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Sylvia Telles|Amor Em Hi Fi

Amor Em Hi Fi

Sylvia Telles

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Silvia Telles doesn't have a strong voice, but fortunately it's hardly necessary in weaving magic from these quintessentially breezy Brazilian classics like "Corcovado," "Dindi," and "Samba de Uma Nota So" ("One Note Samba"). She also attempts American pop standards, a medley of "All the Way," "The Boy Next Door," and "They Can't Take That Away From Me." Telles sounds much less confident here, though her command of English phrasing is definitely up to the task -- and, in the last songs, she toys with the lyrics, substituting "the way we mamboed 'til three" for Gershwin's original. Back on solid ground, her "Dindi" conjures much more of the yearning melancholia of its best interpretations, and her "Oba-La-La" is sweet and seductive. With material by Roberto Menescal and Oscar Castro Neves in addition to the twin heavyweights Gilberto and Jobim, Silvia Telles proves herself one of Brazil's strongest vocalists of the pre-bossa days, and a sizable influence on Elis Regina. The accompaniment, mostly flute and vibes with light percussion and occasional backing vocalists, is appropriately elegant and understated.

© John Bush /TiVo

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Amor Em Hi Fi

Sylvia Telles

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1
Samba Torto
00:01:56

António Carlos Jobim, ComposerLyricist - ALOYSIO DE OLIVEIRA, ComposerLyricist - Sylvia Telles, MainArtist

℗ 1960 Universal Music Ltda

2
Medley: All The Way / The Boy Next Door / They Can't Take That Away From Me
00:04:59

George Gershwin, ComposerLyricist - Ira Gershwin, Author - Sammy Cahn, Author - Hugh Martin, ComposerLyricist - Ralph Blane, ComposerLyricist - Jimmy Van Heusen, ComposerLyricist - Sylvia Telles, MainArtist

℗ 1960 Universal Music Ltda

3
Corcovado
00:02:35

António Carlos Jobim, ComposerLyricist - Sylvia Telles, MainArtist

℗ 1960 Universal Music Ltda

4
Tetê
00:02:27

Roberto Menescal, ComposerLyricist - Sylvia Telles, MainArtist - Ronaldo Bôscoli, ComposerLyricist

℗ 1960 Universal Music Ltda

5
Se É Tarde Me Perdoa
00:01:49

Carlos Lyra, ComposerLyricist - Sylvia Telles, MainArtist - Ronaldo Bôscoli, ComposerLyricist

℗ 1960 Universal Music Ltda

6
Chora Tua Tristeza
00:02:18

Luvercy Fiorini, ComposerLyricist - Sylvia Telles, MainArtist - Oscar Castro-Neves, ComposerLyricist

℗ 1960 Universal Music Ltda

7
Dindi
00:02:45

António Carlos Jobim, ComposerLyricist - ALOYSIO DE OLIVEIRA, ComposerLyricist - Sylvia Telles, MainArtist

℗ 1960 Universal Music Ltda

8
Oba La La
00:02:27

Joao Gilberto, ComposerLyricist - ALOYSIO DE OLIVEIRA, ComposerLyricist - Sylvia Telles, MainArtist

℗ 1960 Universal Music Ltda

9
Samba De Uma Nota Só
00:02:21

António Carlos Jobim, Composer - Sylvia Telles, MainArtist - Newton Ferreira de Mendonca, Author

℗ 1960 Universal Music Ltda

10
Gardez Moi Pour Toujours (Por Causa De Você)
00:03:03

António Carlos Jobim, ComposerLyricist - Dolores Duran, ComposerLyricist - Sylvia Telles, MainArtist

℗ 1960 Universal Music Ltda

11
Não Gosto Mais De Mim
00:02:14

Sérgio Ricardo, ComposerLyricist - Sylvia Telles, MainArtist

℗ 1960 Universal Music Ltda

Album review

Silvia Telles doesn't have a strong voice, but fortunately it's hardly necessary in weaving magic from these quintessentially breezy Brazilian classics like "Corcovado," "Dindi," and "Samba de Uma Nota So" ("One Note Samba"). She also attempts American pop standards, a medley of "All the Way," "The Boy Next Door," and "They Can't Take That Away From Me." Telles sounds much less confident here, though her command of English phrasing is definitely up to the task -- and, in the last songs, she toys with the lyrics, substituting "the way we mamboed 'til three" for Gershwin's original. Back on solid ground, her "Dindi" conjures much more of the yearning melancholia of its best interpretations, and her "Oba-La-La" is sweet and seductive. With material by Roberto Menescal and Oscar Castro Neves in addition to the twin heavyweights Gilberto and Jobim, Silvia Telles proves herself one of Brazil's strongest vocalists of the pre-bossa days, and a sizable influence on Elis Regina. The accompaniment, mostly flute and vibes with light percussion and occasional backing vocalists, is appropriately elegant and understated.

© John Bush /TiVo

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