot of risks along the way. First he isolated himself for several months in a studio rented in Nashville, outside the well-built walls of Third Man Records, to first write without any backing instruments, in order to feel the keys of his synths, all while recording on tape. Then, he locked himself up in New York and Los Angeles with Carla Azar from Autolux, Louis Cato, Justin Poree and Bobby Allende as well as some of the musicians who play for Kendrick Lamar and who make some of the best hip-hop around. All musicians who he had never worked with before. Speaking on the experience, White said; "Some of those songs could take up an entire side of an album, like a Miles Davis record or a Funkadelic record. Then someone would do something and another mood would change the room." Always playing outside his comfort zone, White, who likes to capture the rawness of a live sound, dirty and still throbbing, born in sweat, chose LA to rework the recordings after letting them cool off for some time. He finally arrived at these thirteen tracks on Boarding House Reach which make up this frantic album, eccentric and heated. Truly Excellent! © Charlotte Saintoin/Qobuz

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